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James P Holoka

Biographic Data

ID991902
NAMEJames P Holoka
GIVEN NAMESJames P
FAMILY NAMEHoloka
SIGNATUREHOLOKA J P
VERIFIEDNo
TOTAL WORKS32
TOTAL CITATIONS124
AUTHOR COUNT32
EDITOR COUNT0
FIRST PUBLICATION YEAR1973
LATEST PUBLICATION YEAR2001
H-INDEX7
  • Paralysin Cave: Impotence, Perception, and Text in the "Satyrica" of Petronius

    James P Holoka, John M Mcmahon et al.•ARTICLE•The Classical World•2001

    This volume explores the literary representation of male sexual dysfunction and discusses the natural and supernatural elements of an ancient folk medical system based on conceptual associations between male sexuality and specific plants, animals and minerals. The work incorporates material from both literary and scientific sources to draw parallels between ancient and modern paradigms of healing. The literary depiction of attempts to remedy impo…

  • The Poetics of Supplication: Homer's "Iliad" and "Odyssey

    James P Holoka, Kevin Crotty•ARTICLE•The Classical World•1999•Cited by: 10

    In this penetrating and compelling reinterpretation of the Iliad and the Odyssey, Kevin Crotty explores the connection between the poetic nature of supplication on the one hand, and, on the other, the importance of supplication in the structure and poetics of the two epics. The suppliant's attempt to rouse pity by calling to mind a vivid sense of grief, he says, is important for an understanding of the poems, which invite their audience to contem…

  • Achilles in Vietnam. Combat Trauma and the Undoing of Character

    Hans Van Wees, Jonathan Shay et al.•ARTICLE•Classics Ireland•1998

  • Theatrum Arbitri: Theatrical Elements in the "Satyrica" of Petronius

    James P Holoka, Costas Panayotakis•ARTICLE•The Classical World•1998•Cited by: 7•References: 8

    The title of this thesis is 'Theatrical elements in the Satyrica of Petronius". It is a literary study which deals with the possible influence that Roman comic drama (comedies of Plautus and Terence, theatre of the Greek and Roman mimes, (the fabula palliata, fabula togata, fabula Atellana) might have exerted on the surviving extant fragments of Petronius' novel. In the preface I summarise briefly the generally accepted view about the identity of…

  • Sardonic Smile: Nonverbal Behavior in Homeric Epic

    James P Holoka, Donald Lateiner•ARTICLE•The Classical World•1997

  • Greek Myths and Mesopotamia: Parallels and Influence in the "Homeric Hymns" and Hesiod

    James P Holoka, Charles Penglase•ARTICLE•The Classical World•1997

  • The Distaff Side: "Representing the Female in Homer's "Odyssey

    James P Holoka, Beth Cohen et al.•ARTICLE•The Classical World•1997•Cited by: 1

  • Heroes' Names, Homeric Identities

    James P Holoka, Carolyn Higbie•ARTICLE•The Classical World•1997•Cited by: 19

    An account of the practice of naming the Homeric poems. Demonstrates how the mode of identification signals one's place in the social fabric, with or without the addition of personal history, and discusses word-play involving names and the possible evolutionary relationship between epithets and the

  • The Iliad: A Commentary, Volume III: Books 9-12

    James P Holoka, Bryan Hainsworth et al.•ARTICLE•The Classical World•1996•Cited by: 14

  • Regarding Penelope: From Character to Poetics

    James P Holoka, Nancy Felson-Rubin•ARTICLE•The Classical World•1996•Cited by: 34

    A coy tease, enchantress, adulteress, irresponsible mother, hard-hearted wife - such are the images of Penelope that Homer playfully presents to listeners and readers of the Odyssey, and that his narration ultimately contradicts or fails to confirm. In Regarding Penelope, Nancy Felson-Rubin explores the relationship between Homer's construction of Penelope and his more general approach to poetic production and reception. Felson-Rubin begins by co…

  • The Iliad: A Commentary, Volume IV: Books 13-16

    James P Holoka, Richard Janko•ARTICLE•The Classical World•1994•Cited by: 31

  • The Oral Style

    James P Holoka, Marcel Jousse•ARTICLE•The Classical World•1992

  • The Iliad: A Commentary, Vol. V: Books 17-20

    James P Holoka, Mark W Edwards•ARTICLE•The Classical World•1992

  • Herodoti Vita Homeri

    James P Holoka, Effie N Coughanowr•ARTICLE•The Classical World•1992

  • Homer, oral poetry theory, and comparative literature: Major trends and controversies in twentieth-century criticism

