Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Regula Burckhardt Qureshi

Biographic Data

ID99422
NAMERegula Burckhardt Qureshi
GIVEN NAMESRegula Burckhardt
FAMILY NAMEQureshi
SIGNATUREQURESHI R B
AFFILIATIONSUniversity of Washington
VERIFIEDNo
TOTAL WORKS28
TOTAL CITATIONS68
AUTHOR COUNT27
EDITOR COUNT1
FIRST PUBLICATION YEAR1969
LATEST PUBLICATION YEAR2013
H-INDEX5
  • Music and Marx: Ideas, Practice, Politics

    Regula Burckhardt Qureshi•BOOK•Music and Marx•2013•Cited by: 18

  • India, subcontinent of

    Regula Burckhardt Qureshi, Regula Qureshi et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Pakistan, Islamic Republic of

    Regula Burckhardt Qureshi, Regula Qureshi•CHAPTER•The new Grove dictionary of music…•2001

  • Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music

    Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•2000•Cited by: 9

    Cet article a pour objet l'art dans la musique, dans les societes occidentales et indienne, en tant que pratique sociale dont l'identite est differente non seulement sur le plan sonore ou musical mais aussi dans les discours de l'elite sociale et culturelle. Il s'agit d'analyser les discours occidentaux sur la musique provenant d'autres cultures, notamment sur les musiques de l'Inde, et de s'interroger sur les conceptions et les jugements a propo…

  • His Master's Voice? ExploringQawwaliand 'Gramophone Culture' in South Asia

    Open Access•Regula Burckhardt Qureshi•ARTICLE•Popular Music•1999•Cited by: 6•References: 19

    No modern communications medium is more intrusive in modern Indian life than recorded and electronically amplified sound' (Babb 1995, p. 10). In South Asia, even the most exclusive student of unmediated music-making cannot avoid a mediated public soundscape that may well transmit the music being studied over loudspeakers, radios, televisions, and cassette players. This is certainly the case for qawwali, a musical genre which is firmly embedded in…

  • Music Anthropologies and Music Histories: A Preface and an Agenda

    Regula Burckhardt Qureshi•ARTICLE•Journal of the American…•1995•References: 14

    Research Article| October 01 1995 Music Anthropologies and Music Histories: A Preface and an Agenda Regula Burckhardt Qureshi Regula Burckhardt Qureshi Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1995) 48 (3): 331–342. https://doi.org/10.2307/3519830 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Tw…

  • Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī

    Regula Burckhardt Qureshi•ARTICLE•Journal of Musicology•1994

    Research Article| October 01 1994 Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī Regula Burckhardt Qureshi Regula Burckhardt Qureshi Search for other works by this author on: This Site PubMed Google Scholar Journal of Musicology (1994) 12 (4): 491–528. https://doi.org/10.2307/763973 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn…

  • The Voice of the Sarangi: An Illustrated History of Bowing in India

    Regula Burckhardt Qureshi, Joep Bor•ARTICLE•Ethnomusicology•1994

  • Muslim Families in North America

    Linda S Walbridge, Linda Walbridge et al.•ARTICLE•Journal of the American Oriental…•1993

    This collection explores issues of adaptation between Islam and North American culture, including the dynamics of the family, strategies for coping, the influence of an alien environment upon believers, and the role of women in an Islamic setting

  • Localiser l'islam: Le samac dans la cour royale des saints chishti

    Regula Burckhardt Qureshi•ARTICLE•Cahiers de musiques traditionnelles•1992

    Depuis la creation des institutions soufies au XIIIe siecle, le sous-continent indien a connu une continuite et une vitalite dans sa tradition du samāc, qui sont presque inegalees dans l’univers de l’Islam. Cette vitalite s’alimente directement aux racines locales profondes du soufisme indien, dont les manifestations les plus visibles sont les sanctuaires permanents voues a ses saints. Cependant, au cœur de cette vitalite spirituelle, on trouve u…

  • Muslim Devotional: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony

    Regula Burckhardt Qureshi, Regula Qureshi•ARTICLE•Asian Music•1992•Cited by: 3

  • Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali

    Irene Markoff, Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•1991

    For the Sufis of India and Pakistan, the Qawwali songs are 'food for the soul', a means of attaining union with God, the ecstatic culmination of mystical experience. Regula Burckhardt Qureshi's study carefully describes and documents the performance of this music in the traditional Sufi assembly, the ritual of sama', first presenting the rich musical repertoire of Qawwali song, and then exploring everything else that is relevant to an understandi…

  • Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali

    Peter Manuel, Regula Burckhardt Qureshi•ARTICLE•Yearbook for Traditional Music•1989

