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Wu Hung

Biographic Data

ID99466
NAMEWu Hung
GIVEN NAMESWu
FAMILY NAMEHung
SIGNATUREHUNG W
AFFILIATIONSUniversity of North Dakota
ORCID0000-0001-9998-3163
VERIFIEDYes
TOTAL WORKS49
TOTAL CITATIONS39
AUTHOR COUNT48
EDITOR COUNT1
FIRST PUBLICATION YEAR1986
LATEST PUBLICATION YEAR2026
H-INDEX3
  • In Memoriam: John R. Savery (1950–2025): Editors' Reflection

    Open Access•Krista Glazewski, Xun Ge et al.•ARTICLE•Interdisciplinary Journal of…•2026

    It is with profound sadness that the editors of the Interdisciplinary Journal of Problem-Based Learning (IJPBL) mark the passing of John R. Savery, Ph.D., on May 8, 2025. John’s relationship with this journal was foundational—he contributed the most-read article in IJPBL’s history and, in doing so, helped introduce an entire generation of educators and researchers to the principles of problem-based learning. In the remarks that follow, three memb…

  • Outdoor Exhibitions in Beijing, 1979

    Wu Hung•ARTICLE•positions asia critique•2025

    An important artistic phenomenon in Beijing in 1979 was the occurrence of multiple unofficial outdoor art exhibitions, which have not yet received sufficient scholarly attention. This article attempts to assemble the available materials, to provide a general introduction to these exhibitions, and to reflect on their shared historical context, forms, and strategies. After identifying public parks and Democracy Wall as the two principal venues of o…

  • The Road to Shu in Tang painting

    Open Access•Wu Hung•ARTICLE•Res: Anthropology and Aesthetics•2025•References: 2

  • System modelling: Exploring engineering students perceptions and learning outcomes

    Open Access•Ademola Amida, Wu Hung et al.•ARTICLE•Systems Research and Behavioral…•2024

    This study explored the students' perceptions and key learning outcomes with the use of system modelling (SM) instructional strategy. Specifically, the study sought to understand students' perceptions and experiences with the use of SM in enhancing their conceptual and application knowledge, as well as problem‐solving and system thinking skills. The study employed a qualitative inquiry approach to gain insight into engineering students' experienc…

  • Using Text Mining to Elucidate Mental Models of Problem Spaces for Ill-Structured Problems

    Open Access•Mary P Murphy, Wu Hung•ARTICLE•TechTrends•2024•References: 1

  • Spatial Dunhuang: Experiencing the Mogao Caves

    Wu Hung•BOOK•Spatial Dunhuang•2023

  • Systems Thinking and Modeling: From Butterfly Posture to Artificial Intelligence

    Open Access•Mary P Murphy, Wu Hung•ARTICLE•TechTrends•2023•References: 2

  • Chinese Art and Dynastic Time

    Open Access•Wu Hung, Hung Wu•BOOK•Chinese Art and Dynastic Time•2022

  • The Effects of Microlearning: A Scoping Review

    Open Access•Ai-dung Taylor, Wu Hung•ARTICLE•Educational Technology Research…•2022

  • Unearthing Wu Daozi ( c . 686 to c . 760): The Concept of Authorship in Tang Painting

    Open Access•Wu Hung•ARTICLE•Art History•2022•Cited by: 1

    Worshipped by later folk artists as the god of painting, Wu Daozi ( c . 686 to c . 760) was also praised by ninth‐century art historian Zhang Yanyuan as someone who ‘did not look back and will have no successors’. But alas, this ‘Sage of Painting’ ( Hua sheng ) left no work to us (imagine if we knew Leonardo da Vinci or Michelangelo only by reputation). Can archaeology remedy this unfortunate situation as it has done for so many other fields from…

