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Hugo Buchthal

Biographic Data

ID994385
NAMEHugo Buchthal
GIVEN NAMESHugo
FAMILY NAMEBuchthal
SIGNATUREBUCHTHAL H
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS2
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1939
LATEST PUBLICATION YEAR1968
H-INDEX1
  • L'Illustration des psautiers grecs du moyen âge

    Hugo Buchthal•ARTICLE•Speculum•1968

  • Paul A. Underwood, The Kariye Djami. New York

    Open Access•Hugo Buchthal•ARTICLE•Slavic Review•1967

    Paul A. Underwood, The Kariye Djami. New York: Bollingen Foundation; distributed by Pantheon Books. $55.00, boxed. Vol. I: Historical Introduction and Description of the Mosaics and Frescoes. Pages xiv, 331. Vol. II: Plates 1-334: The Mosaics. Pages xiii, 349. Vol. III : Plates 335-553: The Frescoes. Pages xi, 569. “Bollingen Series,” LXX. - Volume 26 Issue 3

  • The beginnings of manuscript illumination in Norman Sicily

    Open Access•Hugo Buchthal•ARTICLE•Papers of the British School at…•1956

    When Maio of Bari was assassinated at Palermo on 10 November 1160, a remarkable career was brought to a premature end. Maio, a commoner and a layman, had risen in the Sicilian curia to the rank of chancellor of the Norman kingdom under Roger II; William I had created him Grand Admiral immediately upon acceding to the throne in 1154. William lacked the political acumen of his father, and left the administration of Sicily entirely in his minister's…

  • The Common Classical Sources of Buddhist and Christian Narrative Art

    Open Access•Hugo Buchthal•ARTICLE•Journal of the Royal Asiatic…•1943•Cited by: 1•References: 3

    The Greco-Buddhist sculpture of Gandhara has for a long time been of singular attraction for students of Indian art. These sculptures of greyish-blue schist found in such quantities in the inaccessible valleys of the Indo-Afghan frontier, have from the outset been noted for their classical affinities, and many were brought to Europe by art-loving dilettanti. The particular qualities distinguishing them from all other Indian sculpture were duly ex…

  • Indian Fables in Islamic Art

    Open Access•Hugo Buchthal•ARTICLE•Journal of the Royal Asiatic…•1941•Cited by: 1

    Seldom has a work had such world-wide success and been translated into so many languages as the Indian stories and animal fables known as the Panchatantra . In the sixth century of our era they were translated from Sanskrit into Pehlevi. Thence they passed into Arabic; and from the Arabic text, called by Muhammadans the Fables of Bidpai or the Book of Kalila wa Diṁna, were made all those different versions through which these stories were transmi…

  • The painting of the syrian jacobites in its relation to byzantine and islamic art

    Hugo Buchthal•ARTICLE•Syria•1939

    Buchthal Hugo. The painting of the syrian jacobites in its relation to byzantine and islamic art. In: Syria. Tome 20 fascicule 2, 1939. pp. 136-150

  • A Miniature of the Pentecost

    Open Access•Hugo Buchthal•ARTICLE•Journal of the Royal Asiatic…•1939

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Common Classical Sources of Buddhist and Christian Narrative Art

    Open Access•Hugo Buchthal•ARTICLE•Journal of the Royal Asiatic…•1943•Cited by: 1•References: 3

    The Greco-Buddhist sculpture of Gandhara has for a long time been of singular attraction for students of Indian art. These sculptures of greyish-blue schist found in such quantities in the inaccessible valleys of the Indo-Afghan frontier, have from the outset been noted for their classical affinities, and many were brought to Europe by art-loving dilettanti. The particular qualities distinguishing them from all other Indian sculpture were duly ex…

  • Indian Fables in Islamic Art

    Open Access•Hugo Buchthal•ARTICLE•Journal of the Royal Asiatic…•1941•Cited by: 1

    Seldom has a work had such world-wide success and been translated into so many languages as the Indian stories and animal fables known as the Panchatantra . In the sixth century of our era they were translated from Sanskrit into Pehlevi. Thence they passed into Arabic; and from the Arabic text, called by Muhammadans the Fables of Bidpai or the Book of Kalila wa Diṁna, were made all those different versions through which these stories were transmi…

  • The painting of the syrian jacobites in its relation to byzantine and islamic art

    Hugo Buchthal•ARTICLE•Syria•1939

    Buchthal Hugo. The painting of the syrian jacobites in its relation to byzantine and islamic art. In: Syria. Tome 20 fascicule 2, 1939. pp. 136-150

  • A Miniature of the Pentecost

    Open Access•Hugo Buchthal•ARTICLE•Journal of the Royal Asiatic…•1939

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Indian Fables in Islamic Art

    Open Access•Hugo Buchthal•ARTICLE•Journal of the Royal Asiatic…•1941•Cited by: 1

    Seldom has a work had such world-wide success and been translated into so many languages as the Indian stories and animal fables known as the Panchatantra . In the sixth century of our era they were translated from Sanskrit into Pehlevi. Thence they passed into Arabic; and from the Arabic text, called by Muhammadans the Fables of Bidpai or the Book of Kalila wa Diṁna, were made all those different versions through which these stories were transmi…

  • The Common Classical Sources of Buddhist and Christian Narrative Art

    Open Access•Hugo Buchthal•ARTICLE•Journal of the Royal Asiatic…•1943•Cited by: 1•References: 3

    The Greco-Buddhist sculpture of Gandhara has for a long time been of singular attraction for students of Indian art. These sculptures of greyish-blue schist found in such quantities in the inaccessible valleys of the Indo-Afghan frontier, have from the outset been noted for their classical affinities, and many were brought to Europe by art-loving dilettanti. The particular qualities distinguishing them from all other Indian sculpture were duly ex…

  • The beginnings of manuscript illumination in Norman Sicily

    Open Access•Hugo Buchthal•ARTICLE•Papers of the British School at…•1956

    When Maio of Bari was assassinated at Palermo on 10 November 1160, a remarkable career was brought to a premature end. Maio, a commoner and a layman, had risen in the Sicilian curia to the rank of chancellor of the Norman kingdom under Roger II; William I had created him Grand Admiral immediately upon acceding to the throne in 1154. William lacked the political acumen of his father, and left the administration of Sicily entirely in his minister's…

  • Paul A. Underwood, The Kariye Djami. New York

    Open Access•Hugo Buchthal•ARTICLE•Slavic Review•1967

    Paul A. Underwood, The Kariye Djami. New York: Bollingen Foundation; distributed by Pantheon Books. $55.00, boxed. Vol. I: Historical Introduction and Description of the Mosaics and Frescoes. Pages xiv, 331. Vol. II: Plates 1-334: The Mosaics. Pages xiii, 349. Vol. III : Plates 335-553: The Frescoes. Pages xi, 569. “Bollingen Series,” LXX. - Volume 26 Issue 3

  • L'Illustration des psautiers grecs du moyen âge

    Hugo Buchthal•ARTICLE•Speculum•1968

History (7 works) · Art (6 works) · History (6 works) · Ancient history (4 works) · Archaeology (4 works) · Art history (3 works) · Byzantine Studies and History (2 works) · Classical Antiquity Studies (2 works) · Classics (2 works) · Computer Science (2 works)

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