Irina Paperno

• Stories of the Soviet Experience

  Irina Paperno•BOOK•Stories of Soviet Experience•2009

  Incluir item

  Paperno argues that, diverse as they are, these narratives—memoirs, diaries, notes, blogs—assert the historical significance of intimate lives shaped by catastrophic political forces, especially the Terror under Stalin and World War II.

• Stories of Soviet Experience

  Irina Paperno•BOOK•Stories of Soviet Experience•2009

  Incluir item

• A Comment on Writers’ and Peasants’ Theories of Dreams

  Irina Paperno•CHAPTER•Stories of Soviet Experience•2009

  Incluir item

• What Can Be Done with Diaries

  Open Access•Irina Paperno•ARTICLE•The Russian Review•2004•Citada por: 7•Referências: 7

  Incluir item

• Exhuming the Bodies of Soviet Terror

  Irina Paperno•ARTICLE•Representations•2001•Citada por: 4•Referências: 7

  Incluir item

  Since the demise of the Soviet regime in the late 1980s, much has been written about the mass graves of victims of the so-called Stalinist Terror that have been uncovered all over the Soviet Union. Graves have been found in and near many Russian cities: Moscow (Donskoy Monastery, Butovo, Kommunarka) and Leningrad (Levashovo), Novgorod (Borovichi), Iaroslavl, Kursk, Tula, Lugansk, Voronezh,Medvezhegorsk (Sandormokh), Vorkuta, Cheliabinsk (Golden M…

• Suicide as a Cultural Institution in Dostoevsky's Russia

  Arnold Mcmillin, Irina Paperno•ARTICLE•The Slavic and East European…•1999

  Incluir item

• Christianity and the Eastern Slavs. Vol. 3. Russian Literature in Modern Times

  Valery Petrochenkov, Boris Gasparov et al.•ARTICLE•The Russian Review•1997

  Incluir item

• Christianity and the Eastern Slavs, Vol III

  Marcia A Morris, Boris Gasparov et al.•ARTICLE•The Slavic and East European…•1997

  Incluir item

• Christianity and the Eastern Slavs

  Greg Gaut, Robert Hughes et al.•ARTICLE•The Russian Review•1997

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• Creating Life

  Yvonne Howell, Irina Paperno et al.•ARTICLE•South Atlantic Review•1996

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• Creating Life

  Steven Cassedy, Irina Paperno et al.•ARTICLE•The Russian Review•1996•Citada por: 2

  Incluir item

  Russian Modernists advanced a view of art as an active creative force destined for the creation not of artistic texts, but of life itself, and a view of life as an object of artistic creation. The contributors show that the Russian notion of 'life-creation' was by no means limited to deliberate aesthetic organisation of behaviour - it was an aesthetic utopia that informed public and private projects of the reorganisation of the world, from human …

• Creating Life

  Nancy Lynn Cooper, Irina Paperno et al.•ARTICLE•The Slavic and East European…•1995

  Incluir item

• Cultural Mythologies of Russian Modernism

  Evelyn Bristol, Boris Gasparov et al.•ARTICLE•The Russian Review•1994•Citada por: 1

  Incluir item

  LIST OF CONTRIBUTORS Introduction: The Golden Age and Its Role in the Cultural Mythology of Russian Modernism, Boris Gasparov I. The Cultural Myth of Pushkin Irina Paperno Olga Matich Joan Delaney Grossman Liza Knapp David M. Bethea Andrew Wachtel Boris Gasparov II. Pushkin as an Institution Marcus C. Levitt Robert P. Hughes Greta N. Slobin Stephanie Sandler III. Pushkin in the Twentieth Century: Readings, Texts, and Subtexts William Mills Todd I…

• Cultural Mythologies of Russian Modernism

  Boris Gasparov, Robert P Hughes et al.•BOOK•Cultural Mythologies of Russian…•1992

  Incluir item

• The Liberation of the Serfs As a Cultural Symbol

  Irina Paperno•ARTICLE•The Russian Review•1991

  Incluir item

  In a large body of cultural texts from the period of the emancipation, the of serfdom is surrounded by stable symbolic associations. The liberation comes to be understood through the prism of Christian symbolism. It is the task of the present paper to describe this symbolic system, that is, to analyze and interpret the liberation of the serfs as a historical reality, but as a fact of cultural consciousness, as a cultural symbol. For many, the poi…

