Becky Bivens
Biographic Data
| ID | 9929781 |
|---|---|
| NAME | Becky Bivens |
| GIVEN NAMES | Becky |
| FAMILY NAME | Bivens |
| SIGNATURE | BIVENS B |
| AFFILIATIONS | Sweet Briar College |
| VERIFIED | No |
| TOTAL WORKS | 1 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 1 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
An Unlikely Match
In 1969, Lynda Benglis withdrew her large latex floor painting, Contraband, from the exhibition Anti-Illusion: Procedures/Materials. Looking beyond the logistical problems that caused Benglis to pull the work, I suggest that it challenged the conceptual and formal parameters of the exhibition from its inception. Taking hints from feminism, modernist painting, camp aesthetics, psychedelic imagery, pop, and minimalism, Benglis’s latex pours unify a…
No prominent works on this page.
An Unlikely Match
In 1969, Lynda Benglis withdrew her large latex floor painting, Contraband, from the exhibition Anti-Illusion: Procedures/Materials. Looking beyond the logistical problems that caused Benglis to pull the work, I suggest that it challenged the conceptual and formal parameters of the exhibition from its inception. Taking hints from feminism, modernist painting, camp aesthetics, psychedelic imagery, pop, and minimalism, Benglis’s latex pours unify a…
Aesthetics (1 work) · Art (1 work) · Art, Politics, and Modernism (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work) · Epistemology (1 work) · Exhibition (1 work) · Feeling (1 work) · Feminism (1 work) · Gender Studies (1 work)