  • Thinking Through Scale: The First Emperor’s Sculptural Enterprise

    Wu Hung•CHAPTER•Figurines•2020

    This chapter confronts the problems of the terminology of “figurine” and that of “ yong ,” the ancient Chinese word always used to translate “figurine.” Yong does not imply miniature size necessarily and is defined by funerary functions. The issues are exemplified through discussion of the sculptural projects of the First Emperor, including his larger-than-life golden statues in bronze and the famous terracotta army and other sculptures of his ma…

  • Revisiting cognitive tools from a social and motivational perspective

    Open Access•Xun Ge, Matija Turk et al.•ARTICLE•Australasian Journal of…•2019

    The concept of computers as cognitive tools has been revisited to provide insight into the motivational and social dimension in light of the emerging technologies. Central to this concept are the two opposing philosophical views: learning from technology (amplification view of technology) versus learning with technology (constructivist view of technology). A literature review is provided on the paradigm shift in educational technologies from the …

  • On Tomb Figurines: The Beginning of a Visual Tradition

    Open Access•Wu Hung•CHAPTER•Body and Face in Chinese Visual…•2017

  • Chinese Views of Childhood

    Kenneth J Dewoskin, Charlotte Furth et al.•BOOK•Chinese Views of Childhood•2017

    Chinese in the twentieth century, intent on modernizing their country, condemned their inherited culture in part on the grounds that it was oppressive to the young. The authors of this pioneering volume provide us with the evidence to re-examine those charges. Drawing on sources ranging from art to medical treatises, fiction, and funerary writings, they separate out the many complexities in the Chinese cultural construction of childhood and the w…

  • Rethinking Meaning in Early Chinese Art: Animal, Ancestor, and Man

    Wu Hung•ARTICLE•Critical Inquiry•2016•References: 6

  • The Invisible Miniature: Framing the Soul in Chinese Art and Architecture

    Open Access•Wu Hung•ARTICLE•Art History•2015

  • Questions on “world art history”

    Open Access•Zainab Bahrani, Jaś Elsner et al.•ARTICLE•Perspective•2014

    The choice of this theme for debate has

  • Han sarcophagi: Surface, depth, context

    Open Access•Wu Hung•ARTICLE•Res: Anthropology and Aesthetics•2012•References: 5

  • Enlivening the Soul in Chinese Tombs

    Open Access•Wu Hung•ARTICLE•Res: Anthropology and Aesthetics•2009

  • Claude Lévi Strauss, in Memoriam

    Open Access•Jonathan Hay, Wu Hung et al.•ARTICLE•Res: Anthropology and Aesthetics•2009

  • Ji: Traces in Chinese Landscape and Landscape Painting

    Wu Hung•ARTICLE•Cahiers d Extrême-Asie•2008

    En Chine, les traces visibles de l'antiquité suscitent depuis longtemps un grand intérêt, donnant naissance à des pratiques culturelles très diverses. On peut en distinguer quatre types : les « traces divines » qui étaient censées manifester, de manière souvent assez ambiguë, l'activité des puissances surnaturelles ; les « traces historiques » que relevait l'étude des antiquaires érudits ; les « traces subsistantes » auxquelles s'attachaient des …

  • All Problems are Not Equal: Implications for Problem-Based Learning

    Open Access•David H Jonassen, Wu Hung•ARTICLE•Interdisciplinary Journal of…•2008•Cited by: 10•References: 1

    Problem-based learning (PBL) is an instructional model that assumes the centrality of problems to learning. Research on PBL has focused on student learning, student roles, tutor roles, problem design, and technology use (Hung, Jonassen, & Liu, 2008), but little attention in the PBL literature has been paid to the nature of the problems that provide the focus for PBL. In this paper, we articulate a model for evaluating problem difficulty. Problem …

  • Television in Contemporary Chinese Art

    Wu Hung•ARTICLE•October•2008

    July 01 2008 Television in Contemporary Chinese Art Wu Hung Wu Hung Wu Hung is Harrie A. Vanderstappen Distinguished Service Professor in Chinese Art History and Director of the Center for the Art of East Asia at the University of Chicago. His books include Remaking Beijing: Tiananmen Square and the Creation of a Political Space (University of Chicago Press, 2006) and The Double Screen: Medium and Representation in Chinese Painting (University of…