• Chernyshevsky and the Age of Realism. A Study in the Semiotics of Behavior

  Michael R Katz, Irina Paperno•ARTICLE•The Slavic and East European…•1990

  Incluir item

  Introduction: the individual and literature 1. Exposition 2. Recapitulation: marriage 3. The embodiment of the model: texts Conclusion Appendix Notes Index

• Women in Russian Literature 1780-1863

  B Mch, Joe Andrews et al.•ARTICLE•Poetics Today•1990

  Incluir item

• Chernyshevsky and the Age of Realism. A Study in the Semiotics of Behavior

  William G Wagner, Irina Paperno•ARTICLE•The Russian Review•1989•Citada por: 3

  Incluir item

• Beyond Literary Criticism

  Irina Paperno•ARTICLE•Canadian-American Slavic Studies•1985

  Incluir item

• What Can Be Done with Diaries

  Open Access•Irina Paperno•ARTICLE•The Russian Review•2004•Citada por: 7•Referências: 7

  Incluir item

• Exhuming the Bodies of Soviet Terror

  Irina Paperno•ARTICLE•Representations•2001•Citada por: 4•Referências: 7

  Incluir item

  Since the demise of the Soviet regime in the late 1980s, much has been written about the mass graves of victims of the so-called Stalinist Terror that have been uncovered all over the Soviet Union. Graves have been found in and near many Russian cities: Moscow (Donskoy Monastery, Butovo, Kommunarka) and Leningrad (Levashovo), Novgorod (Borovichi), Iaroslavl, Kursk, Tula, Lugansk, Voronezh,Medvezhegorsk (Sandormokh), Vorkuta, Cheliabinsk (Golden M…

• Chernyshevsky and the Age of Realism. A Study in the Semiotics of Behavior

  William G Wagner, Irina Paperno•ARTICLE•The Russian Review•1989•Citada por: 3

  Incluir item

• Creating Life

  Steven Cassedy, Irina Paperno et al.•ARTICLE•The Russian Review•1996•Citada por: 2

  Incluir item

  Russian Modernists advanced a view of art as an active creative force destined for the creation not of artistic texts, but of life itself, and a view of life as an object of artistic creation. The contributors show that the Russian notion of 'life-creation' was by no means limited to deliberate aesthetic organisation of behaviour - it was an aesthetic utopia that informed public and private projects of the reorganisation of the world, from human …

• Cultural Mythologies of Russian Modernism

  Evelyn Bristol, Boris Gasparov et al.•ARTICLE•The Russian Review•1994•Citada por: 1

  Incluir item

  LIST OF CONTRIBUTORS Introduction: The Golden Age and Its Role in the Cultural Mythology of Russian Modernism, Boris Gasparov I. The Cultural Myth of Pushkin Irina Paperno Olga Matich Joan Delaney Grossman Liza Knapp David M. Bethea Andrew Wachtel Boris Gasparov II. Pushkin as an Institution Marcus C. Levitt Robert P. Hughes Greta N. Slobin Stephanie Sandler III. Pushkin in the Twentieth Century: Readings, Texts, and Subtexts William Mills Todd I…

• Beyond Literary Criticism

  Irina Paperno•ARTICLE•Canadian-American Slavic Studies•1985

  Incluir item

• Chernyshevsky and the Age of Realism. A Study in the Semiotics of Behavior

  William G Wagner, Irina Paperno•ARTICLE•The Russian Review•1989•Citada por: 3

  Incluir item

• Chernyshevsky and the Age of Realism. A Study in the Semiotics of Behavior

  Michael R Katz, Irina Paperno•ARTICLE•The Slavic and East European…•1990

  Incluir item

  Introduction: the individual and literature 1. Exposition 2. Recapitulation: marriage 3. The embodiment of the model: texts Conclusion Appendix Notes Index

• Women in Russian Literature 1780-1863

  B Mch, Joe Andrews et al.•ARTICLE•Poetics Today•1990

  Incluir item

• The Liberation of the Serfs As a Cultural Symbol

  Irina Paperno•ARTICLE•The Russian Review•1991

  Incluir item

  In a large body of cultural texts from the period of the emancipation, the of serfdom is surrounded by stable symbolic associations. The liberation comes to be understood through the prism of Christian symbolism. It is the task of the present paper to describe this symbolic system, that is, to analyze and interpret the liberation of the serfs as a historical reality, but as a fact of cultural consciousness, as a cultural symbol. For many, the poi…

