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Nicholas Ruddick

Biographic Data

ID996378
NAMENicholas Ruddick
GIVEN NAMESNicholas
FAMILY NAMERuddick
SIGNATURERUDDICK N
AFFILIATIONSUniversity of Regina
VERIFIEDNo
TOTAL WORKS22
TOTAL CITATIONS3
AUTHOR COUNT22
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Full of Whoosh

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2021

    167 BOOKS IN REVIEW Full of Whoosh. Adam Roberts. H.G. Wells: A Literary Life. Palgrave Macmillan, LITERARY LIVES, 2019. x+452 pp. $24.99 pbk. $19.99 ebk. In this addition to Palgrave’s LITERARY LIVES, the publisher notes: “The books in this series are thoroughly researched and comprehensive, covering the writer’s complete oeuvre” while exploring its contexts “in an accessible and engaging way” (ii). Adam Roberts is certainly as comprehensive and…

  • Modernist Antimodernist

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2020

    273 BOOKS IN REVIEW letters and novels. Butcher’s readers were thus invited to discover Jules Verne’s rich career and to share his intimate thoughts throughout a long and productive life. With this expanded audiobook version of Verne’s biography, Butcher fulfills another goal: to show what the Vernian literary oeuvre might have been without Hetzel’s interference, without the radical changes he made to Verne’s novels, and without the publisher’s m…

  • The Invisible Man: A Grotesque Romance by H.G. WellsNicole Lobdell Nancee Reeves

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2019

    662 SCIENCE FICTION STUDIES, VOLUME 46 (2019) technological leap which is especially reflected in later science-fiction stories about the creation of artificial life forms” (191). The final essay of the collection by Brett M. Rogers also picks up on this in analyzing Ridley Scott’s film Prometheus (2012) and Matt Fraction and Christian Ward’s comic book Ody-C (2014-). Rogers focuses primarily on the ways these texts, like Shelley’s, emphasize “th…

  • The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology by Mark A. McCutcheon

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2019

    193 BOOKS IN REVIEW authorial, editorial, and thematic progression might suggest. Advanced students who already know a basic history of sf will find what this book offers enlightening while uninitiated students might find it staggering. In addition to these pedagogical uses, it should be carried in libraries as an illuminating history of literary sf and a potent research tool.—Jason W. Ellis, New York City College of Technology, CUNY The Monster …

  • Reconciling Victor and the Monster

    Nicholas Ruddick, Nicholas Ruddick Nicholas Ruddick•ARTICLE•Science Fiction Studies•2018

  • That Wonderful Year in Woking

    Nicholas Ruddick, Nicholas Ruddick Nicholas Ruddick•ARTICLE•Science Fiction Studies•2017

  • Unheimlich Maneuvers

    Nicholas Ruddick, Nicholas Ruddick Nicholas Ruddick•ARTICLE•Science Fiction Studies•2013

  • Lost World Thoroughly Mapped

    Nicholas Ruddick, Nicholas Ruddick Nicholas Ruddick•ARTICLE•Science Fiction Studies•2012

  • An Unsuitable Memorial

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2008

  • Subterranean Worlds: A Critical Anthology

    Nicholas Ruddick•ARTICLE•Utopian Studies•2006

    Book Review| January 01 2006 Subterranean Worlds: A Critical Anthology Subterranean Worlds: A Critical AnthologyFitting, Peter Nicholas Ruddick Nicholas Ruddick Search for other works by this author on: This Site Google Utopian Studies (2006) 17 (1): 228–231. https://doi.org/10.2307/20718806 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Nicholas Ruddick; Subterranean Worlds: A Critical Anthology. Utopian Studies 1 Janua…

  • Annotations, Appendices, Adaptations: Recent Work on H.G. Wells’s Scientific Romances

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2005

  • Jules Verne Roundtable

    James Gunn, James E Gunn et al.•ARTICLE•Science Fiction Studies•2005

  • Tell Us All About Little Rosebery”: Topicality and Temporality in H.G. Wells’s The Time Machine

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2001

    The essay seeks to demonstrate that the events described in H.G. Wells’s The Time Machine (1895) are deliberately and rigorously historicized by being placed in a specific temporal relation to a moment in history that corresponds very closely to the date of the short novel’s composition. It also claims that The Time Machine’s unusual narrative structure may be accounted for by the novel’s hitherto largely unacknowledged topicality. Moreover, it w…

  • The Aesthetics of Descent: Recent Books on Nineteenth-Century Decadence

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2000

  • Nicholas Ruddick responds

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•1999

  • Nellie Bly, Jules Verne, and the World on the Threshold of the American Age

    Nicholas Ruddick•ARTICLE•Canadian Review of American Studies•1999•Cited by: 3

    There was a model of the terrestrial globe, some forty feet in circum- ference, therefore about the size of an ordinary three-story house: the reduction from reality was one millionth. It was not only the globe of the school-room magnified,—it was a synopsis of the conditions and the resources of this world of ours: the course of the rivers, the chains of the mountains, the infractuosities of the coast and the appalling expanse of the sea, the ex…

