Forest Pyle
Biographic Data
| ID | 997108 |
|---|---|
| NAME | Forest Pyle |
| GIVEN NAMES | Forest |
| FAMILY NAME | Pyle |
| SIGNATURE | PYLE F |
| VERIFIED | No |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1995 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 2 |
The Cambridge Companion to Romanticism and World Literature
The archive of Romantic studies is every day expanding far beyond its Anglo-European confines, incorporating an ever-volatile constellation of works that, like World Literature, understands itself not in any monolithically Western sense but instead as a rhizomatic, polycentric expansion of temporalities, histories, and cultures. Here, a diverse cast of expert scholars reflect on how key concepts in Romantic literary and philosophical writings – p…
Lucky Pierre Style”; or, Lyric Gratification
Frank O’Hara proposes a model of lyric relationality that is not predicated on a subjective interiority, whether as the disclosure of secrets or the overhearing of internal reflections. In “Personism,” his brief poetic manifesto, he refers to “Lucky Pierre”—the middle participant in a queer three-way sexual scenario. This essay takes O’Hara’s notion of “Lucky Pierre style” to explore poetic “gratification” as the scene and relay of pleasures, an …
Unlike
A radical identification predicated on unlikeness: this is how Leo Bersani understands the singular mode of desiring that Emily Brontë invents in her incomparable novel. With Catherine and Heathcliff, Wuthering Heights offers new "forms of being," untethered to the world (of society, of romance, of realism). For Bersani, Catherine and Heathcliff exist more on the order of gravitational forces than characters in any conventional novelistic sense. …
By a certain subreption' Gayatri spivak and the 'lever' of the aesthetic
If the contemporary reception of the work of Gayatri Spivak has emphasized her formative contributions to the topics of postcoloniality, her treatment of the aesthetic and her practice of reading have not received sufficient scrutiny. Derived in part from Derrida's early notion of the 'lever', Spivak's practice of reading isolates a 'moment of transgression or bafflement' in a text in order to open it to a sustained critical engagement. Another n…
Uncontainable Romanticism
Demands of History
New Literary History - Volume 26, Number 2, Spring 1995
By a certain subreption' Gayatri spivak and the 'lever' of the aesthetic
If the contemporary reception of the work of Gayatri Spivak has emphasized her formative contributions to the topics of postcoloniality, her treatment of the aesthetic and her practice of reading have not received sufficient scrutiny. Derived in part from Derrida's early notion of the 'lever', Spivak's practice of reading isolates a 'moment of transgression or bafflement' in a text in order to open it to a sustained critical engagement. Another n…
Uncontainable Romanticism
Demands of History
New Literary History - Volume 26, Number 2, Spring 1995
Uncontainable Romanticism
Demands of History
New Literary History - Volume 26, Number 2, Spring 1995
By a certain subreption' Gayatri spivak and the 'lever' of the aesthetic
If the contemporary reception of the work of Gayatri Spivak has emphasized her formative contributions to the topics of postcoloniality, her treatment of the aesthetic and her practice of reading have not received sufficient scrutiny. Derived in part from Derrida's early notion of the 'lever', Spivak's practice of reading isolates a 'moment of transgression or bafflement' in a text in order to open it to a sustained critical engagement. Another n…
Unlike
A radical identification predicated on unlikeness: this is how Leo Bersani understands the singular mode of desiring that Emily Brontë invents in her incomparable novel. With Catherine and Heathcliff, Wuthering Heights offers new "forms of being," untethered to the world (of society, of romance, of realism). For Bersani, Catherine and Heathcliff exist more on the order of gravitational forces than characters in any conventional novelistic sense. …
Lucky Pierre Style”; or, Lyric Gratification
Frank O’Hara proposes a model of lyric relationality that is not predicated on a subjective interiority, whether as the disclosure of secrets or the overhearing of internal reflections. In “Personism,” his brief poetic manifesto, he refers to “Lucky Pierre”—the middle participant in a queer three-way sexual scenario. This essay takes O’Hara’s notion of “Lucky Pierre style” to explore poetic “gratification” as the scene and relay of pleasures, an …
The Cambridge Companion to Romanticism and World Literature
The archive of Romantic studies is every day expanding far beyond its Anglo-European confines, incorporating an ever-volatile constellation of works that, like World Literature, understands itself not in any monolithically Western sense but instead as a rhizomatic, polycentric expansion of temporalities, histories, and cultures. Here, a diverse cast of expert scholars reflect on how key concepts in Romantic literary and philosophical writings – p…
Art (4 works) · Literature (4 works) · Philosophy (4 works) · Romanticism (3 works) · Contemporary Cultural and Social Studies (2 works) · Epistemology (2 works) · Linguistics (2 works) · Narrative (2 works) · Poetry (2 works) · Romance (2 works)