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David Cline

Biographic Data

ID994620
NAMEDavid Cline
GIVEN NAMESDavid
FAMILY NAMECline
SIGNATURECLINE D
AFFILIATIONSVirginia Tech
ORCID0000-0001-9855-5423
VERIFIEDYes
TOTAL WORKS10
TOTAL CITATIONS2
AUTHOR COUNT10
EDITOR COUNT0
FIRST PUBLICATION YEAR1985
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Understanding diversity in fishing

    Emily Nichols, Emily K Nichols et al.•ARTICLE•Human Dimensions of Wildlife•2025

  • Architecture and Freedom in Cornelius Cardew's Octet '61 for Jasper Johns

    Open Access•David Cline•ARTICLE•Music Analysis•2022•References: 12

    Cornelius Cardew's Octet '61 for Jasper Johns is 'not necessarily for piano', an epithet which gives advance warning of its eccentricity. With an adventurous presentation that encompasses radical forms of musical indeterminacy, it appears to exhibit all the hallmarks of the American Experimental tradition with which Cardew associated in the 1960s. Yet, layer upon layer of order exists below its seemingly unruly surface. Guided by a previously und…

  • Treatiseand theTractatus

    Open Access•David Cline•ARTICLE•Journal of the Royal Musical…•2020•Cited by: 1•References: 29

    Cornelius Cardew named his monumental graphic scoreTreatiseafter Ludwig Wittgenstein's early philosophical masterpieceTractatus logico-philosophicus, and this well-known fact has engendered speculation about whether there might be other connections between Cardew's composition and Wittgenstein's book. Previous commentaries have focused on possible allusions to theTractatusin the visual imagery employed by Cardew, and this article includes further…

  • A Shared Authority

    David Cline, David P Cline•ARTICLE•The Oral History Review•2017•Cited by: 1

    This article is related to:A Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael Frisch

  • The Graph Music of Morton Feldman

    Open Access•David Cline•BOOK•Graph Music of Morton Feldman•2016

    Morton Feldman is widely regarded as one of America's greatest composers. His music is famously idiosyncratic, but, in many cases, the way he presented it is also unusual because, in the 1950s and 1960s, he often composed in non-standard musical notations, including a groundbreaking variety on graph paper that facilitated deliberately imprecise specifications of pitch and, at times, other musical parameters. Feldman used this notation, intermitte…

  • Graph Music of Morton Feldman

    David Cline•BOOK•Graph Music of Morton Feldman•2016

  • Klansville, U.S.A.

    David Cline, David P Cline•ARTICLE•The Oral History Review•2016

  • Trans Toronto

    David Cline•ARTICLE•The Oral History Review•2016

    Darryl B. Hill’s Trans Toronto: An Oral History is not in fact an oral history as such but uses oral histories as qualitative research evidence in a close sociological reading of Toronto’s trans co...

  • On the physical origin of the homochirality of life

    Open Access•David Cline, DAVID B CLINE•ARTICLE•European Review•2005

    It seems to be well known that life cannot arise in a racemic mixture of molecules (L=D). The various physical mechanisms that could influence the homochirality of the molecules responsible for life are reviewed together with a model where these molecules might be produced in the galaxy prior to the formation of the earth. The focus is on the influence of a powerful supernovae explosion to affect the homochirality of these molecules. Possible tes…

  • Midian, Moab and Edom

    Rudolph H Dornemann, John F A Sawyer et al.•ARTICLE•Journal of the American Oriental…•1985

  • Treatiseand theTractatus

    Open Access•David Cline•ARTICLE•Journal of the Royal Musical…•2020•Cited by: 1•References: 29

    Cornelius Cardew named his monumental graphic scoreTreatiseafter Ludwig Wittgenstein's early philosophical masterpieceTractatus logico-philosophicus, and this well-known fact has engendered speculation about whether there might be other connections between Cardew's composition and Wittgenstein's book. Previous commentaries have focused on possible allusions to theTractatusin the visual imagery employed by Cardew, and this article includes further…

  • A Shared Authority

    David Cline, David P Cline•ARTICLE•The Oral History Review•2017•Cited by: 1

    This article is related to:A Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael Frisch

  • Midian, Moab and Edom

    Rudolph H Dornemann, John F A Sawyer et al.•ARTICLE•Journal of the American Oriental…•1985

  • On the physical origin of the homochirality of life

    Open Access•David Cline, DAVID B CLINE•ARTICLE•European Review•2005

    It seems to be well known that life cannot arise in a racemic mixture of molecules (L=D). The various physical mechanisms that could influence the homochirality of the molecules responsible for life are reviewed together with a model where these molecules might be produced in the galaxy prior to the formation of the earth. The focus is on the influence of a powerful supernovae explosion to affect the homochirality of these molecules. Possible tes…

  • The Graph Music of Morton Feldman

    Open Access•David Cline•BOOK•Graph Music of Morton Feldman•2016

    Morton Feldman is widely regarded as one of America's greatest composers. His music is famously idiosyncratic, but, in many cases, the way he presented it is also unusual because, in the 1950s and 1960s, he often composed in non-standard musical notations, including a groundbreaking variety on graph paper that facilitated deliberately imprecise specifications of pitch and, at times, other musical parameters. Feldman used this notation, intermitte…

  • Graph Music of Morton Feldman

    David Cline•BOOK•Graph Music of Morton Feldman•2016

  • Klansville, U.S.A.

    David Cline, David P Cline•ARTICLE•The Oral History Review•2016

  • Trans Toronto

    David Cline•ARTICLE•The Oral History Review•2016

    Darryl B. Hill’s Trans Toronto: An Oral History is not in fact an oral history as such but uses oral histories as qualitative research evidence in a close sociological reading of Toronto’s trans co...

  • A Shared Authority

    David Cline, David P Cline•ARTICLE•The Oral History Review•2017•Cited by: 1

    This article is related to:A Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael FrischA Shared Authority: Essays on the Craft and Meaning of Oral and Public History. By Michael Frisch

  • Treatiseand theTractatus

    Open Access•David Cline•ARTICLE•Journal of the Royal Musical…•2020•Cited by: 1•References: 29

    Cornelius Cardew named his monumental graphic scoreTreatiseafter Ludwig Wittgenstein's early philosophical masterpieceTractatus logico-philosophicus, and this well-known fact has engendered speculation about whether there might be other connections between Cardew's composition and Wittgenstein's book. Previous commentaries have focused on possible allusions to theTractatusin the visual imagery employed by Cardew, and this article includes further…

  • Architecture and Freedom in Cornelius Cardew's Octet '61 for Jasper Johns

    Open Access•David Cline•ARTICLE•Music Analysis•2022•References: 12

    Cornelius Cardew's Octet '61 for Jasper Johns is 'not necessarily for piano', an epithet which gives advance warning of its eccentricity. With an adventurous presentation that encompasses radical forms of musical indeterminacy, it appears to exhibit all the hallmarks of the American Experimental tradition with which Cardew associated in the 1960s. Yet, layer upon layer of order exists below its seemingly unruly surface. Guided by a previously und…

  • Understanding diversity in fishing

    Emily Nichols, Emily K Nichols et al.•ARTICLE•Human Dimensions of Wildlife•2025

Philosophy (5 works) · Art (4 works) · History (4 works) · Visual arts (4 works) · Epistemology (3 works) · Law (3 works) · Political science (3 works) · Sociology (3 works) · Aesthetics (2 works) · Ancient history (2 works)

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