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J Lombard

Biographic Data

ID99000
NAMEJ Lombard
GIVEN NAMESJ
FAMILY NAMELombard
SIGNATURELOMBARD J
AFFILIATIONSUniversité des Lettres et des Sciences Humaines de Bamako
ORCID0000-0002-2428-9035
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS8
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1956
LATEST PUBLICATION YEAR2024
H-INDEX2
  • Exploration of the creative processes in animals, robots, and AI

    Open Access•Christian Sueur, J Lombard et al.•ARTICLE•Humanities and Social Sciences…•2024

    Picture a simple scenario: a worm, in its modest way, traces a trail of paint as it moves across a sheet of paper. Now shift your imagination to a more complex scene, where a chimpanzee paints on another sheet of paper. A simple question arises: Do you perceive an identical creative process in these two animals? Can both of these animals be designated as authors of their creation? If only one, which one? This paper delves into the complexities of…

  • André Leroi-Gourhan ou les voies de l'homme

    J Lombard•ARTICLE•Revue Française de Sociologie•1989

  • La vue portée au loin. Une histoire de la pensée anthropologique

    J Lombard, Isabelle Schulte-Tenckhoff•ARTICLE•Revue Française de Sociologie•1987

    This article explores the history of anthropological thought concerning the concept of "seeing far," examining how different cultures and historical periods have understood the relationship between vision, knowledge, and power. It analyzes the evolution of anthropological perspectives on vision, from early travel narratives and colonial encounters to more contemporary theoretical approaches. The authors argue that the notion of "seeing far" has b…

  • Les trois volets de la répression

    J Lombard•ARTICLE•L Homme et la société•1983

  • Modèles sociaux et comportements de consommation

    J Lombard, J H Lombard•ARTICLE•L Homme et la société•1980•Cited by: 1

  • Pensée politique et démocratie dans l'Afrique noire traditionnelle

    J Lombard•ARTICLE•Présence Africaine•1967•Cited by: 2

  • Le collectivisme africain

    J Lombard•ARTICLE•Présence Africaine•1959

  • Cotonou, ville africaine

    Open Access•J Lombard•ARTICLE•Population•1956•Cited by: 5

  • Cotonou, ville africaine

    Open Access•J Lombard•ARTICLE•Population•1956•Cited by: 5

  • Pensée politique et démocratie dans l'Afrique noire traditionnelle

    J Lombard•ARTICLE•Présence Africaine•1967•Cited by: 2

  • Modèles sociaux et comportements de consommation

    J Lombard, J H Lombard•ARTICLE•L Homme et la société•1980•Cited by: 1

  • Cotonou, ville africaine

    Open Access•J Lombard•ARTICLE•Population•1956•Cited by: 5

  • Le collectivisme africain

    J Lombard•ARTICLE•Présence Africaine•1959

  • Pensée politique et démocratie dans l'Afrique noire traditionnelle

    J Lombard•ARTICLE•Présence Africaine•1967•Cited by: 2

  • Modèles sociaux et comportements de consommation

    J Lombard, J H Lombard•ARTICLE•L Homme et la société•1980•Cited by: 1

  • Les trois volets de la répression

    J Lombard•ARTICLE•L Homme et la société•1983

  • La vue portée au loin. Une histoire de la pensée anthropologique

    J Lombard, Isabelle Schulte-Tenckhoff•ARTICLE•Revue Française de Sociologie•1987

    This article explores the history of anthropological thought concerning the concept of "seeing far," examining how different cultures and historical periods have understood the relationship between vision, knowledge, and power. It analyzes the evolution of anthropological perspectives on vision, from early travel narratives and colonial encounters to more contemporary theoretical approaches. The authors argue that the notion of "seeing far" has b…

  • André Leroi-Gourhan ou les voies de l'homme

    J Lombard•ARTICLE•Revue Française de Sociologie•1989

  • Exploration of the creative processes in animals, robots, and AI

    Open Access•Christian Sueur, J Lombard et al.•ARTICLE•Humanities and Social Sciences…•2024

    Picture a simple scenario: a worm, in its modest way, traces a trail of paint as it moves across a sheet of paper. Now shift your imagination to a more complex scene, where a chimpanzee paints on another sheet of paper. A simple question arises: Do you perceive an identical creative process in these two animals? Can both of these animals be designated as authors of their creation? If only one, which one? This paper delves into the complexities of…

Art (4 works) · Philosophy (4 works) · Agriculture and Rural Development Research (3 works) · French Urban and Social Studies (3 works) · Humanities (3 works) · Political science (3 works) · African Studies and Ethnography (2 works) · Psychology (2 works) · Sociology (2 works) · Action Observation and Synchronization (1 work)

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