Regula Burckhardt Qureshi
Biographic Data
| ID | 99422 |
|---|---|
| NAME | Regula Burckhardt Qureshi |
| GIVEN NAMES | Regula Burckhardt |
| FAMILY NAME | Qureshi |
| SIGNATURE | QURESHI R B |
| AFFILIATIONS | University of Washington |
| VERIFIED | No |
| TOTAL WORKS | 28 |
| TOTAL CITATIONS | 68 |
| AUTHOR COUNT | 27 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1969 |
| LATEST PUBLICATION YEAR | 2013 |
| H-INDEX | 5 |
Music and Marx: Ideas, Practice, Politics
India, subcontinent of
Pakistan, Islamic Republic of
Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music
Cet article a pour objet l'art dans la musique, dans les societes occidentales et indienne, en tant que pratique sociale dont l'identite est differente non seulement sur le plan sonore ou musical mais aussi dans les discours de l'elite sociale et culturelle. Il s'agit d'analyser les discours occidentaux sur la musique provenant d'autres cultures, notamment sur les musiques de l'Inde, et de s'interroger sur les conceptions et les jugements a propo…
His Master's Voice? ExploringQawwaliand 'Gramophone Culture' in South Asia
No modern communications medium is more intrusive in modern Indian life than recorded and electronically amplified sound' (Babb 1995, p. 10). In South Asia, even the most exclusive student of unmediated music-making cannot avoid a mediated public soundscape that may well transmit the music being studied over loudspeakers, radios, televisions, and cassette players. This is certainly the case for qawwali, a musical genre which is firmly embedded in…
Music Anthropologies and Music Histories: A Preface and an Agenda
Research Article| October 01 1995 Music Anthropologies and Music Histories: A Preface and an Agenda Regula Burckhardt Qureshi Regula Burckhardt Qureshi Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1995) 48 (3): 331–342. https://doi.org/10.2307/3519830 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Tw…
Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī
Research Article| October 01 1994 Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī Regula Burckhardt Qureshi Regula Burckhardt Qureshi Search for other works by this author on: This Site PubMed Google Scholar Journal of Musicology (1994) 12 (4): 491–528. https://doi.org/10.2307/763973 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn…
The Voice of the Sarangi: An Illustrated History of Bowing in India
Muslim Families in North America
This collection explores issues of adaptation between Islam and North American culture, including the dynamics of the family, strategies for coping, the influence of an alien environment upon believers, and the role of women in an Islamic setting
Localiser l'islam: Le samac dans la cour royale des saints chishti
Depuis la creation des institutions soufies au XIIIe siecle, le sous-continent indien a connu une continuite et une vitalite dans sa tradition du samāc, qui sont presque inegalees dans l’univers de l’Islam. Cette vitalite s’alimente directement aux racines locales profondes du soufisme indien, dont les manifestations les plus visibles sont les sanctuaires permanents voues a ses saints. Cependant, au cœur de cette vitalite spirituelle, on trouve u…
Muslim Devotional: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony
Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali
For the Sufis of India and Pakistan, the Qawwali songs are 'food for the soul', a means of attaining union with God, the ecstatic culmination of mystical experience. Regula Burckhardt Qureshi's study carefully describes and documents the performance of this music in the traditional Sufi assembly, the ritual of sama', first presenting the rich musical repertoire of Qawwali song, and then exploring everything else that is relevant to an understandi…
Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali
Trommeln und Pfeifen in Basel
Patrons and Performers in Rajasthan: The Subtle Tradition
Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali
The Art of Reciting the Qu'ran
Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali
Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali
Performing Arts in India: Essays on Music, Dance, and Drama
Bonnie C. Wade, Betty True Jones, Judy Van Zile, Jon B. Higgins, Regula Burckhardt Qureshi, Naomi Owens, Reis Flora, Performing Arts in India: Essays on Music, Dance, and Drama, Asian Music, Vol. 18, No. 2 (Spring - Summer, 1987), pp. 1-249
Musical sound and Contextual Input: A Performance Model for Musical Analysis
