D N Zhatkin
Biographic Data
| ID | 9971507 |
|---|---|
| NAME | D N Zhatkin |
| GIVEN NAMES | D N |
| FAMILY NAME | Zhatkin |
| SIGNATURE | ZHATKIN D N |
| AFFILIATIONS | Penza State Technological University |
| ORCID | 0000-0003-4768-3518 |
| VERIFIED | Yes |
| TOTAL WORKS | 19 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 19 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“She Was a Notorious”
This article examines the critical reception of the English writer Aphra Behn within the Russian literary criticism and scholarship of the second half of the nineteenth and the early twentieth centuries. The study analyzes references to and assessments of Behn’s literary legacy found in a range of sources, including general literary histories, academic textbooks, dictionaries, and reference works. The primary materials under scrutiny include the …
Russian Critical, Translational, and Creative Reception of William Blake’s “Milton”
This article offers a comprehensive examination of the diverse trajectories of Russian reception of William Blake’s epic poem Milton (1804–1811). The critical reception of the poem is analyzed in detail, beginning with its first mention in Russian scholarship in 1897 in an article by Z. A. Vengerova, followed by brief discussions by Soviet-era scholars such as M. N. Gutner, A. A. Elistratova, and E. A. Nekrasova. The poem was later subjected to m…
Image of John Milton in Russian Poetry of 18th and 19th Centuries
This study is dedicated to the analysis of the formation and understanding of the dynamic development of the image of the English poet John Milton in Russian lyrical and lyric-epic poetry. The material for this investigation consists of lyrical and lyric-epic works by Russian writers from the 18th and 19th centuries that reference Milton. Employing hermeneutic, historical-cultural, and comparative methods, the article identifies three distinct tr…
History of Russian Translational Reception of Edwin Arnold’s Poem “The Light of Asia”
This study investigates the translational strategies employed by A.M. Fedorov in his poetic rendition of Edwin Arnold’s Buddhist poem “The Light of Asia,” created in 1895. It explores how Arnold’s text is modified in translation and how these modifications contribute to the contextualization of the poem within the Russian poetic landscape. The analysis draws on the original text of “The Light of Asia” by Edwin Arnold, along with translations by A…
Evolution of Literary-Critical Method of Julius Aikhenvald and His Views on Shakespeare’s Creativity
The research problem concerns the evolution of critical views of Julius Isaevich Aikhenvald (1872—1928) in relation to his perception of William Shakespeare’s creativity. The aim of the study is to trace how changes in the critic’s personal fate and the global political situation led to his reevaluation of Shakespeare’s images. The material consists of little-known articles by the critic, published both in Russia in the 1910s-1920s and in emigrat…
Problems of Russian Theatrical Reception of Shakespeare in Criticism of Yuli Eichenwald
The problem of this study lies in evaluating the methodological approach of Yuli Eichenwald (1872—1928) as a theatrical critic and theorist, specifically his writings on Shakespearean productions both in Russia and abroad. Known primarily as a literary critic, Eichenwald also wrote about theater, but his works in this area have been largely unexplored. The aim of this study is to shed light on Eichenwald's principles of theatrical criticism. The …
Sergey Durylin on Shakespeare in the Russian Theatre
The article examines Sergei Durylin’s writings in the 1930s–1950s as a theater critic (in particular, writing about Shakespeare in the Russian theater), interpreted as a marginal hypostasis of this author’s work. The methodological basis for the study is the method of context-hermeneutic approach applied by E.A. Korshunova to the work of Durylin the writer. Theater criticism became one of the main areas of Sergei Durylin’s work after his two exil…
Translation Strategies of M. Kuzmin in Translating Shakespeare
The article deals with the reception of the works of William Shakespeare in the translations of Mikhail Kuzmin (1872–1936). The relevance of the research is due to the insufficient study of the reception of Shakespeare’s work in the heritage of Kuzmin, including in his translation heritage. The novelty of the study lies in a comprehensive understanding of the place of Shakespeare in the creative activity of M. Kuzmin, including as a translator an…
Translation, Critical, and Creative Reception of Shakespeare in Legacy of Sigizmund Krzhizhanovsky
