Leonid V Dubakov
Biographic Data
| ID | 9928242 |
|---|---|
| NAME | Leonid V Dubakov |
| GIVEN NAMES | Leonid V |
| FAMILY NAME | Dubakov |
| SIGNATURE | DUBAKOV L V |
| AFFILIATIONS | Shenzhen MSU-BIT University |
| ORCID | 0000-0003-1172-7435 |
| VERIFIED | Yes |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 12 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Variations of Technical Anti-Utopies and Local Apocalypses in the Novel by vs. Ivanov and V.B. Shklovsky “Iprit”
This article analyzes the dystopian and apocalyptic elements of Vs. Ivanov and V.B. Shklovsky’s novel “Iprit”. The primary objective of the study is to identify the book’s components of technical anti-utopies and local apocalypses, characterize their nature and specifics, outline their interrelations, and evaluate the quality of the writers’ artistic prognostications. The paper demonstrates the imaginary nature of the oppositions between the spec…
Werewolfism as a way to gain transcendent reality (on the material of Yuri Mamleyev's short stories «The Teacher», Martha Ketro's «The Fox Wife» and Dmitry Vodennikov's «Confession of a Chinese Fox-We…
The article analyzes the image of a werewolf fox, formed in the Far Eastern mythological tradition and Russified in the stories of Russian authors Yuri Mamleev, Marta Ketro and Dmitry Vodennikov. The motive of werewolf among these writers has an indefinite character: on the one hand, werewolf can be understood literally by them, on the other ‒ as a metaphor (for example, feminine nature or poetic otherness). The werewolf foxes in the stories "The…
The novel by Anna Starobinets «The First squad. The Truth». Occult theories and a multi-level system of motional oppositions
The article is devoted to the analysis of the novel by A. A. Starobinets "The First squad. Truth" as a work that explores occult theories, images and motifs. The doctrines of the Hollow Earth by Miguel Serrano and Eternal Ice by Hans Gerbigir influenced the plot, the chronotope, the multi-level system of motional oppositions, the system of characters, portraits, landscapes, the objective world, exteriors, interiors, etc. of the novel by A. A. Sta…
Musical images in the novels “The Master and Margarita” by M. A. Bulgakov, “The Great Gatsby” by F. S. Fitzgerald and “The Song of Endless Longing” by Wang Anyi
The article analyses the novels "The Master and Margarita" by M. A. Bulgakov, "The Great Gatsby" by F. S. Fitzgerald and "The Song of Endless Longing" by Wang Anyi from the point of view of the presence of musical images associated with specific musical works, performers, genres, instruments, etc. in them. Music influences the themes and issues, images of the protagonists, character system, plot, composition, motive structure, and stylistic featu…
Two “Liberations of Tolstoy”
The article correlates the book, or essay by I. Bunin “The Liberation of Tolstoy” (1937) with the essay by A. Ivanchenko “The Liberation of Tolstoy” (2005). The author’s literary and religious intentions (of all three writers), the features of the created image of Leo Tolstoy in both essays, the themes and problems of Tolstoy’s creative work and his religious and philosophical journalism, perceived in a certain way by Bunin and Ivanchenko, the sp…
Buddhist Images in the Prose and Poetic Works of E. Limonov. Between Rejection and Acceptance
The aim of the work is to analyze Buddhist images, motifs, ideas present in Limonov’s novels, stories, poems and essays; as well as the features of Limonov’s perception of the Buddhist religion. E. Limonov refers to Buddhism in his work already in the early period and pays attention to it throughout the entire creative path. Buddhism for Limonov is closely connected with geographical space. It’s the religion of the East, which is ideologically op…
The poem «Terkin in the Next World» by A. Tvardovsky and the story «Notes from the Spirit World» by Zhang Tian-yi
Russian and Chinese dystopias have similarities and differences in their genesis. The proximity of the dystopian texts of the two cultures is due to parallel historical and social processes, which are reflected in the plots of the corresponding works. The difference is manifested in the accents that both literature puts. In particular, we can say that there is no Chinese dystopia in the Western and Russian understanding: China sees dystopia more …
Modernization of the image of the Huli Jing and the transformational nature of Reality in V. O. Pelevin's novel «The Sacred Book of the Werewolf»
