Rounak Gupta
Biographic Data
| ID | 9947761 |
|---|---|
| NAME | Rounak Gupta |
| GIVEN NAMES | Rounak |
| FAMILY NAME | Gupta |
| SIGNATURE | GUPTA R |
| AFFILIATIONS | SRM University |
| ORCID | 0009-0000-5045-4738 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Drawing (in) the margins
This article undertakes a close reading and comprehensive study of the comics ‘Without Permit, Entry Prohibited’, published as part of the anthology First Hand Volume 2 (2018), to demonstrate how this comics decolonise both various facets of conventional comics and the legacy media portrayal of the indigenous Ang community (otherwise colloquially known among the outsiders as the Jarawa people). It creates a decolonial and syncretic narrative on t…
Traversing through transmedia
This article seeks to investigate how Ram Devineni and his team’s productions – Priya’s Shakti (2014), Priya’s Mirror (2016), and Priya and the Lost Girls (2019) – break the coveted layers of frames and panels of comics and go beyond them to sensitise the readers on the nuances of gender-based violence in India with the incorporation of augmented reality. Within the fields of comics studies and gender studies, the article also explores how augmen…
Fractured identities and wounded memories in Indian comics on partition
Within the liaison of decoloniality studies and comics studies, this paper investigates how the decolonial visual style in the comics anthology This Side That Side (Ghosh 2013) has been used to locate the traumatised past and violation of human rights due to the ‘b/ordering’ practices of partition of India . ‘The Taboo’ by Malini Gupta and Dyuti Mittal, ‘An Afterlife’ by Sanjoy Chakraborty, and ‘Making Faces’ by Orijit Sen cultivate the stories o…
Framing the feminine fury
Within the intersection of decolonial studies and comic studies, this paper examines how decolonial visual styles have been employed in two comics narratives, ‘Someday’ by Samidha Gunjal and ‘Ever After’ by Priyanka Kumar. The specific formal styles have been used to locate the traumatised reality and monotonous life due to the gendering practices prevalent in India. The comics cultivate the everyday stories of the Indian middle-class women, both…
Interview with Karin Hauser
In this interview, Partha Bhattacharjee, Rounak Gupta, and Priyanka Tripathi will interview Karin Hauser. Karin is a freelance illustrator and graphic designer who illustrated her graphic narrative, Über das Treiben von Knospen
No prominent works on this page.
Interview with Karin Hauser
In this interview, Partha Bhattacharjee, Rounak Gupta, and Priyanka Tripathi will interview Karin Hauser. Karin is a freelance illustrator and graphic designer who illustrated her graphic narrative, Über das Treiben von Knospen
Framing the feminine fury
Within the intersection of decolonial studies and comic studies, this paper examines how decolonial visual styles have been employed in two comics narratives, ‘Someday’ by Samidha Gunjal and ‘Ever After’ by Priyanka Kumar. The specific formal styles have been used to locate the traumatised reality and monotonous life due to the gendering practices prevalent in India. The comics cultivate the everyday stories of the Indian middle-class women, both…
Drawing (in) the margins
This article undertakes a close reading and comprehensive study of the comics ‘Without Permit, Entry Prohibited’, published as part of the anthology First Hand Volume 2 (2018), to demonstrate how this comics decolonise both various facets of conventional comics and the legacy media portrayal of the indigenous Ang community (otherwise colloquially known among the outsiders as the Jarawa people). It creates a decolonial and syncretic narrative on t…
Traversing through transmedia
This article seeks to investigate how Ram Devineni and his team’s productions – Priya’s Shakti (2014), Priya’s Mirror (2016), and Priya and the Lost Girls (2019) – break the coveted layers of frames and panels of comics and go beyond them to sensitise the readers on the nuances of gender-based violence in India with the incorporation of augmented reality. Within the fields of comics studies and gender studies, the article also explores how augmen…
Fractured identities and wounded memories in Indian comics on partition
Within the liaison of decoloniality studies and comics studies, this paper investigates how the decolonial visual style in the comics anthology This Side That Side (Ghosh 2013) has been used to locate the traumatised past and violation of human rights due to the ‘b/ordering’ practices of partition of India . ‘The Taboo’ by Malini Gupta and Dyuti Mittal, ‘An Afterlife’ by Sanjoy Chakraborty, and ‘Making Faces’ by Orijit Sen cultivate the stories o…
Comics and Graphic Narratives (5 works) · Comics (4 works) · Art (3 works) · Literature (3 works) · Media, Gender, and Advertising (3 works) · Gender Studies (2 works) · History (2 works) · Media studies (2 works) · Political science (2 works) · Politics (2 works)