This article examines the reception of William Shakespeare’s works in the creative output of writer, theorist, and historian of theater Sigizmund Krzhizhanovsky (1887—1950). The relevance of the study is due to the insufficient research on the reception of Shakespeare’s works in Krzhizhanovsky’s legacy, as well as the interpretation of many unexplored, unpublished, or not yet introduced into scientific circulation materials on the topic. The nove…
Translation Principles of Vadim Shershenevich and Their Implementation in Translations of Playwrights of William Shakespeare
The article is devoted to comprehension of the translational reception of William Shakespeare’s work in the legacy of Vadim Shershenevich (1893—1942) in the context of his author's translation strategies. The novelty of the study is connected with the identification of Shershenevich’s translation strategies as an adherent of “accurate translation”, with the reconstruction of the history of the poet’s translation achievements in the field of Shake…
Vadim Shershenevich as a translator, librettist and critic in a theatrical dialogue with Shakespeare
The reception of the works of William Shakespeare in the work of the poet and translator Vadim Shershenevich (1893—1942) is considered. The relevance of the study is due to the insufficient study of the reception of Shakespeare’s work in the legacy of Shershenevich. The novelty of the study lies in the reference to the little-known texts by Shershenevich, which are translations and adaptations of Shakespeare’s plays for the early Soviet theater, …
The Russian Fate of John Gayʼs Fables
The article, in a pioneering effort, offers to consider the history of the Russian reception of the fable creativity of the English writer John Gay (1685–1732), from its beginnings to the present day. It is noted that close attention to the fables of J. Gay in the last quarter of the 18th century, this was largely due to the interest of the Russian society in novelties in French books; as a result, prosaic translations of poetic texts from an int…
Russian Reception by James Hogg (Soviet period)
The article continues a series of works devoted to the Russian reception of the Scottish writer James Hogg (1770–1835), a famous interpreter of folk ballads and author of The Private Memoirs and Confessions of a Justified Sinner (1824). Facts and materials related to the perception of J. Hogg in Russia in Soviet times are collected and summarized. It is indicated that during the period under review, in the studies of Russian literary scholars, se…
Russian Reception by James Hogg (Mid-19 th — Early 20 th Centuries)
The article continues a series of works devoted to the Russian reception of the Scottish writer James Hogg (1770—1835), a famous interpreter of folk ballads and author of “The Private Memoirs and Confessions of a Justified Sinner” (1824). The facts and materials related to the perception of J. Hogg in Russia in the middle of the XIX — early XX century are collected and summarized. It is noted that during the period under review, no new translatio…
Occasional and Rare Lexemes in the Poetic Language of V. A. Zhukovsky (Methodology of Dictionary Interpretation)
The article deals with the question of the lexicographic interpretation of the poetic language of V.A. Zhukovsky (1783—1852) in the form of the author’s dictionary, which became possible after the publication of the initial volumes of the “Complete Works and Letters” of the writer. Special attention is paid to poetic neologisms in the works of the first Russian romanticist. The question is raised about the typology of individual author’s lexemes.…
History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”
The history of Russian translations of the I.-V. Goethe’s drama “Torquato Tasso” (1789) is discussed in the article. Responses testifying to the familiarity with this work of many Russian writers, in particular, V. A. Zhukovsky, N. V. Kukolnik, N. A. Polevoy, I. V. Kireevsky, N. I. Nadezhdin, I. S. Turgenev, A. I. Herzen and others are systematized. The history of Russian Reception of the “Torquato Tasso”, dating back to the 1840s (A. N. Strugovs…
Early Russian Reception of James Hogg (1830s)
The early Russian reception of the Scottish writer James Hogg (1770—1835), known in his homeland as an interpreter of folk ballads and the author of “The Confession of a Justified Sinner” (1824) — a complex work, which laid the foundation for the theme of multiple personality disorder in English literature is comprehended in the article for the first time. It has been suggested that the first Russian to hear about Hogg and his works was A. I. Tur…
Russian Fate of the Poem by Robert Burns «Who is that at my bower-door?..»