The article analyzes the image of the Chinese werewolf fox, or Huli jing (Chinese: 狐狸精), in Victor Pelevin's novel «The Sacred Book of the Werewolf». The comparison of the main character of Pelevin's work with the images of Huli jing in classical Chinese texts is made. In the center of consideration is the nomination of the heroine, her appearance, habitat, the ability to turn around and impose a hassle, the nature of sexuality, lifestyle. It is …
Baron Ungern in the Literature of the 1920s
The article analyzes the image of Baron R. Ungern von Sternberg, which was created in the 1920s by writers, who were standing on different sides during the Civil war. In the works of A. Nesmelov and P. Krasnov, adherents of “white idea&8j1;, it is romanticized and apologized. Nesmelov in “Ballada about Daurian Baron&8j1; (1927) embeds him in the Daurian and Mongolian myths. The negative qualities in this person, when touched by mysteriousness, so…
“Intuition of the Radiant Emptiness” in the Novel “Max” and in the Poetry Books “The Light Behind the Trees” and “The Sea, Today” by A. Makushinsky
The purpose of the article is to analyze the influence of Buddhism on the ideological component and poetics of A. Makushinsky’s novel “Max” and poetry books “The Light Behind the Trees” and “The Sea, Today”. In the novel “Max” the protagonist follows the path of spiritual transformation. The goal of this path is a state in which reality will be seen as it is – genuine, that is, empty, and not illusory, hidden behind matter and various forms. The …
Concepts of Buddhist Emptiness and Illusory in l.a. Yuzefovich's Novel “The Prince of the Wind”
The article analyzes L.Yuzefovich's artistic interpretation of the key ideas of Buddhism in the novel “Prince of the Wind” - the ideas of emptiness and illusory reality. According to Buddhist ideas, reality is illusory, because in fact it is empty of the mind that perceives it. On the contrary, immanently anxious human mind constantly generates an illusory reality. The plot of the “Prince of the Wind” is built on numerous fictions produced by nar…
Zen Buddhist Motifs in A. Makushinsky’s novel ‘The Stopped World’
The article aims to comprehend the impact of Zen Buddhism, its philosophical positions and practices on the problems and poetics of the novel by A. Makushinsky The Stopped World. The Buddhist influence in the novel is manifested in the literary implementation of the principles of the emptiness of reality, the illusory nature of the human ‘I’, the relativity of time and space, and also in the features of the created characters, landscapes and inte…
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Baron Ungern in the Literature of the 1920s
The article analyzes the image of Baron R. Ungern von Sternberg, which was created in the 1920s by writers, who were standing on different sides during the Civil war. In the works of A. Nesmelov and P. Krasnov, adherents of “white idea&8j1;, it is romanticized and apologized. Nesmelov in “Ballada about Daurian Baron&8j1; (1927) embeds him in the Daurian and Mongolian myths. The negative qualities in this person, when touched by mysteriousness, so…
“Intuition of the Radiant Emptiness” in the Novel “Max” and in the Poetry Books “The Light Behind the Trees” and “The Sea, Today” by A. Makushinsky
The purpose of the article is to analyze the influence of Buddhism on the ideological component and poetics of A. Makushinsky’s novel “Max” and poetry books “The Light Behind the Trees” and “The Sea, Today”. In the novel “Max” the protagonist follows the path of spiritual transformation. The goal of this path is a state in which reality will be seen as it is – genuine, that is, empty, and not illusory, hidden behind matter and various forms. The …
Concepts of Buddhist Emptiness and Illusory in l.a. Yuzefovich's Novel “The Prince of the Wind”
The article analyzes L.Yuzefovich's artistic interpretation of the key ideas of Buddhism in the novel “Prince of the Wind” - the ideas of emptiness and illusory reality. According to Buddhist ideas, reality is illusory, because in fact it is empty of the mind that perceives it. On the contrary, immanently anxious human mind constantly generates an illusory reality. The plot of the “Prince of the Wind” is built on numerous fictions produced by nar…
Zen Buddhist Motifs in A. Makushinsky’s novel ‘The Stopped World’
The article aims to comprehend the impact of Zen Buddhism, its philosophical positions and practices on the problems and poetics of the novel by A. Makushinsky The Stopped World. The Buddhist influence in the novel is manifested in the literary implementation of the principles of the emptiness of reality, the illusory nature of the human ‘I’, the relativity of time and space, and also in the features of the created characters, landscapes and inte…
Two “Liberations of Tolstoy”
