Jan Thoben
Biographic Data
| ID | 9955365 |
|---|---|
| NAME | Jan Thoben |
| GIVEN NAMES | Jan |
| FAMILY NAME | Thoben |
| SIGNATURE | THOBEN J |
| AFFILIATIONS | Berlin University of the Arts |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Conceptualizing Video
Since its introduction in the 1960s, video as a medium has formed a self-differentiating system, a layering of applications and conventions that cannot be reduced to the material characteristics of their technological foundation. This article gives an overview of different theoretical perspectives on the electronic image, its materiality, and its dispositive discussing the writings of Maurizio Lazzarato, Rosalind Krauss, Raymond Bellour, Yvonne S…
Conceptualizing Video
Since its introduction in the 1960s, video as a medium has formed a self-differentiating system, a layering of applications and conventions that cannot be reduced to the material characteristics of their technological foundation. This article gives an overview of different theoretical perspectives on the electronic image, its materiality, and its dispositive discussing the writings of Maurizio Lazzarato, Rosalind Krauss, Raymond Bellour, Yvonne S…
No prominent works on this page.
Conceptualizing Video
Since its introduction in the 1960s, video as a medium has formed a self-differentiating system, a layering of applications and conventions that cannot be reduced to the material characteristics of their technological foundation. This article gives an overview of different theoretical perspectives on the electronic image, its materiality, and its dispositive discussing the writings of Maurizio Lazzarato, Rosalind Krauss, Raymond Bellour, Yvonne S…
Conceptualizing Video
Since its introduction in the 1960s, video as a medium has formed a self-differentiating system, a layering of applications and conventions that cannot be reduced to the material characteristics of their technological foundation. This article gives an overview of different theoretical perspectives on the electronic image, its materiality, and its dispositive discussing the writings of Maurizio Lazzarato, Rosalind Krauss, Raymond Bellour, Yvonne S…
Computer Science (2 works) · Aesthetics (1 work) · Affordance (1 work) · Archaeology (1 work) · Art (1 work) · Art, Politics, and Modernism (1 work) · Cinema and Media Studies (1 work) · Cinema History and Criticism (1 work) · Computer vision (1 work) · Digital Media and Philosophy (1 work)