A A Arustamova
Biographic Data
| ID | 9971979 |
|---|---|
| NAME | A A Arustamova |
| GIVEN NAMES | A A |
| FAMILY NAME | Arustamova |
| SIGNATURE | ARUSTAMOVA A A |
| AFFILIATIONS | Moscow Power Engineering Institute |
| ORCID | 0000-0003-3079-0253 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Semiotics of Cinema in the Novel “The Mirror” by Irina Odoevtseva
In Irina Odoevtseva’s prose fiction the cinematograph appears as a border art, scary as the world of similarities, but at the same time characterizing both modernity and the current state of the world novel. The analysis of the corpus of her prose fiction indicates the persistence of a number of motifs associated with the cinematograph: untrue light, false love, and the ambiguous state of emotions. A detailed analysis of her novel The Mirror (193…
Ballet Defamiliarization
The article studies the device of defamiliarization (ostranenie) in the context of its connection not with excess but with def iciency. Having not only an aesthetic but also a social dimension defamiliarization emerges as a response to the exhaustion of forms, their decay and loss of expressiveness. Avdotya Panayeva, describing the mechanics of theatrical illusion from an insider’s rather than spectator’s perspective, anticipates Tolstoy’s exposu…
An Autobiographical Novel by Sophia Zaitseva ‘The World Through the Child’s Eyes’ in the Context of the Literary Tradition of Leo Tolstoy (‘Childhood’)
The article examines The World Through the Child’s Eyes, a novel being the first work of the autobiographical trilogy by Sophia Zaitseva, a writer belonging to the first wave of Russian emigration. The novel is discussed in the context of the literary tradition of Leo Tolstoy (the story Childhood). It is argued that the structure of the trilogy correlates with the structure of Tolstoy’s trilogy Childhood, Adolescence, Youth. In the story by Zaits…
Image of China in Poetry of V. Pereleshin
The specificity of the image of China in the works of the poet-young emigrant V. Pereleshin is examined in the article. It is argued that China is represented in Pereleshin’s poetry in different aspects: it is the nature of the country, and culture, and literature. The relevance of the study is due to the need to identify the specifics of the embodiment of the image of China in the poetry of the Russian emigration. From this point of view, the au…
Constructive Function of Love Narrative in Natalia Reznikova’s Short Stories
Natalia Reznikova, a writer of Russian emigration in China, combined in her stories the tradition of love short stories with a moral view of the earlier forms of passion expression. In her prose, judgment is imparted to a woman who cares less about spiritualizing passion than about narrative coherence, which forbids the overt display of affection. The events must progress as in a fine novel, not a short story. Criticizing the symbolist premature …
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Constructive Function of Love Narrative in Natalia Reznikova’s Short Stories
Natalia Reznikova, a writer of Russian emigration in China, combined in her stories the tradition of love short stories with a moral view of the earlier forms of passion expression. In her prose, judgment is imparted to a woman who cares less about spiritualizing passion than about narrative coherence, which forbids the overt display of affection. The events must progress as in a fine novel, not a short story. Criticizing the symbolist premature …
Image of China in Poetry of V. Pereleshin
The specificity of the image of China in the works of the poet-young emigrant V. Pereleshin is examined in the article. It is argued that China is represented in Pereleshin’s poetry in different aspects: it is the nature of the country, and culture, and literature. The relevance of the study is due to the need to identify the specifics of the embodiment of the image of China in the poetry of the Russian emigration. From this point of view, the au…
An Autobiographical Novel by Sophia Zaitseva ‘The World Through the Child’s Eyes’ in the Context of the Literary Tradition of Leo Tolstoy (‘Childhood’)
The article examines The World Through the Child’s Eyes, a novel being the first work of the autobiographical trilogy by Sophia Zaitseva, a writer belonging to the first wave of Russian emigration. The novel is discussed in the context of the literary tradition of Leo Tolstoy (the story Childhood). It is argued that the structure of the trilogy correlates with the structure of Tolstoy’s trilogy Childhood, Adolescence, Youth. In the story by Zaits…
Semiotics of Cinema in the Novel “The Mirror” by Irina Odoevtseva
In Irina Odoevtseva’s prose fiction the cinematograph appears as a border art, scary as the world of similarities, but at the same time characterizing both modernity and the current state of the world novel. The analysis of the corpus of her prose fiction indicates the persistence of a number of motifs associated with the cinematograph: untrue light, false love, and the ambiguous state of emotions. A detailed analysis of her novel The Mirror (193…
Ballet Defamiliarization
The article studies the device of defamiliarization (ostranenie) in the context of its connection not with excess but with def iciency. Having not only an aesthetic but also a social dimension defamiliarization emerges as a response to the exhaustion of forms, their decay and loss of expressiveness. Avdotya Panayeva, describing the mechanics of theatrical illusion from an insider’s rather than spectator’s perspective, anticipates Tolstoy’s exposu…
Art (3 works) · Discourse Analysis and Cultural Communication (3 works) · Literature (3 works) · History (2 works) · Parallels (2 works) · Philosophy (2 works) · Regional Socio-Economic Development Trends (2 works) · Sociology (2 works) · Sociopolitical Dynamics in Russia (2 works) · Aesthetics (1 work)