J Garratt
Biographic Data
| ID | 995949 |
|---|---|
| NAME | J Garratt |
| GIVEN NAMES | J |
| FAMILY NAME | Garratt |
| SIGNATURE | GARRATT J |
| AFFILIATIONS | University of Manchester |
| ORCID | 0000-0002-6113-3216 |
| VERIFIED | Yes |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 9 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Reflecting on Social Work Practice in the Northern Territory, Australia
History, Ideology and the Politics of Context
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Music, Masculinity and the Claims of History
While the number of scholars writing on music and politics continues to mushroom, relatively few of them, I suspect, see their work as a form of political activism. Aside from those researching pressing questions of racial identity, gender, and sexuality, most musicologists are content to approach politics purely as a spectator sport, or to segregate any personal political commitments from their research. Those who do seek to create politically u…
Musikalische Analyse und kulturgeschichtliche Kontextualisierung
The essays collected in this volume were originally presented at a colloquium honouring Reinhold Brinkmann on his seventieth birthday in 2004. Their publication, shortly before his death in October 2010, provides a fine tribute to his achievements as a scholar as well as testimony to his lasting impact on German and American musicology. As the title indicates, the book celebrates and builds on a key aspect of Brinkmann’s work: the thoroughgoing i…
Music and Monumentality
In Les Lieux de mémoire, the historian Pierre Nora inveighed against the all-consuming ‘commemorative bulimia’ within contemporary life, lamenting its eclipse of more critical and constructive modes of engaging with the past (Realms of Memory, iii: Symbols, ed. Lawrence D. Kritzman, trans. Arthur Goldhammer (New York, 1998), 609). Nora’s unsettling image kept occurring to me during a recent trip to London, where within the space of a few hours, I…
Music, Criticism, and the Challenge of History
Journal Article Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. By Kevin C. Karnes. Get access Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. By Kevin C. Karnes. pp. xiv + 214. AMS Studies in Music. ( Oxford University Press, New York and Oxford, 2008, £29.99. ISBN 978-0-19-536866-6.) James Garratt James Garratt Uni…
Schubert in the European Imagination, i
This, surely, is what musical research is all about: a lone scholar, labouring for more than a decade and producing a monumental monograph that transforms our view of its subject. In terms of scale alone, Scott Messing's book is a formidable achievement; such heavenly length, after all, flies in the face of the constraints of modern academic publishing. And these days, when academics are expected to churn out a new book for every RAE or period of…
Bach in Berlin
The 1829 revival of the St Matthew Passion has long been given a privileged place in accounts of nineteenth-century German music history. Yet the significance of the three Berlin performances in March and April of that year is far from clear. Performances of large-scale Baroque choral works were common enough, after all, by the late 1820s, and it was a matter of chance that Johann Nepomuk Schelbe and his Frankfurt Cäcilienverein were pipped at th…
Mendelssohn's Babel
Journal Article MENDELSSOHN'S BABEL: ROMANTICISM AND THE POETICS OF TRANSLATION Get access JAMES GARRATT JAMES GARRATT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 80, Issue 1, February 1999, Pages 23–49, https://doi.org/10.1093/ml/80.1.23 Published: 01 February 1999
Mendelssohn's Babel
Journal Article MENDELSSOHN'S BABEL: ROMANTICISM AND THE POETICS OF TRANSLATION Get access JAMES GARRATT JAMES GARRATT Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 80, Issue 1, February 1999, Pages 23–49, https://doi.org/10.1093/ml/80.1.23 Published: 01 February 1999
Bach in Berlin
The 1829 revival of the St Matthew Passion has long been given a privileged place in accounts of nineteenth-century German music history. Yet the significance of the three Berlin performances in March and April of that year is far from clear. Performances of large-scale Baroque choral works were common enough, after all, by the late 1820s, and it was a matter of chance that Johann Nepomuk Schelbe and his Frankfurt Cäcilienverein were pipped at th…
Schubert in the European Imagination, i
This, surely, is what musical research is all about: a lone scholar, labouring for more than a decade and producing a monumental monograph that transforms our view of its subject. In terms of scale alone, Scott Messing's book is a formidable achievement; such heavenly length, after all, flies in the face of the constraints of modern academic publishing. And these days, when academics are expected to churn out a new book for every RAE or period of…
Music, Criticism, and the Challenge of History
Journal Article Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. By Kevin C. Karnes. Get access Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. By Kevin C. Karnes. pp. xiv + 214. AMS Studies in Music. ( Oxford University Press, New York and Oxford, 2008, £29.99. ISBN 978-0-19-536866-6.) James Garratt James Garratt Uni…
Music and Monumentality
In Les Lieux de mémoire, the historian Pierre Nora inveighed against the all-consuming ‘commemorative bulimia’ within contemporary life, lamenting its eclipse of more critical and constructive modes of engaging with the past (Realms of Memory, iii: Symbols, ed. Lawrence D. Kritzman, trans. Arthur Goldhammer (New York, 1998), 609). Nora’s unsettling image kept occurring to me during a recent trip to London, where within the space of a few hours, I…
Musikalische Analyse und kulturgeschichtliche Kontextualisierung
The essays collected in this volume were originally presented at a colloquium honouring Reinhold Brinkmann on his seventieth birthday in 2004. Their publication, shortly before his death in October 2010, provides a fine tribute to his achievements as a scholar as well as testimony to his lasting impact on German and American musicology. As the title indicates, the book celebrates and builds on a key aspect of Brinkmann’s work: the thoroughgoing i…
Music, Masculinity and the Claims of History
While the number of scholars writing on music and politics continues to mushroom, relatively few of them, I suspect, see their work as a form of political activism. Aside from those researching pressing questions of racial identity, gender, and sexuality, most musicologists are content to approach politics purely as a spectator sport, or to segregate any personal political commitments from their research. Those who do seek to create politically u…
History, Ideology and the Politics of Context
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Reflecting on Social Work Practice in the Northern Territory, Australia
Art (7 works) · Literature (6 works) · Musicology and Musical Analysis (6 works) · Art history (5 works) · History (4 works) · Philosophy (4 works) · Sociology (4 works) · Classics (3 works) · German (3 works) · Musical (3 works)