The Russian translation reception of Robert Burns's poem “Who is that at my bower-door?..” (1783) is for the first time considered in the article. It is emphasized that the comic work did not attract the attention of Russian translators until 1862, when the unsatisfactory interpretation of V. D. Kostomarov, deprived of the emotionality of the English original, came out. The results of the analysis of translations of the poem created by M. N. Shel…
Concerning the Authorship of an Anonymous Poem ‘An Answer of the Vassals’, Addressed to Evdokiya Rostopchina
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Concerning the Authorship of an Anonymous Poem ‘An Answer of the Vassals’, Addressed to Evdokiya Rostopchina
Occasional and Rare Lexemes in the Poetic Language of V. A. Zhukovsky (Methodology of Dictionary Interpretation)
The article deals with the question of the lexicographic interpretation of the poetic language of V.A. Zhukovsky (1783—1852) in the form of the author’s dictionary, which became possible after the publication of the initial volumes of the “Complete Works and Letters” of the writer. Special attention is paid to poetic neologisms in the works of the first Russian romanticist. The question is raised about the typology of individual author’s lexemes.…
History of Russian Reception of Drama I.-V. Goethe’s “Torquato Tasso”
The history of Russian translations of the I.-V. Goethe’s drama “Torquato Tasso” (1789) is discussed in the article. Responses testifying to the familiarity with this work of many Russian writers, in particular, V. A. Zhukovsky, N. V. Kukolnik, N. A. Polevoy, I. V. Kireevsky, N. I. Nadezhdin, I. S. Turgenev, A. I. Herzen and others are systematized. The history of Russian Reception of the “Torquato Tasso”, dating back to the 1840s (A. N. Strugovs…
Early Russian Reception of James Hogg (1830s)
The early Russian reception of the Scottish writer James Hogg (1770—1835), known in his homeland as an interpreter of folk ballads and the author of “The Confession of a Justified Sinner” (1824) — a complex work, which laid the foundation for the theme of multiple personality disorder in English literature is comprehended in the article for the first time. It has been suggested that the first Russian to hear about Hogg and his works was A. I. Tur…
Russian Fate of the Poem by Robert Burns «Who is that at my bower-door?..»
The Russian translation reception of Robert Burns's poem “Who is that at my bower-door?..” (1783) is for the first time considered in the article. It is emphasized that the comic work did not attract the attention of Russian translators until 1862, when the unsatisfactory interpretation of V. D. Kostomarov, deprived of the emotionality of the English original, came out. The results of the analysis of translations of the poem created by M. N. Shel…
The Russian Fate of John Gayʼs Fables
The article, in a pioneering effort, offers to consider the history of the Russian reception of the fable creativity of the English writer John Gay (1685–1732), from its beginnings to the present day. It is noted that close attention to the fables of J. Gay in the last quarter of the 18th century, this was largely due to the interest of the Russian society in novelties in French books; as a result, prosaic translations of poetic texts from an int…
Russian Reception by James Hogg (Soviet period)
The article continues a series of works devoted to the Russian reception of the Scottish writer James Hogg (1770–1835), a famous interpreter of folk ballads and author of The Private Memoirs and Confessions of a Justified Sinner (1824). Facts and materials related to the perception of J. Hogg in Russia in Soviet times are collected and summarized. It is indicated that during the period under review, in the studies of Russian literary scholars, se…
Russian Reception by James Hogg (Mid-19 th — Early 20 th Centuries)
The article continues a series of works devoted to the Russian reception of the Scottish writer James Hogg (1770—1835), a famous interpreter of folk ballads and author of “The Private Memoirs and Confessions of a Justified Sinner” (1824). The facts and materials related to the perception of J. Hogg in Russia in the middle of the XIX — early XX century are collected and summarized. It is noted that during the period under review, no new translatio…
Translation Principles of Vadim Shershenevich and Their Implementation in Translations of Playwrights of William Shakespeare
The article is devoted to comprehension of the translational reception of William Shakespeare’s work in the legacy of Vadim Shershenevich (1893—1942) in the context of his author's translation strategies. The novelty of the study is connected with the identification of Shershenevich’s translation strategies as an adherent of “accurate translation”, with the reconstruction of the history of the poet’s translation achievements in the field of Shake…
Vadim Shershenevich as a translator, librettist and critic in a theatrical dialogue with Shakespeare
The reception of the works of William Shakespeare in the work of the poet and translator Vadim Shershenevich (1893—1942) is considered. The relevance of the study is due to the insufficient study of the reception of Shakespeare’s work in the legacy of Shershenevich. The novelty of the study lies in the reference to the little-known texts by Shershenevich, which are translations and adaptations of Shakespeare’s plays for the early Soviet theater, …
Sergey Durylin on Shakespeare in the Russian Theatre
The article examines Sergei Durylin’s writings in the 1930s–1950s as a theater critic (in particular, writing about Shakespeare in the Russian theater), interpreted as a marginal hypostasis of this author’s work. The methodological basis for the study is the method of context-hermeneutic approach applied by E.A. Korshunova to the work of Durylin the writer. Theater criticism became one of the main areas of Sergei Durylin’s work after his two exil…
Translation Strategies of M. Kuzmin in Translating Shakespeare
The article deals with the reception of the works of William Shakespeare in the translations of Mikhail Kuzmin (1872–1936). The relevance of the research is due to the insufficient study of the reception of Shakespeare’s work in the heritage of Kuzmin, including in his translation heritage. The novelty of the study lies in a comprehensive understanding of the place of Shakespeare in the creative activity of M. Kuzmin, including as a translator an…
Translation, Critical, and Creative Reception of Shakespeare in Legacy of Sigizmund Krzhizhanovsky
This article examines the reception of William Shakespeare’s works in the creative output of writer, theorist, and historian of theater Sigizmund Krzhizhanovsky (1887—1950). The relevance of the study is due to the insufficient research on the reception of Shakespeare’s works in Krzhizhanovsky’s legacy, as well as the interpretation of many unexplored, unpublished, or not yet introduced into scientific circulation materials on the topic. The nove…
Evolution of Literary-Critical Method of Julius Aikhenvald and His Views on Shakespeare’s Creativity
The research problem concerns the evolution of critical views of Julius Isaevich Aikhenvald (1872—1928) in relation to his perception of William Shakespeare’s creativity. The aim of the study is to trace how changes in the critic’s personal fate and the global political situation led to his reevaluation of Shakespeare’s images. The material consists of little-known articles by the critic, published both in Russia in the 1910s-1920s and in emigrat…
Problems of Russian Theatrical Reception of Shakespeare in Criticism of Yuli Eichenwald
The problem of this study lies in evaluating the methodological approach of Yuli Eichenwald (1872—1928) as a theatrical critic and theorist, specifically his writings on Shakespearean productions both in Russia and abroad. Known primarily as a literary critic, Eichenwald also wrote about theater, but his works in this area have been largely unexplored. The aim of this study is to shed light on Eichenwald's principles of theatrical criticism. The …
Image of John Milton in Russian Poetry of 18th and 19th Centuries
This study is dedicated to the analysis of the formation and understanding of the dynamic development of the image of the English poet John Milton in Russian lyrical and lyric-epic poetry. The material for this investigation consists of lyrical and lyric-epic works by Russian writers from the 18th and 19th centuries that reference Milton. Employing hermeneutic, historical-cultural, and comparative methods, the article identifies three distinct tr…
History of Russian Translational Reception of Edwin Arnold’s Poem “The Light of Asia”
This study investigates the translational strategies employed by A.M. Fedorov in his poetic rendition of Edwin Arnold’s Buddhist poem “The Light of Asia,” created in 1895. It explores how Arnold’s text is modified in translation and how these modifications contribute to the contextualization of the poem within the Russian poetic landscape. The analysis draws on the original text of “The Light of Asia” by Edwin Arnold, along with translations by A…
“She Was a Notorious”
This article examines the critical reception of the English writer Aphra Behn within the Russian literary criticism and scholarship of the second half of the nineteenth and the early twentieth centuries. The study analyzes references to and assessments of Behn’s literary legacy found in a range of sources, including general literary histories, academic textbooks, dictionaries, and reference works. The primary materials under scrutiny include the …
Russian Critical, Translational, and Creative Reception of William Blake’s “Milton”
This article offers a comprehensive examination of the diverse trajectories of Russian reception of William Blake’s epic poem Milton (1804–1811). The critical reception of the poem is analyzed in detail, beginning with its first mention in Russian scholarship in 1897 in an article by Z. A. Vengerova, followed by brief discussions by Soviet-era scholars such as M. N. Gutner, A. A. Elistratova, and E. A. Nekrasova. The poem was later subjected to m…
Art (17 works) · Literature (17 works) · Discourse Analysis and Cultural Communication (14 works) · History (13 works) · Philosophy (11 works) · Poetry (11 works) · Language, Communication, and Linguistic Studies (6 works) · Criticism (5 works) · Linguistics (5 works) · Russian literature (5 works)