John Morehen
Biographic Data
| ID | 995863 |
|---|---|
| NAME | John Morehen |
| GIVEN NAMES | John |
| FAMILY NAME | Morehen |
| SIGNATURE | MOREHEN J |
| AFFILIATIONS | University of Nottingham |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 15 |
| EDITOR COUNT | 3 |
| FIRST PUBLICATION YEAR | 1960 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 0 |
Thomas Tomkins
The inside front jacket of this book describes its subject as ‘arguably the greatest of all Welsh-born composers’. Few would take issue with that claim, certainly so far as pre-twentieth-century musicians are concerned. However, the description of Thomas Tomkins on the front cover itself as ‘the last Elizabethan’ might at first seem somewhat eccentric for a composer who outlived his two greatest contemporaries (Weelkes and Gibbons) by over thirty…
Martin Peerson, Complete Works
Journal Article Martin Peerson, Complete Works: I (Latin Motets), ed. Richard Rastall. (Antico Edition, Newton Abbot, 2003, £15.) Get access John Morehen John Morehen Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 86, Issue 4, November 2005, Pages 677–679, https://doi.org/10.1093/ml/gci130 Published: 01 November 2005
Tablature
Farrant, Richard
Nicholson [Nicolson], Richard
Table-book
William Byrd
William Byrd (1540-1623) is undoubtedly one of the world's great composers, yet this is the first study for sixty years to deal comprehensively with his life and works. The book begins with an authoritative biographical account, incorporating much newly discovered material. Byrd's year of birth, and his family's origins and occupations (ranging from musical instrument-making to money lending), are established for the first time. The second part o…
English Choral Practice, 1400–1650
This is the first book to survey the performing practices in English choral music in the fifteenth, sixteenth and seventeenth centuries, including the period of the English Reformation. The essays, all written by specialists in the field, consider in depth such areas as the growth and development of the 'church' choir, related issues of vocal tessitura, performing pitch, the systems of pronunciation appropriate for Latin- and English-texted music…
The English Anthem Text, 1549–1660
The extensive repertory of English anthems composed between the passing of the Act of Uniformity (1549) and the cessation of church services precipitated by the Civil War during the 1640s has been the focus of such concentrated attention in recent years that, on first sight at least, few important facets appear to have languished in neglect. Amongst those aspects of the anthem which have been subjected to detailed scrutiny are the genre itself,' …
Cantiones Sacrae I (1589)
Latin Music in British Sources c.1485-c.1610
The Gloucester Cathedral Bassus Part-Book MS 93
Journal Article THE GLOUCESTER CATHEDRAL BASSUS PART-BOOK MS 93 Get access JOHN MOREHEN JOHN MOREHEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 62, Issue 2, April 1981, Pages 189–196, https://doi.org/10.1093/ml/62.2.189 Published: 01 April 1981
Computer Applications in Musicology
The Organist's Repertory. 14
The Organist's Repertory. 9
A Fragmentary Bass Manuscript in St. John's College Library, Oxford
A FRAGMENTARY BASS MANUSCRIPT IN ST. JOHN'S COLLEGE LIBRARY, OXFORD Get access JOHN MOREHEN JOHN MOREHEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIII, Issue 1, January 1972, Pages 56–58, https://doi.org/10.1093/ml/LIII.1.56 Published: 01 January 1972
Tudor Church Music
Bach's Organ Works
No prominent works on this page.
Bach's Organ Works
Tudor Church Music
The Organist's Repertory. 9
A Fragmentary Bass Manuscript in St. John's College Library, Oxford
A FRAGMENTARY BASS MANUSCRIPT IN ST. JOHN'S COLLEGE LIBRARY, OXFORD Get access JOHN MOREHEN JOHN MOREHEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume LIII, Issue 1, January 1972, Pages 56–58, https://doi.org/10.1093/ml/LIII.1.56 Published: 01 January 1972
The Organist's Repertory. 14
Computer Applications in Musicology
The Gloucester Cathedral Bassus Part-Book MS 93
Journal Article THE GLOUCESTER CATHEDRAL BASSUS PART-BOOK MS 93 Get access JOHN MOREHEN JOHN MOREHEN Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 62, Issue 2, April 1981, Pages 189–196, https://doi.org/10.1093/ml/62.2.189 Published: 01 April 1981
Latin Music in British Sources c.1485-c.1610
Cantiones Sacrae I (1589)
The English Anthem Text, 1549–1660
The extensive repertory of English anthems composed between the passing of the Act of Uniformity (1549) and the cessation of church services precipitated by the Civil War during the 1640s has been the focus of such concentrated attention in recent years that, on first sight at least, few important facets appear to have languished in neglect. Amongst those aspects of the anthem which have been subjected to detailed scrutiny are the genre itself,' …
English Choral Practice, 1400–1650
This is the first book to survey the performing practices in English choral music in the fifteenth, sixteenth and seventeenth centuries, including the period of the English Reformation. The essays, all written by specialists in the field, consider in depth such areas as the growth and development of the 'church' choir, related issues of vocal tessitura, performing pitch, the systems of pronunciation appropriate for Latin- and English-texted music…
William Byrd
William Byrd (1540-1623) is undoubtedly one of the world's great composers, yet this is the first study for sixty years to deal comprehensively with his life and works. The book begins with an authoritative biographical account, incorporating much newly discovered material. Byrd's year of birth, and his family's origins and occupations (ranging from musical instrument-making to money lending), are established for the first time. The second part o…
Tablature
Farrant, Richard
Nicholson [Nicolson], Richard
Table-book
Martin Peerson, Complete Works
Journal Article Martin Peerson, Complete Works: I (Latin Motets), ed. Richard Rastall. (Antico Edition, Newton Abbot, 2003, £15.) Get access John Morehen John Morehen Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 86, Issue 4, November 2005, Pages 677–679, https://doi.org/10.1093/ml/gci130 Published: 01 November 2005
Thomas Tomkins
The inside front jacket of this book describes its subject as ‘arguably the greatest of all Welsh-born composers’. Few would take issue with that claim, certainly so far as pre-twentieth-century musicians are concerned. However, the description of Thomas Tomkins on the front cover itself as ‘the last Elizabethan’ might at first seem somewhat eccentric for a composer who outlived his two greatest contemporaries (Weelkes and Gibbons) by over thirty…
Art (15 works) · History (9 works) · Musicology and Musical Analysis (6 works) · Classics (5 works) · Computer Science (5 works) · Art history (4 works) · Historical Influence and Diplomacy (4 works) · Reformation and Early Modern Christianity (4 works) · Historical Studies of British Isles (3 works) · Philosophy (3 works)