Description d'un modele theorique elabore a l'occasion d'une recherche sur la musique soufi qawwali du Pakistan et de l'Inde. Relation de la musique au texte, contexte de l'execution et relation entre ideologie religieuse et facteurs socio-economiques
The Western Impact on World Music: Change, Adaptation and Survival
The Muslim Community in North America
Music in India: The Classical Traditions
Islamic Music in an Indian Environment: The Shi'a Majlis
Les chants non liturgiques de la communaute musulmane de langue urdu d'Inde et du Pakistan: les majlis, assemblees funeraires ou l'on chante des poemes elegiaques et commemoratifs
Music and Marx: Ideas, Practice, Politics
Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music
Cet article a pour objet l'art dans la musique, dans les societes occidentales et indienne, en tant que pratique sociale dont l'identite est differente non seulement sur le plan sonore ou musical mais aussi dans les discours de l'elite sociale et culturelle. Il s'agit d'analyser les discours occidentaux sur la musique provenant d'autres cultures, notamment sur les musiques de l'Inde, et de s'interroger sur les conceptions et les jugements a propo…
Musical sound and Contextual Input: A Performance Model for Musical Analysis
Description d'un modele theorique elabore a l'occasion d'une recherche sur la musique soufi qawwali du Pakistan et de l'Inde. Relation de la musique au texte, contexte de l'execution et relation entre ideologie religieuse et facteurs socio-economiques
The Muslim Community in North America
His Master's Voice? ExploringQawwaliand 'Gramophone Culture' in South Asia
No modern communications medium is more intrusive in modern Indian life than recorded and electronically amplified sound' (Babb 1995, p. 10). In South Asia, even the most exclusive student of unmediated music-making cannot avoid a mediated public soundscape that may well transmit the music being studied over loudspeakers, radios, televisions, and cassette players. This is certainly the case for qawwali, a musical genre which is firmly embedded in…
The Western Impact on World Music: Change, Adaptation and Survival
Islamic Music in an Indian Environment: The Shi'a Majlis
Les chants non liturgiques de la communaute musulmane de langue urdu d'Inde et du Pakistan: les majlis, assemblees funeraires ou l'on chante des poemes elegiaques et commemoratifs
Muslim Devotional: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony
Indo-Muslim Religious Music, an Overview
Tarannum: The Chanting of Urdu Poetry
T arannum is the musical recitation of Urdu poetry, a chanting style belonging to the Indian Muslim cultural tradition and practiced in both India and Pakistan. While identified principally with the poetic symposia where poets recite their own work to an audience, it is also used widely by non-poets at informal occasions and privately. In a culture where due to socio-religious factors music has a very limited place, tarannum is a popular expressi…
Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali
Tarannum: The Chanting of Urdu Poetry
T arannum is the musical recitation of Urdu poetry, a chanting style belonging to the Indian Muslim cultural tradition and practiced in both India and Pakistan. While identified principally with the poetic symposia where poets recite their own work to an audience, it is also used widely by non-poets at informal occasions and privately. In a culture where due to socio-religious factors music has a very limited place, tarannum is a popular expressi…
Indo-Muslim Religious Music, an Overview
Ethnomusicological Research among Canadian Communities of Arab and East Indian Origin
he musical life of groups in North America belongs to the less explored phenomena of ethnomusicology, expecially when such groups are urban and of non-European origin. The pioneering contributions made by folklorists tend to be focused on rural groups or, at least, urban groups of a low socio-economic background (folk), as part of an essentially Europeanoriented discipline, applied usually to European materials. On the other hand, ethnomusicologi…
Islamic Music in an Indian Environment: The Shi'a Majlis
Les chants non liturgiques de la communaute musulmane de langue urdu d'Inde et du Pakistan: les majlis, assemblees funeraires ou l'on chante des poemes elegiaques et commemoratifs
Music in India: The Classical Traditions
The Muslim Community in North America
The Western Impact on World Music: Change, Adaptation and Survival