    James P Holoka•CHAPTER•Zweihundert Jahre Homer-Forschung•1991

  • Death and the Optimistic Prophecy in Vergil's Aeneid

    James P Holoka•REVIEW•The Classical World•1991

    Here James O'Hara shows how the deceptive nature of prophecy in the Aeneid complicates assessment of the poem's attitude toward its hero's achievement and toward the future of Rome under Augustus Caesar. This close study of the language and rhetorical context of the prophecies reveals that they regularly suppress discouraging material: the gods send promising messages to Aeneas and others to spur them on in their struggles, but these struggles of…

  • J. G. Frazer: His Life and Work

    James P Holoka, Robert Ackerman•ARTICLE•The Classical World•1990

  • Homer Studies 1978-1983. Part II

    James P Holoka•ARTICLE•The Classical World•1990

  • Homer Studies 1978-1983. Part I

    James P Holoka•ARTICLE•The Classical World•1990

  • The Miniature Epic in Vandal Africa

    James P Holoka, David F Bright•ARTICLE•The Classical World•1989

  • Le Soleil et le Tartare: L'image mythique du monde en Grece archaique

    James P Holoka, Alain Ballabriga•ARTICLE•The American Historical Review•1988

  • The Iliad: A Commentary, Vol. I: Books 1-4

    James P Holoka, G S Kirk•ARTICLE•The Classical World•1987•Cited by: 7

  • The Point of the Simile in Aeschylus Agamemnon 241

    James P Holoka•ARTICLE•Classical Philology•1985

  • Childlike Achilles: "Ontogeny and Phylogeny in the "Iliad

    James P Holoka, W Thomas Maccary•ARTICLE•The Classical World•1984

  • Pope's "Iliad"; Homer in the Age of Passion

    James P Holoka, Steven Shankman•ARTICLE•The Classical World•1984•Cited by: 1

Next
  • Regarding Penelope: From Character to Poetics

    James P Holoka, Nancy Felson-Rubin•ARTICLE•The Classical World•1996•Cited by: 34

    A coy tease, enchantress, adulteress, irresponsible mother, hard-hearted wife - such are the images of Penelope that Homer playfully presents to listeners and readers of the Odyssey, and that his narration ultimately contradicts or fails to confirm. In Regarding Penelope, Nancy Felson-Rubin explores the relationship between Homer's construction of Penelope and his more general approach to poetic production and reception. Felson-Rubin begins by co…

  • The Iliad: A Commentary, Volume IV: Books 13-16

    James P Holoka, Richard Janko•ARTICLE•The Classical World•1994•Cited by: 31

  • Heroes' Names, Homeric Identities

    James P Holoka, Carolyn Higbie•ARTICLE•The Classical World•1997•Cited by: 19

    An account of the practice of naming the Homeric poems. Demonstrates how the mode of identification signals one's place in the social fabric, with or without the addition of personal history, and discusses word-play involving names and the possible evolutionary relationship between epithets and the

  • The Iliad: A Commentary, Volume III: Books 9-12

    James P Holoka, Bryan Hainsworth et al.•ARTICLE•The Classical World•1996•Cited by: 14

  • The Poetics of Supplication: Homer's "Iliad" and "Odyssey

    James P Holoka, Kevin Crotty•ARTICLE•The Classical World•1999•Cited by: 10

    In this penetrating and compelling reinterpretation of the Iliad and the Odyssey, Kevin Crotty explores the connection between the poetic nature of supplication on the one hand, and, on the other, the importance of supplication in the structure and poetics of the two epics. The suppliant's attempt to rouse pity by calling to mind a vivid sense of grief, he says, is important for an understanding of the poems, which invite their audience to contem…

  • Theatrum Arbitri: Theatrical Elements in the "Satyrica" of Petronius

    James P Holoka, Costas Panayotakis•ARTICLE•The Classical World•1998•Cited by: 7•References: 8

    The title of this thesis is 'Theatrical elements in the Satyrica of Petronius". It is a literary study which deals with the possible influence that Roman comic drama (comedies of Plautus and Terence, theatre of the Greek and Roman mimes, (the fabula palliata, fabula togata, fabula Atellana) might have exerted on the surviving extant fragments of Petronius' novel. In the preface I summarise briefly the generally accepted view about the identity of…

