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John Morehen

Biographic Data

ID995863
NAMEJohn Morehen
GIVEN NAMESJohn
FAMILY NAMEMorehen
SIGNATUREMOREHEN J
AFFILIATIONSUniversity of Nottingham
VERIFIEDNo
TOTAL WORKS18
TOTAL CITATIONS0
AUTHOR COUNT15
EDITOR COUNT3
FIRST PUBLICATION YEAR1960
LATEST PUBLICATION YEAR2006
H-INDEX0
  • Thomas Tomkins

    Open Access•John Morehen•ARTICLE•Music and Letters•2006

    The inside front jacket of this book describes its subject as ‘arguably the greatest of all Welsh-born composers’. Few would take issue with that claim, certainly so far as pre-twentieth-century musicians are concerned. However, the description of Thomas Tomkins on the front cover itself as ‘the last Elizabethan’ might at first seem somewhat eccentric for a composer who outlived his two greatest contemporaries (Weelkes and Gibbons) by over thirty…

  • Martin Peerson, Complete Works

    John Morehen•ARTICLE•Music and Letters•2005

    Journal Article Martin Peerson, Complete Works: I (Latin Motets), ed. Richard Rastall. (Antico Edition, Newton Abbot, 2003, £15.) Get access John Morehen John Morehen Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 86, Issue 4, November 2005, Pages 677–679, https://doi.org/10.1093/ml/gci130 Published: 01 November 2005

  • Tablature

    Thurston Dart, John Morehen et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Farrant, Richard

    Peter Le Huray, John Morehen•CHAPTER•The new Grove dictionary of music…•2001

  • Nicholson [Nicolson], Richard

    John Morehen•CHAPTER•The new Grove dictionary of music…•2001

  • Table-book

    John Morehen, Richard Rastall et al.•CHAPTER•The new Grove dictionary of music…•2001

  • William Byrd

    John Morehen•ARTICLE•Sixteenth Century Journal•1998

    William Byrd (1540-1623) is undoubtedly one of the world's great composers, yet this is the first study for sixty years to deal comprehensively with his life and works. The book begins with an authoritative biographical account, incorporating much newly discovered material. Byrd's year of birth, and his family's origins and occupations (ranging from musical instrument-making to money lending), are established for the first time. The second part o…

  • English Choral Practice, 1400–1650

    Open Access•John Morehen•BOOK•English Choral Practice, 1400-1650•1996

    This is the first book to survey the performing practices in English choral music in the fifteenth, sixteenth and seventeenth centuries, including the period of the English Reformation. The essays, all written by specialists in the field, consider in depth such areas as the growth and development of the 'church' choir, related issues of vocal tessitura, performing pitch, the systems of pronunciation appropriate for Latin- and English-texted music…

  • The English Anthem Text, 1549–1660

    Open Access•John Morehen•ARTICLE•Journal of the Royal Musical…•1992•References: 3

    The extensive repertory of English anthems composed between the passing of the Act of Uniformity (1549) and the cessation of church services precipitated by the Civil War during the 1640s has been the focus of such concentrated attention in recent years that, on first sight at least, few important facets appear to have languished in neglect. Amongst those aspects of the anthem which have been subjected to detailed scrutiny are the genre itself,' …

  • Cantiones Sacrae I (1589)

    Denis Herlin, William Byrd et al.•ARTICLE•Revue de musicologie•1990

  • Latin Music in British Sources c.1485-c.1610

    Ian Rumbold, Marc Rochester et al.•ARTICLE•The Musical Times•1988

  • The Gloucester Cathedral Bassus Part-Book MS 93

    John Morehen•ARTICLE•Music and Letters•1981

    Journal Article THE GLOUCESTER CATHEDRAL BASSUS PART-BOOK MS 93 Get access JOHN MOREHEN JOHN MOREHEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 62, Issue 2, April 1981, Pages 189–196, https://doi.org/10.1093/ml/62.2.189 Published: 01 April 1981

  • Computer Applications in Musicology

    John Morehen, Ian Bent•ARTICLE•The Musical Times•1979

  • The Organist's Repertory. 14

    John Morehen•ARTICLE•The Musical Times•1973

  • The Organist's Repertory. 9

    John Morehen•ARTICLE•The Musical Times•1972

  • A Fragmentary Bass Manuscript in St. John's College Library, Oxford

    John Morehen•ARTICLE•Music and Letters•1972

    A FRAGMENTARY BASS MANUSCRIPT IN ST. JOHN'S COLLEGE LIBRARY, OXFORD Get access JOHN MOREHEN JOHN MOREHEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIII, Issue 1, January 1972, Pages 56–58, https://doi.org/10.1093/ml/LIII.1.56 Published: 01 January 1972

  • Tudor Church Music

    John Morehen, Richard Greening et al.•ARTICLE•The Musical Times•1965

  • Bach's Organ Works

    John Morehen, J M Morehen•ARTICLE•The Musical Times•1960

No prominent works on this page.