  • Remaking Beijing: Tiananmen Square and the Creation of a Political Space

    Wu Hung•BOOK•REMAKING BEIJING: TIANANMEN…•2005

    In 1949, Beijing still retained nearly all of its time-honored character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern metropolis rife with monuments, public squares, exhibition halls, and government o…

  • Body and Face in Chinese Visual Culture

    Open Access•Wu Hung, Hung Wu et al.•BOOK•Body and Face in Chinese Visual…•2005

Next
  • All Problems are Not Equal: Implications for Problem-Based Learning

    Open Access•David H Jonassen, Wu Hung•ARTICLE•Interdisciplinary Journal of…•2008•Cited by: 10•References: 1

    Problem-based learning (PBL) is an instructional model that assumes the centrality of problems to learning. Research on PBL has focused on student learning, student roles, tutor roles, problem design, and technology use (Hung, Jonassen, & Liu, 2008), but little attention in the PBL literature has been paid to the nature of the problems that provide the focus for PBL. In this paper, we articulate a model for evaluating problem difficulty. Problem …

  • Tiananmen Square: A Political History of Monuments

    Wu Hung•ARTICLE•Representations•1991•Cited by: 10•References: 2

    Research Article| July 01 1991 Tiananmen Square: A Political History of Monuments Wu Hung Wu Hung Search for other works by this author on: This Site PubMed Google Scholar Representations (1991) 35: 84–117. https://doi.org/10.2307/2928718 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Wu Hung; Tiananmen Square:…

  • Zhang Dali's Dialogue: Conversation with a City

    Wu Hung•ARTICLE•Public Culture•2000•Cited by: 4

    Research Article| September 01 2000 Zhang Dali's Dialogue: Conversation with a City Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (2000) 12 (3): 749–768. https://doi.org/10.1215/08992363-12-3-749 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Wu…

  • The Hong Kong Clock-Public Time-Telling and Political Time/Space

    Wu Hung•ARTICLE•Public Culture•1997•Cited by: 3

    Research Article| September 01 1997 The Hong Kong Clock—Public Time-Telling and Political Time/Space Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (1997) 9 (3): 329–354. https://doi.org/10.1215/08992363-9-3-329 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Wu Hung; The Hong Kong Clock—Public Time-Telling and Political Time/Space. Public Culture 1 Septe…

  • What is Bianxiang? -On The Relationship Between Dunhuang Art and Dunhuang Literature

    Wu Hung•ARTICLE•Harvard Journal of Asiatic Studies•1992•Cited by: 3

    Relation entre « bianxiang », representation picturale de « bian », « transformations miraculeuses, et « bianwen », representation litteraire, deux aspects des manuscrits de Dunhuang

  • The Transparent Stone: Inverted Vision and Binary Imagery in Medieval Chinese Art

    Wu Hung•ARTICLE•Representations•1994•Cited by: 2•References: 3

    Research Article| April 01 1994 The Transparent Stone: Inverted Vision and Binary Imagery in Medieval Chinese Art Wu Hung Wu Hung Search for other works by this author on: This Site PubMed Google Scholar Representations (1994) 46: 58–86. https://doi.org/10.2307/2928779 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite S…

  • Unearthing Wu Daozi ( c . 686 to c . 760): The Concept of Authorship in Tang Painting

    Open Access•Wu Hung•ARTICLE•Art History•2022•Cited by: 1

    Worshipped by later folk artists as the god of painting, Wu Daozi ( c . 686 to c . 760) was also praised by ninth‐century art historian Zhang Yanyuan as someone who ‘did not look back and will have no successors’. But alas, this ‘Sage of Painting’ ( Hua sheng ) left no work to us (imagine if we knew Leonardo da Vinci or Michelangelo only by reputation). Can archaeology remedy this unfortunate situation as it has done for so many other fields from…