  • Trommeln und Pfeifen in Basel

    Regula Burckhardt Qureshi, Georg Duthaler•ARTICLE•Yearbook for Traditional Music•1989

  • Patrons and Performers in Rajasthan: The Subtle Tradition

    Regula Burckhardt Qureshi, Joan L Erdman•ARTICLE•Yearbook for Traditional Music•1989

  • Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali

    Harold S Powers, Regula Burckhardt Qureshi•ARTICLE•Journal of the American Oriental…•1989

  • The Art of Reciting the Qu'ran

    Regula Burckhardt Qureshi, Kristina Nelson•ARTICLE•Ethnomusicology•1989

  • Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali

    Laurent Aubert, Regula Burckhardt Qureshi•ARTICLE•Cahiers de musiques traditionnelles•1988•Cited by: 1

  • Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali

    Fritz Lehmann, Joanna Lehmann et al.•ARTICLE•Pacific Affairs•1988

  • Performing Arts in India: Essays on Music, Dance, and Drama

    Bonnie C Wade, Betty True Jones et al.•ARTICLE•Asian Music•1987

    Bonnie C. Wade, Betty True Jones, Judy Van Zile, Jon B. Higgins, Regula Burckhardt Qureshi, Naomi Owens, Reis Flora, Performing Arts in India: Essays on Music, Dance, and Drama, Asian Music, Vol. 18, No. 2 (Spring - Summer, 1987), pp. 1-249

  • Musical sound and Contextual Input: A Performance Model for Musical Analysis

    Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•1987•Cited by: 9

    Description d'un modele theorique elabore a l'occasion d'une recherche sur la musique soufi qawwali du Pakistan et de l'Inde. Relation de la musique au texte, contexte de l'execution et relation entre ideologie religieuse et facteurs socio-economiques

  • The Western Impact on World Music: Change, Adaptation and Survival

    Regula Burckhardt Qureshi, Bruno Nettl•ARTICLE•Ethnomusicology•1986•Cited by: 5

  • The Muslim Community in North America

    Open Access•Sameer Y Abraham, Earle H Waugh et al.•ARTICLE•The Canadian Journal of Sociology•1985•Cited by: 7

  • Music in India: The Classical Traditions

    Regula Burckhardt Qureshi, Bonnie C Wade•ARTICLE•Ethnomusicology•1983

  • Islamic Music in an Indian Environment: The Shi'a Majlis

    Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•1981•Cited by: 5

    Les chants non liturgiques de la communaute musulmane de langue urdu d'Inde et du Pakistan: les majlis, assemblees funeraires ou l'on chante des poemes elegiaques et commemoratifs

Next
  • Music and Marx: Ideas, Practice, Politics

    Regula Burckhardt Qureshi•BOOK•Music and Marx•2013•Cited by: 18

  • Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music

    Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•2000•Cited by: 9

    Cet article a pour objet l'art dans la musique, dans les societes occidentales et indienne, en tant que pratique sociale dont l'identite est differente non seulement sur le plan sonore ou musical mais aussi dans les discours de l'elite sociale et culturelle. Il s'agit d'analyser les discours occidentaux sur la musique provenant d'autres cultures, notamment sur les musiques de l'Inde, et de s'interroger sur les conceptions et les jugements a propo…

  • Musical sound and Contextual Input: A Performance Model for Musical Analysis

    Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•1987•Cited by: 9

    Description d'un modele theorique elabore a l'occasion d'une recherche sur la musique soufi qawwali du Pakistan et de l'Inde. Relation de la musique au texte, contexte de l'execution et relation entre ideologie religieuse et facteurs socio-economiques

  • The Muslim Community in North America

    Open Access•Sameer Y Abraham, Earle H Waugh et al.•ARTICLE•The Canadian Journal of Sociology•1985•Cited by: 7

  • His Master's Voice? ExploringQawwaliand 'Gramophone Culture' in South Asia

    Open Access•Regula Burckhardt Qureshi•ARTICLE•Popular Music•1999•Cited by: 6•References: 19

    No modern communications medium is more intrusive in modern Indian life than recorded and electronically amplified sound' (Babb 1995, p. 10). In South Asia, even the most exclusive student of unmediated music-making cannot avoid a mediated public soundscape that may well transmit the music being studied over loudspeakers, radios, televisions, and cassette players. This is certainly the case for qawwali, a musical genre which is firmly embedded in…

  • The Western Impact on World Music: Change, Adaptation and Survival

    Regula Burckhardt Qureshi, Bruno Nettl•ARTICLE•Ethnomusicology•1986•Cited by: 5

  • Islamic Music in an Indian Environment: The Shi'a Majlis

    Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•1981•Cited by: 5

    Les chants non liturgiques de la communaute musulmane de langue urdu d'Inde et du Pakistan: les majlis, assemblees funeraires ou l'on chante des poemes elegiaques et commemoratifs

