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L S Dembo

Biographic Data

ID994644
NAMEL S Dembo
GIVEN NAMESL S
FAMILY NAMEDembo
SIGNATUREDEMBO L S
VERIFIEDNo
TOTAL WORKS36
TOTAL CITATIONS6
AUTHOR COUNT36
EDITOR COUNT0
FIRST PUBLICATION YEAR1955
LATEST PUBLICATION YEAR1989
H-INDEX1
  • The Monological Jew: A Literary Study

    Sanford E Marovitz, L S Dembo•ARTICLE•American Literature•1989

  • Interviews with Contemporary Writers

    William L Frank, L S Dembo et al.•ARTICLE•South Atlantic Review•1986

  • William Carlos Williams and the American Scene, 1920-1940

    L S Dembo, Dickran Tashjian•ARTICLE•American Literature•1980

  • The Poetic Achievement of Ezra Pound

    L S Dembo, Michael Alexander et al.•ARTICLE•American Literature•1980

  • Charles Olson: Call Him Ishmael

    L S Dembo, Paul Christiansen et al.•ARTICLE•American Literature•1979

  • The Later Poetry of Wallace Stevens: Phenomenological Parallels with Husserl and Heidegger

    L S Dembo, Thomas Jensen Hines et al.•ARTICLE•American Literature•1977

  • Shifting World: Social Change and Nostalgia in the American Novel

    L S Dembo, David C Stineback•ARTICLE•American Literature•1977

  • The Echoing Wood of Theodore Roethke

    L S Dembo, Jenijoy La Belle et al.•ARTICLE•American Literature•1977

  • Three on the Tower: The Lives and Works of Ezra Pound, T. S. Eliot, and William Carlos Williams

    L S Dembo, Louis Simpson•ARTICLE•American Literature•1976

  • Robert Frost: Modern Poetics and the Landscapes of Self

    L S Dembo, Frank Lentricchia•ARTICLE•American Literature•1976

  • Out of the Vietnam Vortex: A Study of Poets and Poetry Against the War

    L S Dembo, James F Mersmann•ARTICLE•American Literature•1975

  • The Confessional Poets

    L S Dembo, Robert Phillips et al.•ARTICLE•American Literature•1974

    Confessional poetry as a genre was first characterized by the critic M. L. Rosenthal in 1959. It has become a potent force, and its practitioners the poetic voices of our time. The poetry is highly subjective, written with frankness and lack of restraint, and focuses on the ugliness of life. Its leading practitioners, Robert Lowell, Anne Sexton, W. D. Snodgrass, and John Berryman, have all been recipients of the highest awards in literature, incl…

  • The Shield of Perseus: The Vision and Imagination of Howard Nemerov

    L S Dembo, Julia A Bartholomay•ARTICLE•American Literature•1974

  • The Modern Spirit and Dionysus and the City

    L S Dembo, Robert Langbaum et al.•ARTICLE•boundary 2•1973

  • Olson's Maximus and the Way to Knowledge

    L S Dembo•ARTICLE•boundary 2•1973

    The true interest of Olson's Maximus Poems, Robert Creeley has asserted, lies not in its social criticism but in its vocabulary, forces thought to specific terms much against a progress of easy, generalized understanding.1 Such a vocabulary has behind it a special dynamic way of perceiving things: one sees a thing he may then deal with it or be dealt with by it, in the manner to which he is a party. True knowledge is active form of relation to te…

  • Poet in America: Winfield Townley Scott

    L S Dembo, Scott Donaldson•ARTICLE•American Literature•1973

  • The Case of the Helmeted Airman: A Study of W. H. Auden's Poetry

    L S Dembo, François Duchêne•ARTICLE•American Literature•1973

  • Hart's Bridge

    L S Dembo, Sherman Paul•ARTICLE•American Literature•1973

  • Louis Zukofsky: Objectivist Poetics and the Quest for Form

    L S Dembo•ARTICLE•American Literature•1972

    A DMIRED BY CHARLES OLSON, Robert Duncan, Robert Creeley, and generation of avant-garde writers who esteem Ezra Pound and William Carlos Williams, Louis Zukofsky remains an enigmatic and generally misunderstood figure. Even the members of the socalled Objectivist group that gathered around him in the thirties often found his work impenetrable and today the situation has been compounded by the appearance of his five-hundred page metaphysics of cog…

  • Dionysus and the City: Modernism in Twentieth-Century Poetry

    L S Dembo, Monroe K Spears•ARTICLE•American Literature•1971

  • The Life of Ezra Pound

    L S Dembo, Noel Stock•ARTICLE•American Literature•1971

  • New Approaches to Ezra Pound: A Co-ordinated Investigation of Pound's Poetry and Ideas

