I A Kiselyova
Biographic Data
| ID | 9971614 |
|---|---|
| NAME | I A Kiselyova |
| GIVEN NAMES | I A |
| FAMILY NAME | Kiselyova |
| SIGNATURE | KISELYOVA I A |
| AFFILIATIONS | University of Education |
| ORCID | 0000-0002-9629-0035 |
| VERIFIED | Yes |
| TOTAL WORKS | 6 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 6 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Authentic Intonation of Lermontov’s Poem “Journalist, Reader, and Writer” (1840) as a Key to Understanding Author’s Intent
This study examines the numerous punctuation variations introduced in the publication history of Mikhail Lermontov’s poem “The Journalist, the Reader, and the Writer,” from its first edition to contemporary scholarly collections. The paper addresses the issue of editorial interventions that have disrupted the author’s original punctuation system. The primary sources for this analysis include Lermontov’s final manuscript (clean copy), two lifetime…
Textual Criticism of Mikhail Lermontov’s Poem “Valerik” (1840)
The focus of this study lies in the editorial distortions present in the scientific editions of Lermontov’s works concerning the poem “Valerik” and the necessity of reconstructing a definitive text in accordance with the author’s intent. The objective of the research is to identify semantic inaccuracies in the publications of “Valerik” and to elucidate the choices of variants that are closest to the authentic text. The materials for this study in…
Caucasus in Context
The article examines the specificity of Lermontov’s vision and depiction of the Caucasus world. It reconstructs Lermontov's philosophy of history in the context of the Caucasian War. The study reveals the cultural and historical conditioning of the poet’s imagery and ideas, and the dominant values of the Caucasian world in his artistic heritage. The article focuses on how Lermontov portrays the everyday existence of the highlanders, whose images …
Lermontov’s Sketch “Russia Has no Past…” in Context of “Eastern Question”
The subject of the study was the content of Lermontov’s autograph “Russia has no past...” from the “Notebook donated by V. F. Odoevsky” in the aspect of the poet’s historical views. The purpose of the article is connected with the establishment of the historical and cultural genesis of the text and the clarification of its meaning in the context of Lermontov’s work, Russian-Caucasian interaction, as well as the historiosophical concepts of the fi…
Features of Poetic Ecphrasis in A. Pushkin’s Poem “The Commander” (1835)
The urgency of the matter is associated with the need to clarify the features of Pushkin's pictorial ecphrasis. For the first time it is indicated that the originality of the ecphrasis in the poem “The Commander” is determined by its odic genre content, characterized by plasticity, kaleidoscopicity, and spatial dimensionality. The role of lexical and grammatical semantics, semantics of syntactic constructions in the visualization of the verbal im…
Reconstruction of Creative History of Poem by M. Yu. Lermontov “They Loved Each Other for so Long and Dearly…” (1841) as a Way of Understanding the Meaning of Text
Dynamic poetics is analyzed - from draft to clean manuscript - the poem by M. Yu. Lermontov “They loved each other for so long and dearly ...” (1841), which is a free translation of the poem by H. Heine. Based on a comparison of the transcription of clean manuscript and two draft manuscripts of the poem, as well as the source - the German text - Lermontov’s creative process, his work on choosing the exact word and creating an integral artistic im…
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Reconstruction of Creative History of Poem by M. Yu. Lermontov “They Loved Each Other for so Long and Dearly…” (1841) as a Way of Understanding the Meaning of Text
Dynamic poetics is analyzed - from draft to clean manuscript - the poem by M. Yu. Lermontov “They loved each other for so long and dearly ...” (1841), which is a free translation of the poem by H. Heine. Based on a comparison of the transcription of clean manuscript and two draft manuscripts of the poem, as well as the source - the German text - Lermontov’s creative process, his work on choosing the exact word and creating an integral artistic im…
Features of Poetic Ecphrasis in A. Pushkin’s Poem “The Commander” (1835)
The urgency of the matter is associated with the need to clarify the features of Pushkin's pictorial ecphrasis. For the first time it is indicated that the originality of the ecphrasis in the poem “The Commander” is determined by its odic genre content, characterized by plasticity, kaleidoscopicity, and spatial dimensionality. The role of lexical and grammatical semantics, semantics of syntactic constructions in the visualization of the verbal im…
Lermontov’s Sketch “Russia Has no Past…” in Context of “Eastern Question”
The subject of the study was the content of Lermontov’s autograph “Russia has no past...” from the “Notebook donated by V. F. Odoevsky” in the aspect of the poet’s historical views. The purpose of the article is connected with the establishment of the historical and cultural genesis of the text and the clarification of its meaning in the context of Lermontov’s work, Russian-Caucasian interaction, as well as the historiosophical concepts of the fi…
Caucasus in Context
The article examines the specificity of Lermontov’s vision and depiction of the Caucasus world. It reconstructs Lermontov's philosophy of history in the context of the Caucasian War. The study reveals the cultural and historical conditioning of the poet’s imagery and ideas, and the dominant values of the Caucasian world in his artistic heritage. The article focuses on how Lermontov portrays the everyday existence of the highlanders, whose images …
Textual Criticism of Mikhail Lermontov’s Poem “Valerik” (1840)
The focus of this study lies in the editorial distortions present in the scientific editions of Lermontov’s works concerning the poem “Valerik” and the necessity of reconstructing a definitive text in accordance with the author’s intent. The objective of the research is to identify semantic inaccuracies in the publications of “Valerik” and to elucidate the choices of variants that are closest to the authentic text. The materials for this study in…
Authentic Intonation of Lermontov’s Poem “Journalist, Reader, and Writer” (1840) as a Key to Understanding Author’s Intent
This study examines the numerous punctuation variations introduced in the publication history of Mikhail Lermontov’s poem “The Journalist, the Reader, and the Writer,” from its first edition to contemporary scholarly collections. The paper addresses the issue of editorial interventions that have disrupted the author’s original punctuation system. The primary sources for this analysis include Lermontov’s final manuscript (clean copy), two lifetime…
Historical and Modern Theater Studies (6 works) · Art (5 works) · Literature (5 works) · Philosophy (4 works) · Poetry (4 works) · Archaeology (2 works) · Epistemology (2 works) · HERO (2 works) · History (2 works) · Linguistics (2 works)