  • Life and Death by Electricity in 1890: The Transfiguration of William Kemmler

    Open Access•Nicholas Ruddick•ARTICLE•Journal of American Culture•1998

  • Falling Between Two Walls

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•1997

  • Ballard/ Crash /Baudrillard

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•1992

    J.G. Ballard’s vehement general attack on postmodern criticism of science fiction in a recent issue of SFS seems curiously unmotivated. However, it might perhaps be explained by Ballard’s anger at Jean Baudrillard’s misreading of Ballard’s novel Crash, mitigated by Ballard’s admiration for Baudrillard’s other writings. (NR)

  • Breaking Out of the Sf Box: Recent Studies of James Bush and Ursula K. Le Guin

    Nicholas Ruddick•ARTICLE•Canadian Review of American Studies•1990

    David Ketterer. Imprisoned in a Tesseract: The Life and Work of James Blish. Kent: Kent State University Press, 1987. xvi + 410 pp. Illus. Bernard Selinger. Le Guin and Identity in Contemporary Fiction. Ann Arbor UMI Research Press, 1988. xii + 183 pp. In Robert Heinlein's story "-And He Built a Crooked House-," a group of Californians explore a real-estate developer's dream-come-true, an eight- room hypercuboid structure that occupies only as mu…

  • The World Turned Inside Out: Decoding Clarke’s Rendezvous with Rama

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•1985

    Unlike Clarke’s other alien encounter novels. Rendezvous with Rama has seemed to critics to offer a vision of cosmic indifference rather than human transcendance. This is a serious misreading, the result of a failure to distinguish the relevant enigmas within the hermeneutic code on which the text heavily relies. Properly decoded, the text becomes a mirror in which the reader can glimpse a transcendent future for humanity achieved without any nee…

  • "Synaesthesia" in Emily Dickinson's Poetry

    Nicholas Ruddick•ARTICLE•Poetics Today•1984

    In his New Laocoon, Irving Babbitt attacked what has since come to be known as Seeing it as a symptom of a general confusion in the arts perpetrated by the Romantic movement, he concluded: We are living in an age that has gone mad on the powers of suggestion in everything from its arts to its therapeutics (1910:84). Critics of the next generation, finding perhaps that they were living in quite a different age, sought to defend literary synaesthes…

  • Nellie Bly, Jules Verne, and the World on the Threshold of the American Age

    Nicholas Ruddick•ARTICLE•Canadian Review of American Studies•1999•Cited by: 3

    There was a model of the terrestrial globe, some forty feet in circum- ference, therefore about the size of an ordinary three-story house: the reduction from reality was one millionth. It was not only the globe of the school-room magnified,—it was a synopsis of the conditions and the resources of this world of ours: the course of the rivers, the chains of the mountains, the infractuosities of the coast and the appalling expanse of the sea, the ex…

  • "Synaesthesia" in Emily Dickinson's Poetry

    Nicholas Ruddick•ARTICLE•Poetics Today•1984

    In his New Laocoon, Irving Babbitt attacked what has since come to be known as Seeing it as a symptom of a general confusion in the arts perpetrated by the Romantic movement, he concluded: We are living in an age that has gone mad on the powers of suggestion in everything from its arts to its therapeutics (1910:84). Critics of the next generation, finding perhaps that they were living in quite a different age, sought to defend literary synaesthes…

  • The World Turned Inside Out: Decoding Clarke’s Rendezvous with Rama

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•1985

    Unlike Clarke’s other alien encounter novels. Rendezvous with Rama has seemed to critics to offer a vision of cosmic indifference rather than human transcendance. This is a serious misreading, the result of a failure to distinguish the relevant enigmas within the hermeneutic code on which the text heavily relies. Properly decoded, the text becomes a mirror in which the reader can glimpse a transcendent future for humanity achieved without any nee…

  • Breaking Out of the Sf Box: Recent Studies of James Bush and Ursula K. Le Guin

    Nicholas Ruddick•ARTICLE•Canadian Review of American Studies•1990

    David Ketterer. Imprisoned in a Tesseract: The Life and Work of James Blish. Kent: Kent State University Press, 1987. xvi + 410 pp. Illus. Bernard Selinger. Le Guin and Identity in Contemporary Fiction. Ann Arbor UMI Research Press, 1988. xii + 183 pp. In Robert Heinlein's story "-And He Built a Crooked House-," a group of Californians explore a real-estate developer's dream-come-true, an eight- room hypercuboid structure that occupies only as mu…

  • Ballard/ Crash /Baudrillard

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•1992

    J.G. Ballard’s vehement general attack on postmodern criticism of science fiction in a recent issue of SFS seems curiously unmotivated. However, it might perhaps be explained by Ballard’s anger at Jean Baudrillard’s misreading of Ballard’s novel Crash, mitigated by Ballard’s admiration for Baudrillard’s other writings. (NR)