    L S Dembo, Eva Hesse et al.•ARTICLE•American Literature•1970

  • The Glass House: The Life of Theodore Roethke

    L S Dembo, Allan Seager•ARTICLE•American Literature•1969•Cited by: 1

  • An Approach to Paterson

    L S Dembo, Walter Scott Peterson et al.•ARTICLE•American Literature•1968

  • Conceptions of Reality in Modern American Poetry

    Hyatt H Waggoner, L S Dembo•ARTICLE•American Literature•1968

Next
  • Matt Field on the Santa Fe Trail

    L S Dembo, Clyde Porter et al.•ARTICLE•Western Folklore•1961•Cited by: 3

  • The Glass House: The Life of Theodore Roethke

    L S Dembo, Allan Seager•ARTICLE•American Literature•1969•Cited by: 1

  • Tularosa: Last of the Frontier West

    L S Dembo, C L Sonnichsen et al.•ARTICLE•Western Folklore•1961•Cited by: 1

  • The Unfractioned Idiom of Hart Crane's Bridge

    L S Dembo, Lawrence Dembo•ARTICLE•American Literature•1955•Cited by: 1

  • The Unfractioned Idiom of Hart Crane's Bridge

    L S Dembo, Lawrence Dembo•ARTICLE•American Literature•1955•Cited by: 1

  • Tularosa: Last of the Frontier West

    L S Dembo, C L Sonnichsen et al.•ARTICLE•Western Folklore•1961•Cited by: 1

  • Matt Field on the Santa Fe Trail

    L S Dembo, Clyde Porter et al.•ARTICLE•Western Folklore•1961•Cited by: 3

  • Hart Crane's Sanskrit Charge: A Study of the Bridge

    Harvey Cox, H Morris Cox et al.•ARTICLE•American Literature•1962

  • The Cantos of Ezra Pound: A Critical Study

    L S Dembo, George Dekker•ARTICLE•American Literature•1964

  • Poet in Exile: Ezra Pound

    L S Dembo, Noel Stock•ARTICLE•American Literature•1965

  • The Confucian Odes of Ezra Pound: A Critical Appraisal

    Guy Davenport, L S Dembo•ARTICLE•American Literature•1965

  • The Influence of Ezra Pound

    L S Dembo, Ken Goodwin et al.•ARTICLE•American Literature•1967

  • L'Univers Poetique de Hart Crane

    L S Dembo, Jean Guiguet•ARTICLE•American Literature•1967

  • An Approach to Paterson

    L S Dembo, Walter Scott Peterson et al.•ARTICLE•American Literature•1968

  • Conceptions of Reality in Modern American Poetry

    Hyatt H Waggoner, L S Dembo•ARTICLE•American Literature•1968

  • The Caged Panther: Ezra Pound at St. Elizabeths

    L S Dembo, Harry M Meacham•ARTICLE•American Literature•1968

  • The Rose in the Steel Dust: An Examination of the Cantos of Ezra Pound

    L S Dembo, Walter Baumann•ARTICLE•American Literature•1968

  • The Glass House: The Life of Theodore Roethke

    L S Dembo, Allan Seager•ARTICLE•American Literature•1969•Cited by: 1

  • New Approaches to Ezra Pound: A Co-ordinated Investigation of Pound's Poetry and Ideas

    L S Dembo, Eva Hesse et al.•ARTICLE•American Literature•1970

  • Dionysus and the City: Modernism in Twentieth-Century Poetry

    L S Dembo, Monroe K Spears•ARTICLE•American Literature•1971

  • The Life of Ezra Pound

    L S Dembo, Noel Stock•ARTICLE•American Literature•1971

  • Louis Zukofsky: Objectivist Poetics and the Quest for Form

    L S Dembo•ARTICLE•American Literature•1972

    A DMIRED BY CHARLES OLSON, Robert Duncan, Robert Creeley, and generation of avant-garde writers who esteem Ezra Pound and William Carlos Williams, Louis Zukofsky remains an enigmatic and generally misunderstood figure. Even the members of the socalled Objectivist group that gathered around him in the thirties often found his work impenetrable and today the situation has been compounded by the appearance of his five-hundred page metaphysics of cog…

  • The Modern Spirit and Dionysus and the City

    L S Dembo, Robert Langbaum et al.•ARTICLE•boundary 2•1973

  • Olson's Maximus and the Way to Knowledge

    L S Dembo•ARTICLE•boundary 2•1973

    The true interest of Olson's Maximus Poems, Robert Creeley has asserted, lies not in its social criticism but in its vocabulary, forces thought to specific terms much against a progress of easy, generalized understanding.1 Such a vocabulary has behind it a special dynamic way of perceiving things: one sees a thing he may then deal with it or be dealt with by it, in the manner to which he is a party. True knowledge is active form of relation to te…

  • Poet in America: Winfield Townley Scott

    L S Dembo, Scott Donaldson•ARTICLE•American Literature•1973

  • The Case of the Helmeted Airman: A Study of W. H. Auden's Poetry

    L S Dembo, François Duchêne•ARTICLE•American Literature•1973

  • Hart's Bridge

    L S Dembo, Sherman Paul•ARTICLE•American Literature•1973

  • The Confessional Poets

    L S Dembo, Robert Phillips et al.•ARTICLE•American Literature•1974

    Confessional poetry as a genre was first characterized by the critic M. L. Rosenthal in 1959. It has become a potent force, and its practitioners the poetic voices of our time. The poetry is highly subjective, written with frankness and lack of restraint, and focuses on the ugliness of life. Its leading practitioners, Robert Lowell, Anne Sexton, W. D. Snodgrass, and John Berryman, have all been recipients of the highest awards in literature, incl…

  • The Shield of Perseus: The Vision and Imagination of Howard Nemerov

    L S Dembo, Julia A Bartholomay•ARTICLE•American Literature•1974

Art (29 works) · History (26 works) · Poetry Analysis and Criticism (24 works) · Literature (20 works) · Computer Science (10 works) · Pound (networking) (10 works) · Philosophy (9 works) · Poetry (9 works) · American and British Literature Analysis (8 works) · Art history (5 works)

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