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Jacqueline Chénieux-Gendron

Biographic Data

ID996655
NAMEJacqueline Chénieux-Gendron
GIVEN NAMESJacqueline
FAMILY NAMEChénieux-Gendron
SIGNATURECHÉNIEUX-GENDRON J
AFFILIATIONSUniversité Paris Cité
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS0
WORKS AS AUTHOR5
WORKS AS EDITOR1
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2016
H-INDEX0
  • Georges Limbour

    Jacqueline Chénieux-Gendron•ARTICLE•Critique•2016

  • André Breton

    Jacqueline Chénieux-Gendron•ARTICLE•Critique•2009

  • The feeling of strangeness and the unknown relation

    Open Access•Jacqueline Chénieux-Gendron•EDITOR•ARTICLE•Semiotica•2002

  • Deux membres de la famille

    Jacqueline Chénieux-Gendron•ARTICLE•Critique d’art•1999

    Voici deux "transparents", comme aurait dit Octavio Paz, deux souriants, dirai-je : l'un, de la mme gnration que son ami Marcel Duchamp, et disparu depuis quarante ans, c'est Henri-Pierre Roch, l'auteur de Jules et Jim et de Deux anglaises et le continent, auquel Franois Truffaut a donn sa notorit, en l'adoptant (car on peut aussi adopter un pre) ; l'autre, bien vivant et toujours souriant, reporter-photographe comme il aime se dfinir, ayant cons…

  • Two Members of the Family

    Jacqueline Chénieux-Gendron•ARTICLE•Critique d’art•1999

    They are two "transparents," as Octavio Paz would say; two "laughers," I would say. One is Henri-Pierre Roch, of the same generation as his friend Marcel Duchamp, departed from the land of the living for forty years now, the author of Jules et Jim and Deux anglaises et le continent, on whom Franois Truffaut would confer a certain notoriety by adopting him (for fathers can also be adopted). The other is Jean Suquet, still very much alive and still…

  • Surrealists in Exile

    Jacqueline Chénieux-Gendron, Andrew Eastman et al.•ARTICLE•Poetics Today•1996

No prominent works on this page.

  • Surrealists in Exile

    Jacqueline Chénieux-Gendron, Andrew Eastman et al.•ARTICLE•Poetics Today•1996

  • Deux membres de la famille

    Jacqueline Chénieux-Gendron•ARTICLE•Critique d’art•1999

    Voici deux "transparents", comme aurait dit Octavio Paz, deux souriants, dirai-je : l'un, de la mme gnration que son ami Marcel Duchamp, et disparu depuis quarante ans, c'est Henri-Pierre Roch, l'auteur de Jules et Jim et de Deux anglaises et le continent, auquel Franois Truffaut a donn sa notorit, en l'adoptant (car on peut aussi adopter un pre) ; l'autre, bien vivant et toujours souriant, reporter-photographe comme il aime se dfinir, ayant cons…

  • Two Members of the Family

    Jacqueline Chénieux-Gendron•ARTICLE•Critique d’art•1999

    They are two "transparents," as Octavio Paz would say; two "laughers," I would say. One is Henri-Pierre Roch, of the same generation as his friend Marcel Duchamp, departed from the land of the living for forty years now, the author of Jules et Jim and Deux anglaises et le continent, on whom Franois Truffaut would confer a certain notoriety by adopting him (for fathers can also be adopted). The other is Jean Suquet, still very much alive and still…

  • The feeling of strangeness and the unknown relation

    Open Access•Jacqueline Chénieux-Gendron•EDITOR•ARTICLE•Semiotica•2002

  • André Breton

    Jacqueline Chénieux-Gendron•ARTICLE•Critique•2009

  • Georges Limbour

    Jacqueline Chénieux-Gendron•ARTICLE•Critique•2016

Art (5 works) · Humanities (4 works) · Philosophy (3 works) · Computer Science (2 works) · Aesthetics (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Biology (1 work) · Contemporary art, education, critique (1 work) · Data mining (1 work)

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