The article correlates the book, or essay by I. Bunin “The Liberation of Tolstoy” (1937) with the essay by A. Ivanchenko “The Liberation of Tolstoy” (2005). The author’s literary and religious intentions (of all three writers), the features of the created image of Leo Tolstoy in both essays, the themes and problems of Tolstoy’s creative work and his religious and philosophical journalism, perceived in a certain way by Bunin and Ivanchenko, the sp…
Buddhist Images in the Prose and Poetic Works of E. Limonov. Between Rejection and Acceptance
The aim of the work is to analyze Buddhist images, motifs, ideas present in Limonov’s novels, stories, poems and essays; as well as the features of Limonov’s perception of the Buddhist religion. E. Limonov refers to Buddhism in his work already in the early period and pays attention to it throughout the entire creative path. Buddhism for Limonov is closely connected with geographical space. It’s the religion of the East, which is ideologically op…
The poem «Terkin in the Next World» by A. Tvardovsky and the story «Notes from the Spirit World» by Zhang Tian-yi
Russian and Chinese dystopias have similarities and differences in their genesis. The proximity of the dystopian texts of the two cultures is due to parallel historical and social processes, which are reflected in the plots of the corresponding works. The difference is manifested in the accents that both literature puts. In particular, we can say that there is no Chinese dystopia in the Western and Russian understanding: China sees dystopia more …
Modernization of the image of the Huli Jing and the transformational nature of Reality in V. O. Pelevin's novel «The Sacred Book of the Werewolf»
The article analyzes the image of the Chinese werewolf fox, or Huli jing (Chinese: 狐狸精), in Victor Pelevin's novel «The Sacred Book of the Werewolf». The comparison of the main character of Pelevin's work with the images of Huli jing in classical Chinese texts is made. In the center of consideration is the nomination of the heroine, her appearance, habitat, the ability to turn around and impose a hassle, the nature of sexuality, lifestyle. It is …
Variations of Technical Anti-Utopies and Local Apocalypses in the Novel by vs. Ivanov and V.B. Shklovsky “Iprit”
This article analyzes the dystopian and apocalyptic elements of Vs. Ivanov and V.B. Shklovsky’s novel “Iprit”. The primary objective of the study is to identify the book’s components of technical anti-utopies and local apocalypses, characterize their nature and specifics, outline their interrelations, and evaluate the quality of the writers’ artistic prognostications. The paper demonstrates the imaginary nature of the oppositions between the spec…
Werewolfism as a way to gain transcendent reality (on the material of Yuri Mamleyev's short stories «The Teacher», Martha Ketro's «The Fox Wife» and Dmitry Vodennikov's «Confession of a Chinese Fox-We…
The article analyzes the image of a werewolf fox, formed in the Far Eastern mythological tradition and Russified in the stories of Russian authors Yuri Mamleev, Marta Ketro and Dmitry Vodennikov. The motive of werewolf among these writers has an indefinite character: on the one hand, werewolf can be understood literally by them, on the other ‒ as a metaphor (for example, feminine nature or poetic otherness). The werewolf foxes in the stories "The…
The novel by Anna Starobinets «The First squad. The Truth». Occult theories and a multi-level system of motional oppositions
The article is devoted to the analysis of the novel by A. A. Starobinets "The First squad. Truth" as a work that explores occult theories, images and motifs. The doctrines of the Hollow Earth by Miguel Serrano and Eternal Ice by Hans Gerbigir influenced the plot, the chronotope, the multi-level system of motional oppositions, the system of characters, portraits, landscapes, the objective world, exteriors, interiors, etc. of the novel by A. A. Sta…
Musical images in the novels “The Master and Margarita” by M. A. Bulgakov, “The Great Gatsby” by F. S. Fitzgerald and “The Song of Endless Longing” by Wang Anyi
The article analyses the novels "The Master and Margarita" by M. A. Bulgakov, "The Great Gatsby" by F. S. Fitzgerald and "The Song of Endless Longing" by Wang Anyi from the point of view of the presence of musical images associated with specific musical works, performers, genres, instruments, etc. in them. Music influences the themes and issues, images of the protagonists, character system, plot, composition, motive structure, and stylistic featu…
Art (10 works) · Philosophy (10 works) · Literature (9 works) · Discourse Analysis and Cultural Communication (8 works) · History (7 works) · Aesthetics (6 works) · Buddhism (6 works) · Epistemology (6 works) · Sociopolitical Dynamics in Russia (6 works) · Theology (6 works)