Jelena Mišeljić
Biographic Data
| ID | 9964316 |
|---|---|
| NAME | Jelena Mišeljić |
| GIVEN NAMES | Jelena |
| FAMILY NAME | Mišeljić |
| SIGNATURE | MIŠELJIĆ J |
| AFFILIATIONS | University of Montenegro |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Phenomenology of In-betweenness
This paper explores the intersection of phenomenology and trans cinema through Jane Schoenbrun’s films, arguing that they evoke the lived, sensory experience of in-betweenness and liminality. Drawing on theories by Sara Ahmed, Vivian Sobchack, Laura U. Marks, and Eliza Steinbock, I contend that Schoenbrun’s cinema privileges affective resonance, haptic visuality, and temporal ambiguity over narrative resolution. Through digital textures, tactile …
Stillness and Movement
In the age of digital re-materialization and the circulation of visual content, the discussion on the nature of the photographic image has its implications on the medium itself. In the context of new and interconnected media, it is somewhat relevant to reconsider the definitions of traditional visual forms. This article will examine the relations between photographic images in different media contexts. If it is considered that the photographic bo…
No prominent works on this page.
Stillness and Movement
In the age of digital re-materialization and the circulation of visual content, the discussion on the nature of the photographic image has its implications on the medium itself. In the context of new and interconnected media, it is somewhat relevant to reconsider the definitions of traditional visual forms. This article will examine the relations between photographic images in different media contexts. If it is considered that the photographic bo…
Phenomenology of In-betweenness
This paper explores the intersection of phenomenology and trans cinema through Jane Schoenbrun’s films, arguing that they evoke the lived, sensory experience of in-betweenness and liminality. Drawing on theories by Sara Ahmed, Vivian Sobchack, Laura U. Marks, and Eliza Steinbock, I contend that Schoenbrun’s cinema privileges affective resonance, haptic visuality, and temporal ambiguity over narrative resolution. Through digital textures, tactile …
Digital Media and Philosophy (2 works) · Movie theater (2 works) · Aesthetics (1 work) · Ambiguity (1 work) · Art (1 work) · Cinema and Media Studies (1 work) · Computer Science (1 work) · Digital media (1 work) · Digital Storytelling and Education (1 work) · Disenchantment (1 work)