• Cultural Mythologies of Russian Modernism

  Boris Gasparov, Robert P Hughes et al.•BOOK•Cultural Mythologies of Russian…•1992

  Incluir item

• Cultural Mythologies of Russian Modernism

  Evelyn Bristol, Boris Gasparov et al.•ARTICLE•The Russian Review•1994•Citada por: 1

  Incluir item

  LIST OF CONTRIBUTORS Introduction: The Golden Age and Its Role in the Cultural Mythology of Russian Modernism, Boris Gasparov I. The Cultural Myth of Pushkin Irina Paperno Olga Matich Joan Delaney Grossman Liza Knapp David M. Bethea Andrew Wachtel Boris Gasparov II. Pushkin as an Institution Marcus C. Levitt Robert P. Hughes Greta N. Slobin Stephanie Sandler III. Pushkin in the Twentieth Century: Readings, Texts, and Subtexts William Mills Todd I…

• Creating Life

  Nancy Lynn Cooper, Irina Paperno et al.•ARTICLE•The Slavic and East European…•1995

  Incluir item

• Creating Life

  Yvonne Howell, Irina Paperno et al.•ARTICLE•South Atlantic Review•1996

  Incluir item

• Creating Life

  Steven Cassedy, Irina Paperno et al.•ARTICLE•The Russian Review•1996•Citada por: 2

  Incluir item

  Russian Modernists advanced a view of art as an active creative force destined for the creation not of artistic texts, but of life itself, and a view of life as an object of artistic creation. The contributors show that the Russian notion of 'life-creation' was by no means limited to deliberate aesthetic organisation of behaviour - it was an aesthetic utopia that informed public and private projects of the reorganisation of the world, from human …

• Christianity and the Eastern Slavs. Vol. 3. Russian Literature in Modern Times

  Valery Petrochenkov, Boris Gasparov et al.•ARTICLE•The Russian Review•1997

  Incluir item

• Christianity and the Eastern Slavs, Vol III

  Marcia A Morris, Boris Gasparov et al.•ARTICLE•The Slavic and East European…•1997

  Incluir item

• Christianity and the Eastern Slavs

  Greg Gaut, Robert Hughes et al.•ARTICLE•The Russian Review•1997

  Incluir item

• Suicide as a Cultural Institution in Dostoevsky's Russia

  Arnold Mcmillin, Irina Paperno•ARTICLE•The Slavic and East European…•1999

  Incluir item

• Exhuming the Bodies of Soviet Terror

  Irina Paperno•ARTICLE•Representations•2001•Citada por: 4•Referências: 7

  Incluir item

  Since the demise of the Soviet regime in the late 1980s, much has been written about the mass graves of victims of the so-called Stalinist Terror that have been uncovered all over the Soviet Union. Graves have been found in and near many Russian cities: Moscow (Donskoy Monastery, Butovo, Kommunarka) and Leningrad (Levashovo), Novgorod (Borovichi), Iaroslavl, Kursk, Tula, Lugansk, Voronezh,Medvezhegorsk (Sandormokh), Vorkuta, Cheliabinsk (Golden M…

• What Can Be Done with Diaries

  Open Access•Irina Paperno•ARTICLE•The Russian Review•2004•Citada por: 7•Referências: 7

  Incluir item

• Stories of the Soviet Experience

  Irina Paperno•BOOK•Stories of Soviet Experience•2009

  Incluir item

  Paperno argues that, diverse as they are, these narratives—memoirs, diaries, notes, blogs—assert the historical significance of intimate lives shaped by catastrophic political forces, especially the Terror under Stalin and World War II.

• Stories of Soviet Experience

  Irina Paperno•BOOK•Stories of Soviet Experience•2009

  Incluir item

• A Comment on Writers’ and Peasants’ Theories of Dreams

  Irina Paperno•CHAPTER•Stories of Soviet Experience•2009

  Incluir item

Art (10 obras) · Eastern European Communism and Reforms (9 obras) · History (9 obras) · Aesthetics (7 obras) · Literature (6 obras) · Philosophy (4 obras) · Psychology (4 obras) · Soviet and Russian History (4 obras) · Ancient history (3 obras) · Art history (3 obras)