  • Muslim Devotional: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony

    Regula Burckhardt Qureshi, Regula Qureshi•ARTICLE•Asian Music•1992•Cited by: 3

  • Indo-Muslim Religious Music, an Overview

    Regula Burckhardt Qureshi, Regula Qureshi•ARTICLE•Asian Music•1972•Cited by: 3

  • Tarannum: The Chanting of Urdu Poetry

    Regula Burckhardt Qureshi, Regula Qureshi•ARTICLE•Ethnomusicology•1969•Cited by: 2

    T arannum is the musical recitation of Urdu poetry, a chanting style belonging to the Indian Muslim cultural tradition and practiced in both India and Pakistan. While identified principally with the poetic symposia where poets recite their own work to an audience, it is also used widely by non-poets at informal occasions and privately. In a culture where due to socio-religious factors music has a very limited place, tarannum is a popular expressi…

  • Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali

    Laurent Aubert, Regula Burckhardt Qureshi•ARTICLE•Cahiers de musiques traditionnelles•1988•Cited by: 1

  • Tarannum: The Chanting of Urdu Poetry

    Regula Burckhardt Qureshi, Regula Qureshi•ARTICLE•Ethnomusicology•1969•Cited by: 2

    T arannum is the musical recitation of Urdu poetry, a chanting style belonging to the Indian Muslim cultural tradition and practiced in both India and Pakistan. While identified principally with the poetic symposia where poets recite their own work to an audience, it is also used widely by non-poets at informal occasions and privately. In a culture where due to socio-religious factors music has a very limited place, tarannum is a popular expressi…

  • Indo-Muslim Religious Music, an Overview

    Regula Burckhardt Qureshi, Regula Qureshi•ARTICLE•Asian Music•1972•Cited by: 3

  • Ethnomusicological Research among Canadian Communities of Arab and East Indian Origin

    Regula Burckhardt Qureshi, Regula Qureshi•ARTICLE•Ethnomusicology•1972

    he musical life of groups in North America belongs to the less explored phenomena of ethnomusicology, expecially when such groups are urban and of non-European origin. The pioneering contributions made by folklorists tend to be focused on rural groups or, at least, urban groups of a low socio-economic background (folk), as part of an essentially Europeanoriented discipline, applied usually to European materials. On the other hand, ethnomusicologi…

  • Islamic Music in an Indian Environment: The Shi'a Majlis

    Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•1981•Cited by: 5

    Les chants non liturgiques de la communaute musulmane de langue urdu d'Inde et du Pakistan: les majlis, assemblees funeraires ou l'on chante des poemes elegiaques et commemoratifs

  • Music in India: The Classical Traditions

    Regula Burckhardt Qureshi, Bonnie C Wade•ARTICLE•Ethnomusicology•1983

  • The Muslim Community in North America

    Open Access•Sameer Y Abraham, Earle H Waugh et al.•ARTICLE•The Canadian Journal of Sociology•1985•Cited by: 7

  • The Western Impact on World Music: Change, Adaptation and Survival

    Regula Burckhardt Qureshi, Bruno Nettl•ARTICLE•Ethnomusicology•1986•Cited by: 5

  • Performing Arts in India: Essays on Music, Dance, and Drama

    Bonnie C Wade, Betty True Jones et al.•ARTICLE•Asian Music•1987

    Bonnie C. Wade, Betty True Jones, Judy Van Zile, Jon B. Higgins, Regula Burckhardt Qureshi, Naomi Owens, Reis Flora, Performing Arts in India: Essays on Music, Dance, and Drama, Asian Music, Vol. 18, No. 2 (Spring - Summer, 1987), pp. 1-249

  • Musical sound and Contextual Input: A Performance Model for Musical Analysis

    Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•1987•Cited by: 9

    Description d'un modele theorique elabore a l'occasion d'une recherche sur la musique soufi qawwali du Pakistan et de l'Inde. Relation de la musique au texte, contexte de l'execution et relation entre ideologie religieuse et facteurs socio-economiques

  • Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali

    Laurent Aubert, Regula Burckhardt Qureshi•ARTICLE•Cahiers de musiques traditionnelles•1988•Cited by: 1

  • Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali

    Fritz Lehmann, Joanna Lehmann et al.•ARTICLE•Pacific Affairs•1988

  • Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali

    Peter Manuel, Regula Burckhardt Qureshi•ARTICLE•Yearbook for Traditional Music•1989

  • Trommeln und Pfeifen in Basel

    Regula Burckhardt Qureshi, Georg Duthaler•ARTICLE•Yearbook for Traditional Music•1989