  • Rethinking Warring States Cities: An Historical and Methodological Proposal

    Wu Hung•ARTICLE•Journal of East Asian Archaeology•2001•Cited by: 1

    Unsatisfied with a rigid typology of Warring States cities based on static configurations of city walls, this paper approaches different urban forms during this period as linked phenomena in a broad sociopolitical movement. Through reexamining the expansion of several important cities such as Xue, Linzi, Xinzheng (Xiadu), Wuyang, and Qufu, the author argues that the most important feature of Warring States cities was not stability (as a necessary…

  • Photographing Deformity: "Liu Zheng and His Photo Series "My Countrymen

    Wu Hung•ARTICLE•Public Culture•2001•Cited by: 1

    Research Article| September 01 2001 Photographing Deformity: Liu Zheng and His Photo Series “My Countrymen” Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (2001) 13 (3): 399–428. https://doi.org/10.1215/08992363-13-3-399 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite…

  • A Chinese Dream by Wang Jin

    Wu Hung•ARTICLE•Public Culture•2000•Cited by: 1

    Research Article| January 01 2000 A Chinese Dream by Wang Jin Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (2000) 12 (1): 74–92. https://doi.org/10.1215/08992363-12-1-74 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Wu Hung; A Chinese Dream by Wang Jin. Public Culture 1 January 2000; 12 (1): 74–92. doi: https://doi.org/10.1215/08992363-12-1-74 Downloa…

  • Monumentality in Early Chinese Art and Architecture

    Robert W Bagley, Robert Bagley et al.•ARTICLE•Harvard Journal of Asiatic Studies•1998•Cited by: 1

  • "Hong Kong 1997"-T-Shirt Designs by Zhang Hongtu

    Wu Hung•ARTICLE•Public Culture•1997•Cited by: 1

    Research Article| September 01 1997 “Hong Kong 1997”—T-Shirt Designs by Zhang Hongtu Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (1997) 9 (3): 417–425. https://doi.org/10.1215/08992363-9-3-417 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Wu Hung; “Hong Kong 1997”—T-Shirt Designs by Zhang Hongtu. Public Culture 1 September 1997; 9 (3): 417–425. doi: …

  • The Painted Screen

    Wu Hung•ARTICLE•Critical Inquiry•1996•Cited by: 1

  • Buddhist Elements in Early Chinese Art (2nd and 3rd Centuries A.D.)

    Wu Hung•ARTICLE•Artibus Asiae•1986

    L'A. etudie les elements bouddhiques de l'art seculier, taoiste, bouddhique de l'art des Han (2o, 3o s.) qu'il replace dans un contexte culturel et social pour comprendre quels sont les liens qui existent entre le bouddhisme d'origine indienne, les idees traditionnelles taoistes chinoises et la facon dont le peuple percevait le bouddhisme

  • The Earliest Pictorial Representations of Ape Tales

    Wu Hung•ARTICLE•T oung Pao•1987

  • From Temple to Tomb: Ancient Chinese Art and Religion in Transition

    Open Access•Wu Hung•ARTICLE•Early China•1988

    By exploring the shift of ancestral worship centers in ancient China and its impact on art, the author argues that the genealogical/political structure of the Three Dynasties found its religious form in temple worship; however, following the decline of this system during the Eastern Zhou and the Qin, the tomb of an individual increased in importance. This process culminated during the Eastern Han: Problems in dynastic succession forced the Easter…

  • Tiananmen Square: A Political History of Monuments

    Wu Hung•ARTICLE•Representations•1991•Cited by: 10•References: 2

    Research Article| July 01 1991 Tiananmen Square: A Political History of Monuments Wu Hung Wu Hung Search for other works by this author on: This Site PubMed Google Scholar Representations (1991) 35: 84–117. https://doi.org/10.2307/2928718 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Wu Hung; Tiananmen Square:…