  • Bach's Organ Works

    John Morehen, J M Morehen•ARTICLE•The Musical Times•1960

  • Tudor Church Music

    John Morehen, Richard Greening et al.•ARTICLE•The Musical Times•1965

  • The Organist's Repertory. 9

    John Morehen•ARTICLE•The Musical Times•1972

  • A Fragmentary Bass Manuscript in St. John's College Library, Oxford

    John Morehen•ARTICLE•Music and Letters•1972

    A FRAGMENTARY BASS MANUSCRIPT IN ST. JOHN'S COLLEGE LIBRARY, OXFORD Get access JOHN MOREHEN JOHN MOREHEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIII, Issue 1, January 1972, Pages 56–58, https://doi.org/10.1093/ml/LIII.1.56 Published: 01 January 1972

  • The Organist's Repertory. 14

    John Morehen•ARTICLE•The Musical Times•1973

  • Computer Applications in Musicology

    John Morehen, Ian Bent•ARTICLE•The Musical Times•1979

  • The Gloucester Cathedral Bassus Part-Book MS 93

    John Morehen•ARTICLE•Music and Letters•1981

    Journal Article THE GLOUCESTER CATHEDRAL BASSUS PART-BOOK MS 93 Get access JOHN MOREHEN JOHN MOREHEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 62, Issue 2, April 1981, Pages 189–196, https://doi.org/10.1093/ml/62.2.189 Published: 01 April 1981

  • Latin Music in British Sources c.1485-c.1610

    Ian Rumbold, Marc Rochester et al.•ARTICLE•The Musical Times•1988

  • Cantiones Sacrae I (1589)

    Denis Herlin, William Byrd et al.•ARTICLE•Revue de musicologie•1990

  • The English Anthem Text, 1549–1660

    Open Access•John Morehen•ARTICLE•Journal of the Royal Musical…•1992•References: 3

    The extensive repertory of English anthems composed between the passing of the Act of Uniformity (1549) and the cessation of church services precipitated by the Civil War during the 1640s has been the focus of such concentrated attention in recent years that, on first sight at least, few important facets appear to have languished in neglect. Amongst those aspects of the anthem which have been subjected to detailed scrutiny are the genre itself,' …

  • English Choral Practice, 1400–1650

    Open Access•John Morehen•BOOK•English Choral Practice, 1400-1650•1996

    This is the first book to survey the performing practices in English choral music in the fifteenth, sixteenth and seventeenth centuries, including the period of the English Reformation. The essays, all written by specialists in the field, consider in depth such areas as the growth and development of the 'church' choir, related issues of vocal tessitura, performing pitch, the systems of pronunciation appropriate for Latin- and English-texted music…

  • William Byrd

    John Morehen•ARTICLE•Sixteenth Century Journal•1998

    William Byrd (1540-1623) is undoubtedly one of the world's great composers, yet this is the first study for sixty years to deal comprehensively with his life and works. The book begins with an authoritative biographical account, incorporating much newly discovered material. Byrd's year of birth, and his family's origins and occupations (ranging from musical instrument-making to money lending), are established for the first time. The second part o…

  • Tablature

    Thurston Dart, John Morehen et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Farrant, Richard

    Peter Le Huray, John Morehen•CHAPTER•The new Grove dictionary of music…•2001

  • Nicholson [Nicolson], Richard

    John Morehen•CHAPTER•The new Grove dictionary of music…•2001

  • Table-book

    John Morehen, Richard Rastall et al.•CHAPTER•The new Grove dictionary of music…•2001

  • Martin Peerson, Complete Works

    John Morehen•ARTICLE•Music and Letters•2005

    Journal Article Martin Peerson, Complete Works: I (Latin Motets), ed. Richard Rastall. (Antico Edition, Newton Abbot, 2003, £15.) Get access John Morehen John Morehen Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 86, Issue 4, November 2005, Pages 677–679, https://doi.org/10.1093/ml/gci130 Published: 01 November 2005

  • Thomas Tomkins

    Open Access•John Morehen•ARTICLE•Music and Letters•2006

    The inside front jacket of this book describes its subject as ‘arguably the greatest of all Welsh-born composers’. Few would take issue with that claim, certainly so far as pre-twentieth-century musicians are concerned. However, the description of Thomas Tomkins on the front cover itself as ‘the last Elizabethan’ might at first seem somewhat eccentric for a composer who outlived his two greatest contemporaries (Weelkes and Gibbons) by over thirty…

Art (15 works) · History (9 works) · Musicology and Musical Analysis (6 works) · Classics (5 works) · Computer Science (5 works) · Art history (4 works) · Historical Influence and Diplomacy (4 works) · Reformation and Early Modern Christianity (4 works) · Historical Studies of British Isles (3 works) · Philosophy (3 works)

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