James D Sullivan
Biographic Data
| ID | 994743 |
|---|---|
| NAME | James D Sullivan |
| GIVEN NAMES | James D |
| FAMILY NAME | Sullivan |
| SIGNATURE | SULLIVAN J D |
| AFFILIATIONS | Illinois Central College |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 2 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1998 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
A Poem Is a Material Object
A literary text is, for a book artist, like a score for a musician or a script for an actor: a basis on which to construct an artistic performance. Book artist Claire Van Vliet has, at her Janus Press, constructed dazzling broadsides and artist books based on poetry by, among others, Hayden Carruth, Galway Kinnell, and Margaret Kaufman. These works test or ignore boundaries between conventional categories such as book and broadside, two-dimension…
Killing John Cabot and Publishing Black
In the late 1960s, at the height of her career, Gwendolyn Brooks .changed publishers, switching from Harper & Row, a major press that could give her widespread distribution and publicity, to small, new, African American-run Broadside Press. Harper & Row had just published arguably her most accomplished book, In the Mecca. in 1968. Sloughing off, the very next year, great stretches of her mainstream-poetry-buying public was a profoundly anti-econo…
On the Walls and in the Streets
Debates over censorship often become debates over the influence of culture on society's morals and the perceived need to protect women and children. Purifying America explores the widespread middle-class advocacy of censorship as a popular reform around the turn of the century and provides a historical perspective on contemporary debates over censorship, morality, and pornography that continue to divide women
Killing John Cabot and Publishing Black
In the late 1960s, at the height of her career, Gwendolyn Brooks .changed publishers, switching from Harper & Row, a major press that could give her widespread distribution and publicity, to small, new, African American-run Broadside Press. Harper & Row had just published arguably her most accomplished book, In the Mecca. in 1968. Sloughing off, the very next year, great stretches of her mainstream-poetry-buying public was a profoundly anti-econo…
On the Walls and in the Streets
Debates over censorship often become debates over the influence of culture on society's morals and the perceived need to protect women and children. Purifying America explores the widespread middle-class advocacy of censorship as a popular reform around the turn of the century and provides a historical perspective on contemporary debates over censorship, morality, and pornography that continue to divide women
Killing John Cabot and Publishing Black
In the late 1960s, at the height of her career, Gwendolyn Brooks .changed publishers, switching from Harper & Row, a major press that could give her widespread distribution and publicity, to small, new, African American-run Broadside Press. Harper & Row had just published arguably her most accomplished book, In the Mecca. in 1968. Sloughing off, the very next year, great stretches of her mainstream-poetry-buying public was a profoundly anti-econo…
A Poem Is a Material Object
A literary text is, for a book artist, like a score for a musician or a script for an actor: a basis on which to construct an artistic performance. Book artist Claire Van Vliet has, at her Janus Press, constructed dazzling broadsides and artist books based on poetry by, among others, Hayden Carruth, Galway Kinnell, and Margaret Kaufman. These works test or ignore boundaries between conventional categories such as book and broadside, two-dimension…
Art (3 works) · Literature (3 works) · American and British Literature Analysis (2 works) · Broadside (2 works) · History (2 works) · Poetry (2 works) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Art, Technology, and Culture (1 work) · Artistic and Creative Research (1 work)