  • Art in a Ritual Context: Rethinking Mawangdui

    Open Access•Wu Hung•ARTICLE•Early China•1992

    This paper reexamines the famous painting from Mawangdui Tomb number 1. Instead of approaching it as an independent “work” and matching its images with fragmentary textual references, I explore its relationship with other buried objects, the tomb's structure and symbolism, and the ritual process during which the tomb was constructed. Based on ancient ritual canons, I reject the popular opinion that the painting served to summon the departed soul …

  • What is Bianxiang? -On The Relationship Between Dunhuang Art and Dunhuang Literature

    Wu Hung•ARTICLE•Harvard Journal of Asiatic Studies•1992•Cited by: 3

    Relation entre « bianxiang », representation picturale de « bian », « transformations miraculeuses, et « bianwen », representation litteraire, deux aspects des manuscrits de Dunhuang

  • The Wu Liang Shrine: The Ideology of Early Chinese Pictorial Art

    Riccardo Fracasso, Wu Hung•ARTICLE•Journal of the Economic and…•1993

  • A “Ghost Rebellion: Notes on Xu Bing's “Nonsense Writing” and Other Works

    Wu Hung•ARTICLE•Public Culture•1994

    Other| May 01 1994 A “Ghost Rebellion”: Notes on Xu Bing's “Nonsense Writing” and Other Works Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (1994) 6 (2): 411–418. https://doi.org/10.1215/08992363-6-2-411 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Wu Hung; A “Ghost Rebellion”: Notes on Xu Bing's “Nonsense Writing” and Other Works. Public Culture 1 Ma…

  • The Transparent Stone: Inverted Vision and Binary Imagery in Medieval Chinese Art

    Wu Hung•ARTICLE•Representations•1994•Cited by: 2•References: 3

    Research Article| April 01 1994 The Transparent Stone: Inverted Vision and Binary Imagery in Medieval Chinese Art Wu Hung Wu Hung Search for other works by this author on: This Site PubMed Google Scholar Representations (1994) 46: 58–86. https://doi.org/10.2307/2928779 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite S…

  • Monumentality in early Chinese art and architecture

    Wu Hung•BOOK•Monumentality in early Chinese…•1995

    Chinese decorative, pictorial, and architectural forms, often approached as separate traditions, are here explained as a broad artistic movement and contextualized as part of a well-defined cultural and political tradition. The book begins with the first comprehensive explanation of "ritual art." This native genre encompasses ceremonial pottery, jades, and bronzes, which, though often small and hidden, manifest a unique sense of the monumental. T…

  • The Painted Screen

    Wu Hung•ARTICLE•Critical Inquiry•1996•Cited by: 1

  • Beyond Stereotypes: The Twelve Beauties in Qing Court Art and the Dream of the Red Chamber

    Wu Hung•CHAPTER•Writing Women in Late Imperial…•1997

  • "Hong Kong 1997"-T-Shirt Designs by Zhang Hongtu

    Wu Hung•ARTICLE•Public Culture•1997•Cited by: 1

    Research Article| September 01 1997 “Hong Kong 1997”—T-Shirt Designs by Zhang Hongtu Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (1997) 9 (3): 417–425. https://doi.org/10.1215/08992363-9-3-417 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Wu Hung; “Hong Kong 1997”—T-Shirt Designs by Zhang Hongtu. Public Culture 1 September 1997; 9 (3): 417–425. doi: …

  • The Hong Kong Clock-Public Time-Telling and Political Time/Space

    Wu Hung•ARTICLE•Public Culture•1997•Cited by: 3

    Research Article| September 01 1997 The Hong Kong Clock—Public Time-Telling and Political Time/Space Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (1997) 9 (3): 329–354. https://doi.org/10.1215/08992363-9-3-329 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Wu Hung; The Hong Kong Clock—Public Time-Telling and Political Time/Space. Public Culture 1 Septe…

  • Monumentality in Early Chinese Art and Architecture

    Robert W Bagley, Robert Bagley et al.•ARTICLE•Harvard Journal of Asiatic Studies•1998•Cited by: 1

