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Zoë Wicomb

Biographic Data

ID98876
NAMEZoë Wicomb
GIVEN NAMESZoë
FAMILY NAMEWicomb
SIGNATUREWICOMB Z
AFFILIATIONSUniversity of Strathclyde
VERIFIEDNo
TOTAL WORKS16
TOTAL CITATIONS17
AUTHOR COUNT16
EDITOR COUNT0
FIRST PUBLICATION YEAR1990
LATEST PUBLICATION YEAR2021
H-INDEX2
  • We’ve had enough of being trapped in this derelict pondok of history”: An interview with Zoë Wicomb

    Open Access•Zoë Wicomb, Yuan-Chih Yen•ARTICLE•Tydskrif vir letterkunde•2021

    Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices

  • Race, Nation, Translation: South African Essays, 1990-2013

    Open Access•Zoë Wicomb, Siseko H Kumalo•BOOK•Tydskrif vir letterkunde•2020

    Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices

  • Race, Nation, Translation: South African Essays, 1990-2013

    Open Access•Zoë Wicomb, Andrew Van Der Vlies•BOOK•Race, Nation, Translation•2018

  • Playing in the Light: A Novel

    Zoë Wicomb•BOOK•Playing in the Light•2011

    From the acclaimed South African novelist, a lyrical tale of self-discovery in post-apartheid cape town. Set in a beautifully rendered 1990s Cape Town, Playing in the Light revolves around Marion, a woman of Afrikaner background, who hates traveling but nonetheless runs a travel agency, and her complex relationship with Brenda, the first black woman she has ever employed. In writing as finely detailed and attuned to psychological nuance as Anita …

  • Extract from work in progress

    Zoë Wicomb•ARTICLE•Social Dynamics•2011

    This article is an extract from a work in progress

  • Washing Dirty Linen in Public

    Zoë Wicomb•ARTICLE•Matatu•2010•Cited by: 2

  • Slow Man and the Real: A Lesson in Reading and Writing

    Open Access•Zoë Wicomb•ARTICLE•Journal of Literary Studies•2009

    This article addresses the problems of reading Slow Man (Coetzee 2005) through tracking its engagement with various levels of the real as well as its representation of the complex relationship between author, narrator and character. The real difficulty that besets the writer trying to produce a story from an inchoate idea is explored through the concept of substitution, one of the hermeneutic keys that structure the novel. Thus I examine the cont…

  • In Search of Tommie

    Zoë Wicomb•ARTICLE•Wasafiri•2009•Cited by: 1

    Short story set in South Africa

  • Setting, Intertextuality and the Resurrection of the Postcolonial Author1

    Zoë Wicomb•ARTICLE•Journal of Postcolonial Writing•2005•Cited by: 12•References: 3

    This is not an abstract: this essay responds to the phenomenon of writers being invited "to speak as a writer" at conferences on postcoloniality. My attempt to discuss the setting of my fiction via "the death of the author", to revisit the distinction between writer and narrator, in turn discussed in relation to ... does not lend itself to an abstract. Rather, I must rely on readers' patience and beg their goodwill to follow my text, which cannot…

  • Translations in the yard of Africa

    Open Access•Zoë Wicomb•ARTICLE•Journal of Literary Studies•2002

    In his account of the style in which Pauline Smith represents Afrikaners, her “faux‐naïef” translation or transfer from Afrikaans to English, J.M. Coetzee identifies the grammatical error of aspect as evidence that there is no actual Afrikaans original behind the archaic‐sounding, ethnicised English: “no‐one speaking his own language makes errors of aspect: the time‐system of the verb is too fundamental to language, and therefore to conceptualisa…

  • Shame and identity: The case of the coloured in South Africa

    Open Access•Zoë Wicomb•CHAPTER•Writing South Africa•1998

    Also: brown contains black – (?) – How would a person behave for us to say of him that he knows a pure, primary brown? We must always bear in mind the question: How do people learn the meaning of colour names? wittgenstein , Remarks on Colour In the 1980s South Africans discovered the Khoi/coloured woman Saartje Baartman, once known as the Hottentot Venus, who was exhibited in London and Paris from 1810 to her death in 1815. In nineteenth century…