Performing Arts in India: Essays on Music, Dance, and Drama
Bonnie C. Wade, Betty True Jones, Judy Van Zile, Jon B. Higgins, Regula Burckhardt Qureshi, Naomi Owens, Reis Flora, Performing Arts in India: Essays on Music, Dance, and Drama, Asian Music, Vol. 18, No. 2 (Spring - Summer, 1987), pp. 1-249
Musical sound and Contextual Input: A Performance Model for Musical Analysis
Description d'un modele theorique elabore a l'occasion d'une recherche sur la musique soufi qawwali du Pakistan et de l'Inde. Relation de la musique au texte, contexte de l'execution et relation entre ideologie religieuse et facteurs socio-economiques
Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali
Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali
Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali
Trommeln und Pfeifen in Basel
Patrons and Performers in Rajasthan: The Subtle Tradition
Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali
The Art of Reciting the Qu'ran
Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali
For the Sufis of India and Pakistan, the Qawwali songs are 'food for the soul', a means of attaining union with God, the ecstatic culmination of mystical experience. Regula Burckhardt Qureshi's study carefully describes and documents the performance of this music in the traditional Sufi assembly, the ritual of sama', first presenting the rich musical repertoire of Qawwali song, and then exploring everything else that is relevant to an understandi…
Localiser l'islam: Le samac dans la cour royale des saints chishti
Depuis la creation des institutions soufies au XIIIe siecle, le sous-continent indien a connu une continuite et une vitalite dans sa tradition du samāc, qui sont presque inegalees dans l’univers de l’Islam. Cette vitalite s’alimente directement aux racines locales profondes du soufisme indien, dont les manifestations les plus visibles sont les sanctuaires permanents voues a ses saints. Cependant, au cœur de cette vitalite spirituelle, on trouve u…
Muslim Devotional: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony
Muslim Families in North America
This collection explores issues of adaptation between Islam and North American culture, including the dynamics of the family, strategies for coping, the influence of an alien environment upon believers, and the role of women in an Islamic setting
Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī
Research Article| October 01 1994 Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī Regula Burckhardt Qureshi Regula Burckhardt Qureshi Search for other works by this author on: This Site PubMed Google Scholar Journal of Musicology (1994) 12 (4): 491–528. https://doi.org/10.2307/763973 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn…
The Voice of the Sarangi: An Illustrated History of Bowing in India
Music Anthropologies and Music Histories: A Preface and an Agenda
Research Article| October 01 1995 Music Anthropologies and Music Histories: A Preface and an Agenda Regula Burckhardt Qureshi Regula Burckhardt Qureshi Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1995) 48 (3): 331–342. https://doi.org/10.2307/3519830 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Tw…
His Master's Voice? ExploringQawwaliand 'Gramophone Culture' in South Asia
No modern communications medium is more intrusive in modern Indian life than recorded and electronically amplified sound' (Babb 1995, p. 10). In South Asia, even the most exclusive student of unmediated music-making cannot avoid a mediated public soundscape that may well transmit the music being studied over loudspeakers, radios, televisions, and cassette players. This is certainly the case for qawwali, a musical genre which is firmly embedded in…
Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music
Cet article a pour objet l'art dans la musique, dans les societes occidentales et indienne, en tant que pratique sociale dont l'identite est differente non seulement sur le plan sonore ou musical mais aussi dans les discours de l'elite sociale et culturelle. Il s'agit d'analyser les discours occidentaux sur la musique provenant d'autres cultures, notamment sur les musiques de l'Inde, et de s'interroger sur les conceptions et les jugements a propo…
History (19 works) · Art (18 works) · Aesthetics (9 works) · Archaeology (9 works) · Islamic Studies and History (8 works) · Literature (8 works) · Musicology and Musical Analysis (8 works) · Sociology (8 works) · Music History and Culture (7 works) · Acoustics (6 works)