  • Patrons and Performers in Rajasthan: The Subtle Tradition

    Regula Burckhardt Qureshi, Joan L Erdman•ARTICLE•Yearbook for Traditional Music•1989

  • Sufi Music of India and Pakistan. Sound, Context and Meaning in Qawwali

    Harold S Powers, Regula Burckhardt Qureshi•ARTICLE•Journal of the American Oriental…•1989

  • The Art of Reciting the Qu'ran

    Regula Burckhardt Qureshi, Kristina Nelson•ARTICLE•Ethnomusicology•1989

  • Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali

    Irene Markoff, Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•1991

    For the Sufis of India and Pakistan, the Qawwali songs are 'food for the soul', a means of attaining union with God, the ecstatic culmination of mystical experience. Regula Burckhardt Qureshi's study carefully describes and documents the performance of this music in the traditional Sufi assembly, the ritual of sama', first presenting the rich musical repertoire of Qawwali song, and then exploring everything else that is relevant to an understandi…

  • Localiser l'islam: Le samac dans la cour royale des saints chishti

    Regula Burckhardt Qureshi•ARTICLE•Cahiers de musiques traditionnelles•1992

    Depuis la creation des institutions soufies au XIIIe siecle, le sous-continent indien a connu une continuite et une vitalite dans sa tradition du samāc, qui sont presque inegalees dans l’univers de l’Islam. Cette vitalite s’alimente directement aux racines locales profondes du soufisme indien, dont les manifestations les plus visibles sont les sanctuaires permanents voues a ses saints. Cependant, au cœur de cette vitalite spirituelle, on trouve u…

  • Muslim Devotional: Popular Religious Music and Muslim Identity under British, Indian and Pakistani Hegemony

    Regula Burckhardt Qureshi, Regula Qureshi•ARTICLE•Asian Music•1992•Cited by: 3

  • Muslim Families in North America

    Linda S Walbridge, Linda Walbridge et al.•ARTICLE•Journal of the American Oriental…•1993

    This collection explores issues of adaptation between Islam and North American culture, including the dynamics of the family, strategies for coping, the influence of an alien environment upon believers, and the role of women in an Islamic setting

  • Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī

    Regula Burckhardt Qureshi•ARTICLE•Journal of Musicology•1994

    Research Article| October 01 1994 Exploring Time Cross-Culturally: Ideology and Performance of Time in the Sufi Qawwālī Regula Burckhardt Qureshi Regula Burckhardt Qureshi Search for other works by this author on: This Site PubMed Google Scholar Journal of Musicology (1994) 12 (4): 491–528. https://doi.org/10.2307/763973 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn…

  • The Voice of the Sarangi: An Illustrated History of Bowing in India

    Regula Burckhardt Qureshi, Joep Bor•ARTICLE•Ethnomusicology•1994

  • Music Anthropologies and Music Histories: A Preface and an Agenda

    Regula Burckhardt Qureshi•ARTICLE•Journal of the American…•1995•References: 14

    Research Article| October 01 1995 Music Anthropologies and Music Histories: A Preface and an Agenda Regula Burckhardt Qureshi Regula Burckhardt Qureshi Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1995) 48 (3): 331–342. https://doi.org/10.2307/3519830 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Tw…

  • His Master's Voice? ExploringQawwaliand 'Gramophone Culture' in South Asia

    Open Access•Regula Burckhardt Qureshi•ARTICLE•Popular Music•1999•Cited by: 6•References: 19

    No modern communications medium is more intrusive in modern Indian life than recorded and electronically amplified sound' (Babb 1995, p. 10). In South Asia, even the most exclusive student of unmediated music-making cannot avoid a mediated public soundscape that may well transmit the music being studied over loudspeakers, radios, televisions, and cassette players. This is certainly the case for qawwali, a musical genre which is firmly embedded in…

  • Confronting the Social: Mode of Production and the Sublime for (Indian) Art Music

    Regula Burckhardt Qureshi•ARTICLE•Ethnomusicology•2000•Cited by: 9

    Cet article a pour objet l'art dans la musique, dans les societes occidentales et indienne, en tant que pratique sociale dont l'identite est differente non seulement sur le plan sonore ou musical mais aussi dans les discours de l'elite sociale et culturelle. Il s'agit d'analyser les discours occidentaux sur la musique provenant d'autres cultures, notamment sur les musiques de l'Inde, et de s'interroger sur les conceptions et les jugements a propo…

History (19 works) · Art (18 works) · Aesthetics (9 works) · Archaeology (9 works) · Islamic Studies and History (8 works) · Literature (8 works) · Musicology and Musical Analysis (8 works) · Sociology (8 works) · Music History and Culture (7 works) · Acoustics (6 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae