K A Potashova
Biographic Data
| ID | 9971461 |
|---|---|
| NAME | K A Potashova |
| GIVEN NAMES | K A |
| FAMILY NAME | Potashova |
| SIGNATURE | POTASHOVA K A |
| AFFILIATIONS | University of Education |
| ORCID | 0000-0002-0164-0371 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Aesthetics and Ontology of Landscape in “Priutino Cycle” Poems by N. I. Gnedich
Drawing on the elegies “Autumn” and “Priutino,” as well as the elegiac epistles to I. A. Krylovov composed during Gnedich's residence at the Priutino estate, this study examines the distinctive aesthetics and ontology of landscape within the poet's artistic world. The analysis also incorporates his early works, including “Obshchezhitie” (The Common Life), “Milton, Lamenting His Blindness,” and “The Transience of Youth.” The paper considers Gnedic…
Authentic Intonation of Lermontov’s Poem “Journalist, Reader, and Writer” (1840) as a Key to Understanding Author’s Intent
This study examines the numerous punctuation variations introduced in the publication history of Mikhail Lermontov’s poem “The Journalist, the Reader, and the Writer,” from its first edition to contemporary scholarly collections. The paper addresses the issue of editorial interventions that have disrupted the author’s original punctuation system. The primary sources for this analysis include Lermontov’s final manuscript (clean copy), two lifetime…
Textual Criticism of Mikhail Lermontov’s Poem “Valerik” (1840)
The focus of this study lies in the editorial distortions present in the scientific editions of Lermontov’s works concerning the poem “Valerik” and the necessity of reconstructing a definitive text in accordance with the author’s intent. The objective of the research is to identify semantic inaccuracies in the publications of “Valerik” and to elucidate the choices of variants that are closest to the authentic text. The materials for this study in…
Image of Celestial Firmament in Poetic Cosmology of “Evenings on a Farm near Dikanka”
This study explores the features of poetic cosmology in N. V. Gogol’s tales from the cycle “Evenings on a Farm near Dikanka”. It examines the poetics of the nocturnal landscape and the symbolic richness of celestial space. The functions of light details in poetic depictions of the universe are identified. Special attention is paid to portraying the Universe as a visible expression of the problem of good and evil, which serves as the core theme of…
Caucasus in Context
The article examines the specificity of Lermontov’s vision and depiction of the Caucasus world. It reconstructs Lermontov's philosophy of history in the context of the Caucasian War. The study reveals the cultural and historical conditioning of the poet’s imagery and ideas, and the dominant values of the Caucasian world in his artistic heritage. The article focuses on how Lermontov portrays the everyday existence of the highlanders, whose images …
Cosmic Imagery in Russian Poetry at Turn of 18th and 19th Centuries
The article explores the mechanisms of poetic representation of celestial bodies, the celestial sphere, and extraordinary cosmic phenomena in Russian poetry at the turn of the 18th and 19th centuries in the context of changing artistic paradigms (classicism and romanticism), poets’ worldview, and their artistic methods. It analyzes literary-critical articles from the 1820s-1840s and works by literary scholars from the second half of the 19th to t…
Lermontov’s Sketch “Russia Has no Past…” in Context of “Eastern Question”
The subject of the study was the content of Lermontov’s autograph “Russia has no past...” from the “Notebook donated by V. F. Odoevsky” in the aspect of the poet’s historical views. The purpose of the article is connected with the establishment of the historical and cultural genesis of the text and the clarification of its meaning in the context of Lermontov’s work, Russian-Caucasian interaction, as well as the historiosophical concepts of the fi…
Features of Poetic Ecphrasis in A. Pushkin’s Poem “The Commander” (1835)
The urgency of the matter is associated with the need to clarify the features of Pushkin's pictorial ecphrasis. For the first time it is indicated that the originality of the ecphrasis in the poem “The Commander” is determined by its odic genre content, characterized by plasticity, kaleidoscopicity, and spatial dimensionality. The role of lexical and grammatical semantics, semantics of syntactic constructions in the visualization of the verbal im…
Poetic Formula “I see” in K. N. Batyushkov’s Work
The author analyses the visual metaphors of K. N. Batyushkov’s poetry, in which he acts as the creative heir to the artistic style of G. R. Derzhavin. The urgency of the problem is connected with the need to clarify the features of the creative method of K. N. Batyushkov in the aspect of his assimilation of the Derzhavin tradition. The novelty of the research is connected with the expansion of ideas about the poetics of the visual in Russian poet…
Poetics of Visual Image in “Caucasian text” by A. S. Griboedov
The object of the research is the “Caucasian text” by A. S. Griboedov in his pictorial aesthetics. The purpose of the study is to identify the features and principles of creating the illusion of visual perception in the "Caucasian text" by A. S. Griboedov. The relevance of the problem is determined by the accentuation of the value acquaintance of the Russian reader with the Caucasian culture in its natural component, as well as the insufficient k…
Reconstruction of Creative History of Poem by M. Yu. Lermontov “They Loved Each Other for so Long and Dearly…” (1841) as a Way of Understanding the Meaning of Text
Dynamic poetics is analyzed - from draft to clean manuscript - the poem by M. Yu. Lermontov “They loved each other for so long and dearly ...” (1841), which is a free translation of the poem by H. Heine. Based on a comparison of the transcription of clean manuscript and two draft manuscripts of the poem, as well as the source - the German text - Lermontov’s creative process, his work on choosing the exact word and creating an integral artistic im…
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Poetic Formula “I see” in K. N. Batyushkov’s Work
The author analyses the visual metaphors of K. N. Batyushkov’s poetry, in which he acts as the creative heir to the artistic style of G. R. Derzhavin. The urgency of the problem is connected with the need to clarify the features of the creative method of K. N. Batyushkov in the aspect of his assimilation of the Derzhavin tradition. The novelty of the research is connected with the expansion of ideas about the poetics of the visual in Russian poet…
Poetics of Visual Image in “Caucasian text” by A. S. Griboedov
The object of the research is the “Caucasian text” by A. S. Griboedov in his pictorial aesthetics. The purpose of the study is to identify the features and principles of creating the illusion of visual perception in the "Caucasian text" by A. S. Griboedov. The relevance of the problem is determined by the accentuation of the value acquaintance of the Russian reader with the Caucasian culture in its natural component, as well as the insufficient k…
Reconstruction of Creative History of Poem by M. Yu. Lermontov “They Loved Each Other for so Long and Dearly…” (1841) as a Way of Understanding the Meaning of Text
Dynamic poetics is analyzed - from draft to clean manuscript - the poem by M. Yu. Lermontov “They loved each other for so long and dearly ...” (1841), which is a free translation of the poem by H. Heine. Based on a comparison of the transcription of clean manuscript and two draft manuscripts of the poem, as well as the source - the German text - Lermontov’s creative process, his work on choosing the exact word and creating an integral artistic im…
Features of Poetic Ecphrasis in A. Pushkin’s Poem “The Commander” (1835)
The urgency of the matter is associated with the need to clarify the features of Pushkin's pictorial ecphrasis. For the first time it is indicated that the originality of the ecphrasis in the poem “The Commander” is determined by its odic genre content, characterized by plasticity, kaleidoscopicity, and spatial dimensionality. The role of lexical and grammatical semantics, semantics of syntactic constructions in the visualization of the verbal im…
Lermontov’s Sketch “Russia Has no Past…” in Context of “Eastern Question”
The subject of the study was the content of Lermontov’s autograph “Russia has no past...” from the “Notebook donated by V. F. Odoevsky” in the aspect of the poet’s historical views. The purpose of the article is connected with the establishment of the historical and cultural genesis of the text and the clarification of its meaning in the context of Lermontov’s work, Russian-Caucasian interaction, as well as the historiosophical concepts of the fi…
Caucasus in Context
The article examines the specificity of Lermontov’s vision and depiction of the Caucasus world. It reconstructs Lermontov's philosophy of history in the context of the Caucasian War. The study reveals the cultural and historical conditioning of the poet’s imagery and ideas, and the dominant values of the Caucasian world in his artistic heritage. The article focuses on how Lermontov portrays the everyday existence of the highlanders, whose images …
Cosmic Imagery in Russian Poetry at Turn of 18th and 19th Centuries
The article explores the mechanisms of poetic representation of celestial bodies, the celestial sphere, and extraordinary cosmic phenomena in Russian poetry at the turn of the 18th and 19th centuries in the context of changing artistic paradigms (classicism and romanticism), poets’ worldview, and their artistic methods. It analyzes literary-critical articles from the 1820s-1840s and works by literary scholars from the second half of the 19th to t…
Textual Criticism of Mikhail Lermontov’s Poem “Valerik” (1840)
The focus of this study lies in the editorial distortions present in the scientific editions of Lermontov’s works concerning the poem “Valerik” and the necessity of reconstructing a definitive text in accordance with the author’s intent. The objective of the research is to identify semantic inaccuracies in the publications of “Valerik” and to elucidate the choices of variants that are closest to the authentic text. The materials for this study in…
Image of Celestial Firmament in Poetic Cosmology of “Evenings on a Farm near Dikanka”
This study explores the features of poetic cosmology in N. V. Gogol’s tales from the cycle “Evenings on a Farm near Dikanka”. It examines the poetics of the nocturnal landscape and the symbolic richness of celestial space. The functions of light details in poetic depictions of the universe are identified. Special attention is paid to portraying the Universe as a visible expression of the problem of good and evil, which serves as the core theme of…
Authentic Intonation of Lermontov’s Poem “Journalist, Reader, and Writer” (1840) as a Key to Understanding Author’s Intent
This study examines the numerous punctuation variations introduced in the publication history of Mikhail Lermontov’s poem “The Journalist, the Reader, and the Writer,” from its first edition to contemporary scholarly collections. The paper addresses the issue of editorial interventions that have disrupted the author’s original punctuation system. The primary sources for this analysis include Lermontov’s final manuscript (clean copy), two lifetime…
Aesthetics and Ontology of Landscape in “Priutino Cycle” Poems by N. I. Gnedich
Drawing on the elegies “Autumn” and “Priutino,” as well as the elegiac epistles to I. A. Krylovov composed during Gnedich's residence at the Priutino estate, this study examines the distinctive aesthetics and ontology of landscape within the poet's artistic world. The analysis also incorporates his early works, including “Obshchezhitie” (The Common Life), “Milton, Lamenting His Blindness,” and “The Transience of Youth.” The paper considers Gnedic…
Art (9 works) · Literature (9 works) · Poetry (9 works) · Philosophy (7 works) · Historical and Modern Theater Studies (6 works) · Aesthetics (4 works) · Discourse Analysis and Cultural Communication (4 works) · History (4 works) · Poetics (4 works) · Psychology (4 works)