  • The Double Screen: Medium and Representation in Chinese Painting

    Open Access•Lu Xiuyuan, Xiuyuan Lu et al.•ARTICLE•Anthropologica•1998

  • The Art and Architecture of the Warring States Period

    Open Access•Wu Hung•CHAPTER•The Cambridge history of ancient…•1999

    The Warring States period was an era of magnificent artistic creation and renewal in Chinese history. By the end of the Spring and Autumn period, changes within traditional ritual art and architecture had reached a critical point. Many new artistic and architectural forms, styles, and genres appeared during the following centuries and redefined the whole visual vista. In architecture, the city was reshaped and its internal structure reconfigured.…

  • Zhang Dali's Dialogue: Conversation with a City

    Wu Hung•ARTICLE•Public Culture•2000•Cited by: 4

    Research Article| September 01 2000 Zhang Dali's Dialogue: Conversation with a City Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (2000) 12 (3): 749–768. https://doi.org/10.1215/08992363-12-3-749 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Wu…

  • A Chinese Dream by Wang Jin

    Wu Hung•ARTICLE•Public Culture•2000•Cited by: 1

    Research Article| January 01 2000 A Chinese Dream by Wang Jin Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (2000) 12 (1): 74–92. https://doi.org/10.1215/08992363-12-1-74 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Wu Hung; A Chinese Dream by Wang Jin. Public Culture 1 January 2000; 12 (1): 74–92. doi: https://doi.org/10.1215/08992363-12-1-74 Downloa…

  • Rethinking Warring States Cities: An Historical and Methodological Proposal

    Wu Hung•ARTICLE•Journal of East Asian Archaeology•2001•Cited by: 1

    Unsatisfied with a rigid typology of Warring States cities based on static configurations of city walls, this paper approaches different urban forms during this period as linked phenomena in a broad sociopolitical movement. Through reexamining the expansion of several important cities such as Xue, Linzi, Xinzheng (Xiadu), Wuyang, and Qufu, the author argues that the most important feature of Warring States cities was not stability (as a necessary…

  • Photographing Deformity: "Liu Zheng and His Photo Series "My Countrymen

    Wu Hung•ARTICLE•Public Culture•2001•Cited by: 1

    Research Article| September 01 2001 Photographing Deformity: Liu Zheng and His Photo Series “My Countrymen” Wu Hung Wu Hung Search for other works by this author on: This Site Google Public Culture (2001) 13 (3): 399–428. https://doi.org/10.1215/08992363-13-3-399 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite…

  • Zhang Dali’s Dialogue: Conversation with a City

    Open Access•Wu Hung•CHAPTER•Cosmopolitanism•2002

  • Exhibiting Experimental Art in China

    Robert E Harrist, Wu Hung•ARTICLE•Journal of the American Oriental…•2002

  • Building learning communities by enhancing social presence: Implementing Blended Instructional Delivery Methods

    Open Access•Wu Hung, Woei Hung•ARTICLE•ACM SIGGROUP Bulletin•2003

    Lewis, Snow, Farris, et al. stated in the National Center for Education Statistics that "distance education appears to have become a common feature of many postsecondary education institutions and...it will become only more common in the future" [3]. In the wave of migration to new instructional delivery modes, it is necessary for us to critically examine some issues that have arisen, in order to reach an optimal solution for both the students an…

  • Remaking Beijing: Tiananmen Square and the Creation of a Political Space

    Wu Hung•BOOK•REMAKING BEIJING: TIANANMEN…•2005

    In 1949, Beijing still retained nearly all of its time-honored character and magnificence. But when Chairman Mao rejected the proposal to build a new capital for the People's Republic of China and decided to stay in the ancient city, he initiated a long struggle to transform Beijing into a shining beacon of socialism. So began the remaking of the city into a modern metropolis rife with monuments, public squares, exhibition halls, and government o…

History (27 works) · Chinese history and philosophy (26 works) · Art (25 works) · Computer Science (19 works) · Archaeology (14 works) · Art history (13 works) · Visual arts (13 works) · China (12 works) · Psychology (11 works) · Philosophy (10 works)

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