  • Writing South Africa: Literature, Apartheid, and Democracy, 1970–1995

    Open Access•Rosemary Jane Jolly, André Brink et al.•BOOK•Writing South Africa•1998

    During the final years of the apartheid era and the subsequent transition to democracy, South African literary writing caught the world's attention as never before. Writers responded to the changing political situation and its daily impact on the country's inhabitants with works that recorded or satirised state-enforced racism, explored the possibilities of resistance and rebuilding, and creatively addressed the vexed question of literature's rel…

  • Five Afrikaner Texts and the Rehabilitation of Whiteness

    Zoë Wicomb•ARTICLE•Social Identities•1998•Cited by: 1

  • Reading, Writing, and Visual Production in the New South Africa

    Open Access•Zoë Wicomb•ARTICLE•The Journal of Commonwealth…•1995•Cited by: 1

  • Nation, race and ethnicity: Beyond the legacy of victims

    Zoë Wicomb•ARTICLE•Current Writing•1992

  • To hear the variety of discourses

    Zoë Wicomb•ARTICLE•Current Writing•1990

    (1990). To hear the variety of discourses. Current Writing: Text and Reception in Southern Africa: Vol. 2, No. 1, pp. 35-44

  • Setting, Intertextuality and the Resurrection of the Postcolonial Author1

    Zoë Wicomb•ARTICLE•Journal of Postcolonial Writing•2005•Cited by: 12•References: 3

    This is not an abstract: this essay responds to the phenomenon of writers being invited "to speak as a writer" at conferences on postcoloniality. My attempt to discuss the setting of my fiction via "the death of the author", to revisit the distinction between writer and narrator, in turn discussed in relation to ... does not lend itself to an abstract. Rather, I must rely on readers' patience and beg their goodwill to follow my text, which cannot…

  • Washing Dirty Linen in Public

    Zoë Wicomb•ARTICLE•Matatu•2010•Cited by: 2

  • In Search of Tommie

    Zoë Wicomb•ARTICLE•Wasafiri•2009•Cited by: 1

    Short story set in South Africa

  • Five Afrikaner Texts and the Rehabilitation of Whiteness

    Zoë Wicomb•ARTICLE•Social Identities•1998•Cited by: 1

  • Reading, Writing, and Visual Production in the New South Africa

    Open Access•Zoë Wicomb•ARTICLE•The Journal of Commonwealth…•1995•Cited by: 1

  • To hear the variety of discourses

    Zoë Wicomb•ARTICLE•Current Writing•1990

    (1990). To hear the variety of discourses. Current Writing: Text and Reception in Southern Africa: Vol. 2, No. 1, pp. 35-44

  • Nation, race and ethnicity: Beyond the legacy of victims

    Zoë Wicomb•ARTICLE•Current Writing•1992

  • Reading, Writing, and Visual Production in the New South Africa

    Open Access•Zoë Wicomb•ARTICLE•The Journal of Commonwealth…•1995•Cited by: 1

  • Shame and identity: The case of the coloured in South Africa

    Open Access•Zoë Wicomb•CHAPTER•Writing South Africa•1998

    Also: brown contains black – (?) – How would a person behave for us to say of him that he knows a pure, primary brown? We must always bear in mind the question: How do people learn the meaning of colour names? wittgenstein , Remarks on Colour In the 1980s South Africans discovered the Khoi/coloured woman Saartje Baartman, once known as the Hottentot Venus, who was exhibited in London and Paris from 1810 to her death in 1815. In nineteenth century…

  • Writing South Africa: Literature, Apartheid, and Democracy, 1970–1995

    Open Access•Rosemary Jane Jolly, André Brink et al.•BOOK•Writing South Africa•1998

