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Gonzalo Fernández Parrilla

Biographic Data

ID99428
NAMEGonzalo Fernández Parrilla
GIVEN NAMESGonzalo Fernández
FAMILY NAMEParrilla
SIGNATUREPARRILLA G F
AFFILIATIONSUniversidad Autónoma de Madrid
ORCID0000-0002-5249-4060
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS10
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR1997
LATEST PUBLICATION YEAR2021
H-INDEX2
  • What Is Moroccan Literature? History of an Object in Motion

    Gonzalo Fernández Parrilla, Eric Calderwood•ARTICLE•Journal of Arabic Literature•2021

    What is Moroccan literature, where and when does it happen, and in what languages? In this essay, we tackle these questions by tracing the evolution of the definition of “Moroccan literature” from the first half of the twentieth century until the present. The earliest works of Moroccan literary historiography, such as ʿAbd Allah Kannūn’s al-Nubūgh al-maghribī fī al-adab al-ʿarabī (1937), situated Moroccan literature within the Arabic literary tra…

  • Spanish-Maghribi (Moroccan) relations beyond exceptionalism: A Postcolonial Perspective

    Gonzalo Fernández Parrilla, Carlos Cañete•ARTICLE•The Journal of North African…•2019•Cited by: 5•References: 20

    This is an Accepted Manuscript version of the following article, accepted for publication in The Journal of North African Studies 24.1 (2019): 111-133. It is deposited under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not a…

  • Disoriented Postcolonialities: With Edward Said in (the Labyrinth of) Al-Andalus

    Gonzalo Fernández Parrilla•ARTICLE•Interventions•2018

    This essay explores the relation between postcolonial theory and modern Arabic literature from a Spanish perspective. Both postcolonial studies and Arabic and Islamic studies present in Spain rather exceptional histories. Somehow dissociated from its original formulation, postcolonial studies were received in Spain more as a way of dealing with new “English” literatures than as a critical tool. On the other hand, the singularity of Spanish histor…

  • The Novel in Morocco as Mirror of a Changing Society

    Gonzalo Fernández Parrilla•ARTICLE•Contemporary French and…•2016•Cited by: 1•References: 9

    The purpose of this article is to explore the possible meanings of the notion of roman maghrébin in the Moroccan context. The phrase has been a dynamic concept since it was coined by Khatibi in the 1960s, and has changed along with transformations in Moroccan society and the development of the genre. Since the 1980s the novel has become one of the most relevant phenomena in the Moroccan cultural field. Already aware of the dynamic nature of liter…

  • The Challenge of Moroccan Cultural Journals of the 1960s

    Gonzalo Fernández Parrilla•ARTICLE•Journal of Arabic Literature•2014•Cited by: 4

    A few years after Morocco’s much longed-for achievement of independence (1956), a new generation of intellectuals too young to have participated in what is widely called the nationalist movement burst onto the cultural and political scenes, and shifted the focus of debate from the “glorious” past towards social and international realities. The 1960s witnessed the appearance of a diverse group of political, scientific and especially cultural and l…

  • Autobiografía y Crítica Literaria en Marruecos

    Gonzalo Fernández Parrilla•ARTICLE•Oriente Moderno•1997

  • Spanish-Maghribi (Moroccan) relations beyond exceptionalism: A Postcolonial Perspective

    Gonzalo Fernández Parrilla, Carlos Cañete•ARTICLE•The Journal of North African…•2019•Cited by: 5•References: 20

    This is an Accepted Manuscript version of the following article, accepted for publication in The Journal of North African Studies 24.1 (2019): 111-133. It is deposited under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not a…

  • The Challenge of Moroccan Cultural Journals of the 1960s

    Gonzalo Fernández Parrilla•ARTICLE•Journal of Arabic Literature•2014•Cited by: 4

    A few years after Morocco’s much longed-for achievement of independence (1956), a new generation of intellectuals too young to have participated in what is widely called the nationalist movement burst onto the cultural and political scenes, and shifted the focus of debate from the “glorious” past towards social and international realities. The 1960s witnessed the appearance of a diverse group of political, scientific and especially cultural and l…

  • The Novel in Morocco as Mirror of a Changing Society

    Gonzalo Fernández Parrilla•ARTICLE•Contemporary French and…•2016•Cited by: 1•References: 9

    The purpose of this article is to explore the possible meanings of the notion of roman maghrébin in the Moroccan context. The phrase has been a dynamic concept since it was coined by Khatibi in the 1960s, and has changed along with transformations in Moroccan society and the development of the genre. Since the 1980s the novel has become one of the most relevant phenomena in the Moroccan cultural field. Already aware of the dynamic nature of liter…

  • Autobiografía y Crítica Literaria en Marruecos

    Gonzalo Fernández Parrilla•ARTICLE•Oriente Moderno•1997

  • The Challenge of Moroccan Cultural Journals of the 1960s

    Gonzalo Fernández Parrilla•ARTICLE•Journal of Arabic Literature•2014•Cited by: 4

    A few years after Morocco’s much longed-for achievement of independence (1956), a new generation of intellectuals too young to have participated in what is widely called the nationalist movement burst onto the cultural and political scenes, and shifted the focus of debate from the “glorious” past towards social and international realities. The 1960s witnessed the appearance of a diverse group of political, scientific and especially cultural and l…

  • The Novel in Morocco as Mirror of a Changing Society

    Gonzalo Fernández Parrilla•ARTICLE•Contemporary French and…•2016•Cited by: 1•References: 9

    The purpose of this article is to explore the possible meanings of the notion of roman maghrébin in the Moroccan context. The phrase has been a dynamic concept since it was coined by Khatibi in the 1960s, and has changed along with transformations in Moroccan society and the development of the genre. Since the 1980s the novel has become one of the most relevant phenomena in the Moroccan cultural field. Already aware of the dynamic nature of liter…

  • Disoriented Postcolonialities: With Edward Said in (the Labyrinth of) Al-Andalus

    Gonzalo Fernández Parrilla•ARTICLE•Interventions•2018

    This essay explores the relation between postcolonial theory and modern Arabic literature from a Spanish perspective. Both postcolonial studies and Arabic and Islamic studies present in Spain rather exceptional histories. Somehow dissociated from its original formulation, postcolonial studies were received in Spain more as a way of dealing with new “English” literatures than as a critical tool. On the other hand, the singularity of Spanish histor…

  • Spanish-Maghribi (Moroccan) relations beyond exceptionalism: A Postcolonial Perspective

    Gonzalo Fernández Parrilla, Carlos Cañete•ARTICLE•The Journal of North African…•2019•Cited by: 5•References: 20

    This is an Accepted Manuscript version of the following article, accepted for publication in The Journal of North African Studies 24.1 (2019): 111-133. It is deposited under the terms of the Creative Commons Attribution-NonCommercial-NoDerivatives License (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not a…

  • What Is Moroccan Literature? History of an Object in Motion

    Gonzalo Fernández Parrilla, Eric Calderwood•ARTICLE•Journal of Arabic Literature•2021

    What is Moroccan literature, where and when does it happen, and in what languages? In this essay, we tackle these questions by tracing the evolution of the definition of “Moroccan literature” from the first half of the twentieth century until the present. The earliest works of Moroccan literary historiography, such as ʿAbd Allah Kannūn’s al-Nubūgh al-maghribī fī al-adab al-ʿarabī (1937), situated Moroccan literature within the Arabic literary tra…

Art (4 works) · Hispanic-African Historical Relations (4 works) · History (4 works) · Sociology (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · History (3 works) · Law (3 works) · Law (3 works) · Linguistics (3 works)

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