  • The Iliad: A Commentary, Vol. I: Books 1-4

    James P Holoka, G S Kirk•ARTICLE•The Classical World•1987•Cited by: 7

  • The Distaff Side: "Representing the Female in Homer's "Odyssey

    James P Holoka, Beth Cohen et al.•ARTICLE•The Classical World•1997•Cited by: 1

  • Pope's "Iliad"; Homer in the Age of Passion

    James P Holoka, Steven Shankman•ARTICLE•The Classical World•1984•Cited by: 1

  • Homeric Originality: A Survey

    James P Holoka•ARTICLE•The Classical World•1973

  • Die Dolonie

    James P Holoka, Friedrich Eichhorn•ARTICLE•The Classical World•1975

  • A Bibliography of Studies Relating to Parry's and Lord's Oral Theory

    James P Holoka, Edward R Haymes•ARTICLE•The Classical World•1975

  • Self-Delusion in Catullus 83 and 92

    James P Holoka•ARTICLE•The Classical World•1975

  • Homer Studies 1971-1977

    James P Holoka•ARTICLE•The Classical World•1979

  • Aldous Huxley and the Lotus Experience

    James P Holoka•ARTICLE•The Classical World•1982

  • Improvisation, Typology, Culture, and 'The New Orthodoxy: How 'Oral' Is Homer

    James P Holoka, D Gary Miller•ARTICLE•The Classical World•1983

  • Childlike Achilles: "Ontogeny and Phylogeny in the "Iliad

    James P Holoka, W Thomas Maccary•ARTICLE•The Classical World•1984

  • Pope's "Iliad"; Homer in the Age of Passion

    James P Holoka, Steven Shankman•ARTICLE•The Classical World•1984•Cited by: 1

  • The Point of the Simile in Aeschylus Agamemnon 241

    James P Holoka•ARTICLE•Classical Philology•1985

  • The Iliad: A Commentary, Vol. I: Books 1-4

    James P Holoka, G S Kirk•ARTICLE•The Classical World•1987•Cited by: 7

  • Le Soleil et le Tartare: L'image mythique du monde en Grece archaique

    James P Holoka, Alain Ballabriga•ARTICLE•The American Historical Review•1988

  • The Miniature Epic in Vandal Africa

    James P Holoka, David F Bright•ARTICLE•The Classical World•1989

  • J. G. Frazer: His Life and Work

    James P Holoka, Robert Ackerman•ARTICLE•The Classical World•1990

  • Homer Studies 1978-1983. Part II

    James P Holoka•ARTICLE•The Classical World•1990

  • Homer Studies 1978-1983. Part I

    James P Holoka•ARTICLE•The Classical World•1990

  • Homer, oral poetry theory, and comparative literature: Major trends and controversies in twentieth-century criticism

    James P Holoka•CHAPTER•Zweihundert Jahre Homer-Forschung•1991

  • Death and the Optimistic Prophecy in Vergil's Aeneid

    James P Holoka•REVIEW•The Classical World•1991

    Here James O'Hara shows how the deceptive nature of prophecy in the Aeneid complicates assessment of the poem's attitude toward its hero's achievement and toward the future of Rome under Augustus Caesar. This close study of the language and rhetorical context of the prophecies reveals that they regularly suppress discouraging material: the gods send promising messages to Aeneas and others to spur them on in their struggles, but these struggles of…

  • The Oral Style

    James P Holoka, Marcel Jousse•ARTICLE•The Classical World•1992

  • The Iliad: A Commentary, Vol. V: Books 17-20

    James P Holoka, Mark W Edwards•ARTICLE•The Classical World•1992

  • Herodoti Vita Homeri

    James P Holoka, Effie N Coughanowr•ARTICLE•The Classical World•1992

  • The Iliad: A Commentary, Volume IV: Books 13-16

    James P Holoka, Richard Janko•ARTICLE•The Classical World•1994•Cited by: 31

  • The Iliad: A Commentary, Volume III: Books 9-12

    James P Holoka, Bryan Hainsworth et al.•ARTICLE•The Classical World•1996•Cited by: 14

  • Regarding Penelope: From Character to Poetics

    James P Holoka, Nancy Felson-Rubin•ARTICLE•The Classical World•1996•Cited by: 34

    A coy tease, enchantress, adulteress, irresponsible mother, hard-hearted wife - such are the images of Penelope that Homer playfully presents to listeners and readers of the Odyssey, and that his narration ultimately contradicts or fails to confirm. In Regarding Penelope, Nancy Felson-Rubin explores the relationship between Homer's construction of Penelope and his more general approach to poetic production and reception. Felson-Rubin begins by co…

  • Sardonic Smile: Nonverbal Behavior in Homeric Epic

    James P Holoka, Donald Lateiner•ARTICLE•The Classical World•1997

Art (25 works) · Classical Antiquity Studies (20 works) · History (18 works) · Literature (17 works) · History (9 works) · Classics (7 works) · Ancient Near East History (6 works) · Historical, Religious, and Philosophical Studies (5 works) · Philosophy (5 works) · Psychology (5 works)

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