Louise Wrazen
Biographic Data
| ID | 99111 |
|---|---|
| NAME | Louise Wrazen |
| GIVEN NAMES | Louise |
| FAMILY NAME | Wrazen |
| SIGNATURE | WRAZEN L |
| AFFILIATIONS | York University, Toronto |
| VERIFIED | No |
| TOTAL WORKS | 8 |
| TOTAL CITATIONS | 11 |
| AUTHOR COUNT | 8 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2016 |
| H-INDEX | 2 |
Spiraling to Redefine (Dis)Ability
The sounds of percussion, guitar, singing, and clapping guide us from the heat of the summer pavement of the parking lot to the cool shade of the trees in the garden. Parents, staff, children, youth-we all gather here first thing in the morning. Some children immediately sit on the ground in front of the musicians, others navigate their canes or walkers to find a seat on a chair or bench or find a good spot for their wheelchairs. Some parents lin…
The Power of Song
Book Review| October 01 2016 The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution. Guntis Šmidchens. 2014. Seattle: University of Washington Press and Copenhagen: Museum Tusculanum Press. x, 446 pp., black and white photographs, illustrations, map, appendices, notes, bibliography, discography, filmography, index. Cloth, $90.00; paper, $30.00…
A Feminist Ethnomusicology
This volume represents 40 years of research and writing by one of the most influential ethnomusicologists in the discipline. Ellen Koskoff promoted the concept of gender as integral to ethnomusicol
Daughters of Tradition, Mothers of Invention
Since the 1980s, I have been observing members of the Polish Górale community teaching their music and dance in Canada. Over these years I have witnessed several generations continuing or being initiated into a "so-called traditional music of a particular place" (Wolf 2009b:5), that is, the mountains of southern Poland, while otherwise participating in a local culture quite different from that being taught in Canada and the US. Both women and men…
Relocating the Tatras
Research Article| April 01 2007 Relocating the Tatras: Place and Music in Górale Identity and Imagination Louise Wrazen Louise Wrazen Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (2): 185–204. https://doi.org/10.2307/20174523 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Louise Wrazen; Relocating the Tatras: Place and Music in Górale Identity and Imaginati…
Traditional Music Performance among Gorale in Canada
Les chants, musiques et danses des Montagnards gorale de Pologne ayant migre a Toronto (Canada) sont traditionnellement flexibles et spontanes. De 1960 a 1978, les Gorales pratiquaient encore en famille ces traditions. Puis, un groupe s'est forme pour faire des representations : la spontaneite demeurait mais public et interpretes etaient separes. En 1984, un groupe de jeunes a ete cree : desormais tout est calcule et appris, l'improvisation n'exi…
The Early History of the Vina and Bin in South and Southeast Asia
Musique traditionnelle sicilienne
A Feminist Ethnomusicology
This volume represents 40 years of research and writing by one of the most influential ethnomusicologists in the discipline. Ellen Koskoff promoted the concept of gender as integral to ethnomusicol
Relocating the Tatras
Research Article| April 01 2007 Relocating the Tatras: Place and Music in Górale Identity and Imagination Louise Wrazen Louise Wrazen Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (2): 185–204. https://doi.org/10.2307/20174523 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Louise Wrazen; Relocating the Tatras: Place and Music in Górale Identity and Imaginati…
The Early History of the Vina and Bin in South and Southeast Asia
Musique traditionnelle sicilienne
The Early History of the Vina and Bin in South and Southeast Asia
Traditional Music Performance among Gorale in Canada
Les chants, musiques et danses des Montagnards gorale de Pologne ayant migre a Toronto (Canada) sont traditionnellement flexibles et spontanes. De 1960 a 1978, les Gorales pratiquaient encore en famille ces traditions. Puis, un groupe s'est forme pour faire des representations : la spontaneite demeurait mais public et interpretes etaient separes. En 1984, un groupe de jeunes a ete cree : desormais tout est calcule et appris, l'improvisation n'exi…
Relocating the Tatras
Research Article| April 01 2007 Relocating the Tatras: Place and Music in Górale Identity and Imagination Louise Wrazen Louise Wrazen Search for other works by this author on: This Site Google Ethnomusicology (2007) 51 (2): 185–204. https://doi.org/10.2307/20174523 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Louise Wrazen; Relocating the Tatras: Place and Music in Górale Identity and Imaginati…
Daughters of Tradition, Mothers of Invention
Since the 1980s, I have been observing members of the Polish Górale community teaching their music and dance in Canada. Over these years I have witnessed several generations continuing or being initiated into a "so-called traditional music of a particular place" (Wolf 2009b:5), that is, the mountains of southern Poland, while otherwise participating in a local culture quite different from that being taught in Canada and the US. Both women and men…
A Feminist Ethnomusicology
This volume represents 40 years of research and writing by one of the most influential ethnomusicologists in the discipline. Ellen Koskoff promoted the concept of gender as integral to ethnomusicol
Spiraling to Redefine (Dis)Ability
The sounds of percussion, guitar, singing, and clapping guide us from the heat of the summer pavement of the parking lot to the cool shade of the trees in the garden. Parents, staff, children, youth-we all gather here first thing in the morning. Some children immediately sit on the ground in front of the musicians, others navigate their canes or walkers to find a seat on a chair or bench or find a good spot for their wheelchairs. Some parents lin…
The Power of Song
Book Review| October 01 2016 The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution The Power of Song: Nonviolent National Culture in the Baltic Singing Revolution. Guntis Šmidchens. 2014. Seattle: University of Washington Press and Copenhagen: Museum Tusculanum Press. x, 446 pp., black and white photographs, illustrations, map, appendices, notes, bibliography, discography, filmography, index. Cloth, $90.00; paper, $30.00…
Art (7 works) · History (5 works) · Visual arts (5 works) · Computer Science (4 works) · Diverse Musicological Studies (4 works) · Musical (4 works) · Sociology (4 works) · Ethnomusicology (3 works) · Aesthetics (2 works) · Art history (2 works)