David Cline
Biographic Data
| ID | 994620 |
|---|---|
| NAME | David Cline |
| GIVEN NAMES | David |
| FAMILY NAME | Cline |
| SIGNATURE | CLINE D |
| AFFILIATIONS | Virginia Tech |
| ORCID | 0000-0001-9855-5423 |
| VERIFIED | Yes |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 2 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1985 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Understanding diversity in fishing
Architecture and Freedom in Cornelius Cardew's Octet '61 for Jasper Johns
Cornelius Cardew's Octet '61 for Jasper Johns is 'not necessarily for piano', an epithet which gives advance warning of its eccentricity. With an adventurous presentation that encompasses radical forms of musical indeterminacy, it appears to exhibit all the hallmarks of the American Experimental tradition with which Cardew associated in the 1960s. Yet, layer upon layer of order exists below its seemingly unruly surface. Guided by a previously und…
Treatiseand theTractatus
Cornelius Cardew named his monumental graphic scoreTreatiseafter Ludwig Wittgenstein's early philosophical masterpieceTractatus logico-philosophicus, and this well-known fact has engendered speculation about whether there might be other connections between Cardew's composition and Wittgenstein's book. Previous commentaries have focused on possible allusions to theTractatusin the visual imagery employed by Cardew, and this article includes further…
A Shared Authority
This article is related to:A Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael Frisch
The Graph Music of Morton Feldman
Morton Feldman is widely regarded as one of America's greatest composers. His music is famously idiosyncratic, but, in many cases, the way he presented it is also unusual because, in the 1950s and 1960s, he often composed in non-standard musical notations, including a groundbreaking variety on graph paper that facilitated deliberately imprecise specifications of pitch and, at times, other musical parameters. Feldman used this notation, intermitte…
Graph Music of Morton Feldman
Klansville, U.S.A.
Trans Toronto
Darryl B. Hill’s Trans Toronto: An Oral History is not in fact an oral history as such but uses oral histories as qualitative research evidence in a close sociological reading of Toronto’s trans co...
On the physical origin of the homochirality of life
It seems to be well known that life cannot arise in a racemic mixture of molecules (L=D). The various physical mechanisms that could influence the homochirality of the molecules responsible for life are reviewed together with a model where these molecules might be produced in the galaxy prior to the formation of the earth. The focus is on the influence of a powerful supernovae explosion to affect the homochirality of these molecules. Possible tes…
Midian, Moab and Edom
Treatiseand theTractatus
Cornelius Cardew named his monumental graphic scoreTreatiseafter Ludwig Wittgenstein's early philosophical masterpieceTractatus logico-philosophicus, and this well-known fact has engendered speculation about whether there might be other connections between Cardew's composition and Wittgenstein's book. Previous commentaries have focused on possible allusions to theTractatusin the visual imagery employed by Cardew, and this article includes further…
A Shared Authority
This article is related to:A Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael Frisch
Midian, Moab and Edom
On the physical origin of the homochirality of life
It seems to be well known that life cannot arise in a racemic mixture of molecules (L=D). The various physical mechanisms that could influence the homochirality of the molecules responsible for life are reviewed together with a model where these molecules might be produced in the galaxy prior to the formation of the earth. The focus is on the influence of a powerful supernovae explosion to affect the homochirality of these molecules. Possible tes…
The Graph Music of Morton Feldman
Morton Feldman is widely regarded as one of America's greatest composers. His music is famously idiosyncratic, but, in many cases, the way he presented it is also unusual because, in the 1950s and 1960s, he often composed in non-standard musical notations, including a groundbreaking variety on graph paper that facilitated deliberately imprecise specifications of pitch and, at times, other musical parameters. Feldman used this notation, intermitte…
Graph Music of Morton Feldman
Klansville, U.S.A.
Trans Toronto
Darryl B. Hill’s Trans Toronto: An Oral History is not in fact an oral history as such but uses oral histories as qualitative research evidence in a close sociological reading of Toronto’s trans co...
A Shared Authority
This article is related to:A Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael Frisch
Treatiseand theTractatus
Cornelius Cardew named his monumental graphic scoreTreatiseafter Ludwig Wittgenstein's early philosophical masterpieceTractatus logico-philosophicus, and this well-known fact has engendered speculation about whether there might be other connections between Cardew's composition and Wittgenstein's book. Previous commentaries have focused on possible allusions to theTractatusin the visual imagery employed by Cardew, and this article includes further…
Architecture and Freedom in Cornelius Cardew's Octet '61 for Jasper Johns
Cornelius Cardew's Octet '61 for Jasper Johns is 'not necessarily for piano', an epithet which gives advance warning of its eccentricity. With an adventurous presentation that encompasses radical forms of musical indeterminacy, it appears to exhibit all the hallmarks of the American Experimental tradition with which Cardew associated in the 1960s. Yet, layer upon layer of order exists below its seemingly unruly surface. Guided by a previously und…
Understanding diversity in fishing
Philosophy (5 works) · Art (4 works) · History (4 works) · Visual arts (4 works) · Epistemology (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Ancient history (2 works)