Robert Orledge

Biographic Data

ID996122
NAMERobert Orledge
GIVEN NAMESRobert
FAMILY NAMEOrledge
SIGNATUREORLEDGE R
AFFILIATIONSUniversity of Liverpool
VERIFIEDNo
TOTAL WORKS26
TOTAL CITATIONS1
WORKS AS AUTHOR26
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1975
LATEST PUBLICATION YEAR2001
H-INDEX1

  • Koechlin, Charles

    Robert OrledgeCHAPTERThe new Grove dictionary of music…2001

  • Caplet, André

    Robert OrledgeCHAPTERThe new Grove dictionary of music…2001

  • Satie, Erik

    Robert Orledge, Caroline PotterCHAPTERThe new Grove dictionary of music…2001

  • Tailleferre, Germaine

    Robert OrledgeCHAPTERThe new Grove dictionary of music…2001

  • Boulanger, (Marie-Juliette Olga) Lili

    Annegret Fauser, Robert OrledgeCHAPTERThe new Grove dictionary of music…2001

  • Charpentier, Gustave

    Robert OrledgeCHAPTERThe new Grove dictionary of music…2001

  • Indy, (Paul Marie Théodore) Vincent d’

    Andrew Thomson, Robert OrledgeCHAPTERThe new Grove dictionary of music…2001

  • Emmanuel, (Marie François) Maurice

    Robert OrledgeCHAPTERThe new Grove dictionary of music…2001

  • Satie & America

    Robert OrledgeARTICLEAmerican Music2000

  • Erik Satie's Ballet Mercure (1924)

    Open AccessRobert OrledgeARTICLEJournal of the Royal Musical…1998

    Mercure , a ballet in three tableaux with scenery and costumes by Pablo Picasso and choreography by Léonide Massine, created a scandal on a par with that of Parade (1917) when it was first performed at La Cigale Theatre in Montmartre on 15 June 1924 as part of the ‘Soirée de Paris’ season mounted by the wealthy Comte Etienne de Beaumont. Although Mount Etna, as it transpired, featured in the scenario but not in Picasso's stage sets, the première …

  • The Great and the Small

    Wilfrid Mellers, Berlioz Berlioz et al.ARTICLEThe Musical Times1996

  • Claude Debussy

    Robert Orledge, François LesureARTICLEThe Musical Times1993

  • The Musical Activities of Alfred Satie and Eugénie Satie-Barnetche, and Their Effect on the Career of Erik Satie

    Open AccessRobert OrledgeARTICLEJournal of the Royal Musical…1992References: 1

    Erik Satie is now thought of as a precursor and a man of ideas whose unconventional career took its direction from his continual rethinking of every aspect of contemporary music and aesthetics, largely as a reaction to nineteenth-century tradition and excesses. Eugénie Satie-Barnetche, whose ultimate aim for her stepson was a brilliant career as a pianist with an official seal of approval from the Paris Conservatoire, provided just one example of…

  • Satie and the Art of Dedication

    Robert OrledgeARTICLEMusic and Letters1992

    FOR a born iconoclast who delighted in flaunting his Bolshevism in high society in his later years, Satie's dedications on his published music seem relatively conventional on the surface. But the list of close friends and patrons contains some surprises and hitherto unknown quantities; the dedicatees range from a mythical religious order (the Danses gothiques of 1893) to the modernizer of the musical saw (the Premier menuet of 1920) and even incl…

  • Satie the Composer

    François Lesure, Robert OrledgeARTICLERevue de musicologie1991

  • Satie at Sea, and the Mystery of La ‘Belle Cubaine’

    Robert OrledgeARTICLEMusic and Letters1990

    Journal Article SATIE AT SEA, AND THE MYSTERY OF LA ‘BELLE CUBAINE’ Get access ROBERT ORLEDGE ROBERT ORLEDGE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 71, Issue 3, August 1990, Pages 361–373, https://doi.org/10.1093/ml/71.3.361 Published: 01 August 1990

  • The Genesis of Debussy's 'Jeux

    Robert OrledgeARTICLEThe Musical Times1987

  • Satie, Koechlin and the Ballet 'Uspud

    Robert OrledgeARTICLEMusic and Letters1987Cited by: 1

    Journal Article SATIE, KOECHLIN AND THE BALLET ‘USPUD’ Get access ROBERT ORLEDGE ROBERT ORLEDGE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 68, Issue 1, January 1987, Pages 26–41, https://doi.org/10.1093/ml/68.1.26 Published: 01 January 1987

  • Debussy and the Theatre

    Michael de Cossart, Robert OrledgeARTICLEDance Research1984

  • Debussy and the Theater

    Myriam Chimènes, Robert OrledgeARTICLERevue de musicologie1983

  • Debussy's Piano Music

    Robert OrledgeARTICLEThe Musical Times1981

  • Faure Revised

    Robert Orledge, Faure Faure et al.ARTICLEThe Musical Times1980

  • Gabriel Fauré

    Mimi Segal Daitz, Robert OrledgeARTICLERevue de musicologie1980

  • The Two Endings of Faure's ‘Soir’

    Robert OrledgeARTICLEMusic and Letters1979

    Journal Article THE TWO ENDINGS OF FAURE'S ‘SOIR’ Get access ROBERT ORLEDGE ROBERT ORLEDGE Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 60, Issue 3, July 1979, Pages 316–322, https://doi.org/10.1093/ml/60.3.316 Published: 01 July 1979

  • Debussy's Orchestral Collaborations, 1911-13

    Robert OrledgeARTICLEThe Musical Times1975