Adilya Mizitova
Biographic Data
| ID | 9944560 |
|---|---|
| NAME | Adilya Mizitova |
| GIVEN NAMES | Adilya |
| FAMILY NAME | Mizitova |
| SIGNATURE | MIZITOVA A |
| AFFILIATIONS | Kharkiv National Kotlyarevsky University of Arts |
| ORCID | 0000-0001-7859-0870 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2020 |
| H-INDEX | 0 |
Late Romantic Reflections by Valentin Bibik
The article considers the ways of recreating the stylistic properties of late romanticism in the symphonies of the Ukrainian composer V. Bibik (1940–2003). The master’s openness to contacts with various national cultures manifested itself in the circumstances of his life and in the breadth of artistic interests, among which the musical traditions of late romanticism occupied a special place. The affinity of V. Bibik’s composing individuality to t…
“The Own-The Borrowed” in Artistic Culture of the 20th-21st Centuries
The article presents various forms of working with the “borrowed” material in the artistic practice of recent centuries. This phenomenon covers painting, literature, cinema, choreography, and music. The stable nature of this phenomenon, preserved by a tradition, is explained by its ability to identify the author’s position towards the current needs of the time in comparison with another creative consciousness, an understanding of the world order,…
No prominent works on this page.
Late Romantic Reflections by Valentin Bibik
The article considers the ways of recreating the stylistic properties of late romanticism in the symphonies of the Ukrainian composer V. Bibik (1940–2003). The master’s openness to contacts with various national cultures manifested itself in the circumstances of his life and in the breadth of artistic interests, among which the musical traditions of late romanticism occupied a special place. The affinity of V. Bibik’s composing individuality to t…
“The Own-The Borrowed” in Artistic Culture of the 20th-21st Centuries
The article presents various forms of working with the “borrowed” material in the artistic practice of recent centuries. This phenomenon covers painting, literature, cinema, choreography, and music. The stable nature of this phenomenon, preserved by a tradition, is explained by its ability to identify the author’s position towards the current needs of the time in comparison with another creative consciousness, an understanding of the world order,…
Art (2 works) · Literature (2 works) · Aesthetics (1 work) · Central Asia Education and Culture (1 work) · Dance (1 work) · Drama (1 work) · Eastern European Communism and Reforms (1 work) · Epistemology (1 work) · Musicality (1 work) · Phenomenon (1 work)