  • Falling Between Two Walls

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•1997

  • Life and Death by Electricity in 1890: The Transfiguration of William Kemmler

    Open Access•Nicholas Ruddick•ARTICLE•Journal of American Culture•1998

  • Nicholas Ruddick responds

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•1999

  • Nellie Bly, Jules Verne, and the World on the Threshold of the American Age

    Nicholas Ruddick•ARTICLE•Canadian Review of American Studies•1999•Cited by: 3

    There was a model of the terrestrial globe, some forty feet in circum- ference, therefore about the size of an ordinary three-story house: the reduction from reality was one millionth. It was not only the globe of the school-room magnified,—it was a synopsis of the conditions and the resources of this world of ours: the course of the rivers, the chains of the mountains, the infractuosities of the coast and the appalling expanse of the sea, the ex…

  • The Aesthetics of Descent: Recent Books on Nineteenth-Century Decadence

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2000

  • Tell Us All About Little Rosebery”: Topicality and Temporality in H.G. Wells’s The Time Machine

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2001

    The essay seeks to demonstrate that the events described in H.G. Wells’s The Time Machine (1895) are deliberately and rigorously historicized by being placed in a specific temporal relation to a moment in history that corresponds very closely to the date of the short novel’s composition. It also claims that The Time Machine’s unusual narrative structure may be accounted for by the novel’s hitherto largely unacknowledged topicality. Moreover, it w…

  • Annotations, Appendices, Adaptations: Recent Work on H.G. Wells’s Scientific Romances

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2005

  • Jules Verne Roundtable

    James Gunn, James E Gunn et al.•ARTICLE•Science Fiction Studies•2005

  • Subterranean Worlds: A Critical Anthology

    Nicholas Ruddick•ARTICLE•Utopian Studies•2006

    Book Review| January 01 2006 Subterranean Worlds: A Critical Anthology Subterranean Worlds: A Critical AnthologyFitting, Peter Nicholas Ruddick Nicholas Ruddick Search for other works by this author on: This Site Google Utopian Studies (2006) 17 (1): 228–231. https://doi.org/10.2307/20718806 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Nicholas Ruddick; Subterranean Worlds: A Critical Anthology. Utopian Studies 1 Janua…

  • An Unsuitable Memorial

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2008

  • Lost World Thoroughly Mapped

    Nicholas Ruddick, Nicholas Ruddick Nicholas Ruddick•ARTICLE•Science Fiction Studies•2012

  • Unheimlich Maneuvers

    Nicholas Ruddick, Nicholas Ruddick Nicholas Ruddick•ARTICLE•Science Fiction Studies•2013

  • That Wonderful Year in Woking

    Nicholas Ruddick, Nicholas Ruddick Nicholas Ruddick•ARTICLE•Science Fiction Studies•2017

  • Reconciling Victor and the Monster

    Nicholas Ruddick, Nicholas Ruddick Nicholas Ruddick•ARTICLE•Science Fiction Studies•2018

  • The Invisible Man: A Grotesque Romance by H.G. WellsNicole Lobdell Nancee Reeves

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2019

    662 SCIENCE FICTION STUDIES, VOLUME 46 (2019) technological leap which is especially reflected in later science-fiction stories about the creation of artificial life forms” (191). The final essay of the collection by Brett M. Rogers also picks up on this in analyzing Ridley Scott’s film Prometheus (2012) and Matt Fraction and Christian Ward’s comic book Ody-C (2014-). Rogers focuses primarily on the ways these texts, like Shelley’s, emphasize “th…

  • The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology by Mark A. McCutcheon

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2019

    193 BOOKS IN REVIEW authorial, editorial, and thematic progression might suggest. Advanced students who already know a basic history of sf will find what this book offers enlightening while uninitiated students might find it staggering. In addition to these pedagogical uses, it should be carried in libraries as an illuminating history of literary sf and a potent research tool.—Jason W. Ellis, New York City College of Technology, CUNY The Monster …

  • Modernist Antimodernist

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2020

    273 BOOKS IN REVIEW letters and novels. Butcher’s readers were thus invited to discover Jules Verne’s rich career and to share his intimate thoughts throughout a long and productive life. With this expanded audiobook version of Verne’s biography, Butcher fulfills another goal: to show what the Vernian literary oeuvre might have been without Hetzel’s interference, without the radical changes he made to Verne’s novels, and without the publisher’s m…

  • Full of Whoosh

    Nicholas Ruddick•ARTICLE•Science Fiction Studies•2021

    167 BOOKS IN REVIEW Full of Whoosh. Adam Roberts. H.G. Wells: A Literary Life. Palgrave Macmillan, LITERARY LIVES, 2019. x+452 pp. $24.99 pbk. $19.99 ebk. In this addition to Palgrave’s LITERARY LIVES, the publisher notes: “The books in this series are thoroughly researched and comprehensive, covering the writer’s complete oeuvre” while exploring its contexts “in an accessible and engaging way” (ii). Adam Roberts is certainly as comprehensive and…

Art (19 works) · History (10 works) · Literature (9 works) · Art history (8 works) · Computer Science (4 works) · Contemporary Literature and Criticism (4 works) · Philosophy (4 works) · Aesthetics (3 works) · Psychology (3 works) · Biography (2 works)

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