    During the final years of the apartheid era and the subsequent transition to democracy, South African literary writing caught the world's attention as never before. Writers responded to the changing political situation and its daily impact on the country's inhabitants with works that recorded or satirised state-enforced racism, explored the possibilities of resistance and rebuilding, and creatively addressed the vexed question of literature's rel…

  • Five Afrikaner Texts and the Rehabilitation of Whiteness

    Zoë Wicomb•ARTICLE•Social Identities•1998•Cited by: 1

  • Translations in the yard of Africa

    Open Access•Zoë Wicomb•ARTICLE•Journal of Literary Studies•2002

    In his account of the style in which Pauline Smith represents Afrikaners, her “faux‐naïef” translation or transfer from Afrikaans to English, J.M. Coetzee identifies the grammatical error of aspect as evidence that there is no actual Afrikaans original behind the archaic‐sounding, ethnicised English: “no‐one speaking his own language makes errors of aspect: the time‐system of the verb is too fundamental to language, and therefore to conceptualisa…

  • Setting, Intertextuality and the Resurrection of the Postcolonial Author1

    Zoë Wicomb•ARTICLE•Journal of Postcolonial Writing•2005•Cited by: 12•References: 3

    This is not an abstract: this essay responds to the phenomenon of writers being invited "to speak as a writer" at conferences on postcoloniality. My attempt to discuss the setting of my fiction via "the death of the author", to revisit the distinction between writer and narrator, in turn discussed in relation to ... does not lend itself to an abstract. Rather, I must rely on readers' patience and beg their goodwill to follow my text, which cannot…

  • Slow Man and the Real: A Lesson in Reading and Writing

    Open Access•Zoë Wicomb•ARTICLE•Journal of Literary Studies•2009

    This article addresses the problems of reading Slow Man (Coetzee 2005) through tracking its engagement with various levels of the real as well as its representation of the complex relationship between author, narrator and character. The real difficulty that besets the writer trying to produce a story from an inchoate idea is explored through the concept of substitution, one of the hermeneutic keys that structure the novel. Thus I examine the cont…

  • In Search of Tommie

    Zoë Wicomb•ARTICLE•Wasafiri•2009•Cited by: 1

    Short story set in South Africa

  • Washing Dirty Linen in Public

    Zoë Wicomb•ARTICLE•Matatu•2010•Cited by: 2

  • Playing in the Light: A Novel

    Zoë Wicomb•BOOK•Playing in the Light•2011

    From the acclaimed South African novelist, a lyrical tale of self-discovery in post-apartheid cape town. Set in a beautifully rendered 1990s Cape Town, Playing in the Light revolves around Marion, a woman of Afrikaner background, who hates traveling but nonetheless runs a travel agency, and her complex relationship with Brenda, the first black woman she has ever employed. In writing as finely detailed and attuned to psychological nuance as Anita …

  • Extract from work in progress

    Zoë Wicomb•ARTICLE•Social Dynamics•2011

    This article is an extract from a work in progress

  • Race, Nation, Translation: South African Essays, 1990-2013

    Open Access•Zoë Wicomb, Andrew Van Der Vlies•BOOK•Race, Nation, Translation•2018

  • Race, Nation, Translation: South African Essays, 1990-2013

    Open Access•Zoë Wicomb, Siseko H Kumalo•BOOK•Tydskrif vir letterkunde•2020

    Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices

  • We’ve had enough of being trapped in this derelict pondok of history”: An interview with Zoë Wicomb

    Open Access•Zoë Wicomb, Yuan-Chih Yen•ARTICLE•Tydskrif vir letterkunde•2021

    Tydskrif vir Letterkunde is an online, peer-reviewed, accredited scholarly journal which publishes original, previously unpublished research and overview articles on theoretical, applied or comparative aspects of African literatures and cultural practices

Sociology (11 works) · South African History and Culture (9 works) · History (8 works) · Art (7 works) · Political science (7 works) · Gender Studies (6 works) · Philosophy (5 works) · Computer Science (4 works) · History (4 works) · Linguistics (4 works)

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