Emma Beachy
Biographic Data
| ID | 9951425 |
|---|---|
| NAME | Emma Beachy |
| GIVEN NAMES | Emma |
| FAMILY NAME | Beachy |
| SIGNATURE | BEACHY E |
| AFFILIATIONS | Bethel College - Kansas |
| ORCID | 0000-0002-8860-6482 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Spätstil Taylor Swift
This article analyzes Taylor Swift’s work through Theodor Adorno’s concept of lateness. Through a close reading of “But Daddy I Love Him” and “Clara Bow” from Swift’s 2024 album The Tortured Poets Department, I argue that Swift ironically subverts stylistic conventions and creates fragmentary soundscapes to reconfigure lateness and reflect on her unstable subject position under conditions of platformed visibility, affective economy, and commodifi…
Tomorrow Our Seeds Will Grow
The release of Lauryn Hill’s 1998 album The Miseducation of Lauryn Hill was a watershed moment in the history of hip-hop and the intersection between music and race. On this album, Hill created a narrative that embraced Black love, attempted to educate audiences, and drew on Black musical heritage, elevating Black womanhood and nuancing perceptions of Blackness in American culture. Through musical and lyrical analysis, this paper explores the imp…
No prominent works on this page.
Tomorrow Our Seeds Will Grow
The release of Lauryn Hill’s 1998 album The Miseducation of Lauryn Hill was a watershed moment in the history of hip-hop and the intersection between music and race. On this album, Hill created a narrative that embraced Black love, attempted to educate audiences, and drew on Black musical heritage, elevating Black womanhood and nuancing perceptions of Blackness in American culture. Through musical and lyrical analysis, this paper explores the imp…
Spätstil Taylor Swift
This article analyzes Taylor Swift’s work through Theodor Adorno’s concept of lateness. Through a close reading of “But Daddy I Love Him” and “Clara Bow” from Swift’s 2024 album The Tortured Poets Department, I argue that Swift ironically subverts stylistic conventions and creates fragmentary soundscapes to reconfigure lateness and reflect on her unstable subject position under conditions of platformed visibility, affective economy, and commodifi…
Music History and Culture (2 works) · Aesthetics (1 work) · affective economies (1 work) · Art (1 work) · Clara Bow (1 work) · commercialization of music (1 work) · Fragmentation (1 work) · Gender, Feminism, and Media (1 work) · History (1 work) · Irony (1 work)