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Gopi Sathya Srinivas Narayanam

Biographic Data

ID9949840
NAMEGopi Sathya Srinivas Narayanam
GIVEN NAMESGopi Sathya Srinivas
FAMILY NAMENarayanam
SIGNATURENARAYANAM G S S
AFFILIATIONSVignan's Foundation for Science, Technology & Research
ORCID0009-0006-2053-8504
VERIFIEDYes
TOTAL WORKS2
TOTAL CITATIONS0
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2025
LATEST PUBLICATION YEAR2026
H-INDEX0
  • Exploring Audience Engagement in War Films

    Open Access•Gopi Sathya Srinivas Narayanam, Gomatam Mohanacharyulu•ARTICLE•Studies in Linguistics and…•2026

    This study investigates the audience engagement in war films, focusing mainly on heroism or emotional narratives have a stronger influence on Gen z viewers in Chennai, with the film reference 1917 as a case study. A total of 100 participants, aged between 16-18, where taken and divided them into 2 teams (50 males and 50 females). Each of them was shown selected sequences emphasizing either heroism or emotional content of the same film. Engagement…

  • Silent Frames of Social Realism

    Open Access•Gopi Sathya Srinivas Narayanam, Gomatam Mohana Charyulu•ARTICLE•CINEJ Cinema Journal•2025

    This paper analyses the movie in terms of Realism theory with the particular emphasis on the portrayal of economic variance that existed in India in the early 1980's. Realism in cinema is one of the attempts to show life as it is, without any exaggeration and over dramatization. In addition, Pushpak Vimanam follows this theoretical framework by using a non-verbal narrative to portray concrete societal issues such as unemployment, greed, and inter…

No prominent works on this page.

  • Silent Frames of Social Realism

    Open Access•Gopi Sathya Srinivas Narayanam, Gomatam Mohana Charyulu•ARTICLE•CINEJ Cinema Journal•2025

    This paper analyses the movie in terms of Realism theory with the particular emphasis on the portrayal of economic variance that existed in India in the early 1980's. Realism in cinema is one of the attempts to show life as it is, without any exaggeration and over dramatization. In addition, Pushpak Vimanam follows this theoretical framework by using a non-verbal narrative to portray concrete societal issues such as unemployment, greed, and inter…

  • Exploring Audience Engagement in War Films

    Open Access•Gopi Sathya Srinivas Narayanam, Gomatam Mohanacharyulu•ARTICLE•Studies in Linguistics and…•2026

    This study investigates the audience engagement in war films, focusing mainly on heroism or emotional narratives have a stronger influence on Gen z viewers in Chennai, with the film reference 1917 as a case study. A total of 100 participants, aged between 16-18, where taken and divided them into 2 teams (50 males and 50 females). Each of them was shown selected sequences emphasizing either heroism or emotional content of the same film. Engagement…

Movie theater (2 works) · Narrative (2 works) · South Asian Cinema and Culture (2 works) · Cinema and Media Studies (1 work) · Content analysis (1 work) · Everyday life (1 work) · Exaggeration (1 work) · Interpersonal communication (1 work) · Leadership, Courage, and Heroism Studies (1 work) · Literary Theory and Cultural Hermeneutics (1 work)

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