D L Karavaev
Biographic Data
| ID | 9972565 |
|---|---|
| NAME | D L Karavaev |
| GIVEN NAMES | D L |
| FAMILY NAME | Karavaev |
| SIGNATURE | KARAVAEV D L |
| AFFILIATIONS | Weatherford College |
| ORCID | 0000-0003-0752-9786 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Religious Symbolism, Rock Dramaturgy and the Buzz of the Era in the Soundtrack of the Film The Lovers’ Romance
The article is devoted to the soundtrack of the film The Lovers’ Romance (1974) by Andrei Konchalovsky. It studies the genre and stylistic genesis of the songs and compositions written by Alexander Gradsky, reveals the role of music in the plot of the film, and traces the signs of a rock opera in its musical and dramaturgical solution. Based on the extensive discussion of the film in the mid-1970s, the author examines the reasons for the difficul…
“We Are Not Afraid of Either Ice or Clouds!” The Theme of Conquering the Arctic and the ‘Ocean of Air’ in Soviet Newsreel of the 1930s
The article is devoted to the depiction of the theme of the conquest of the Arctic North and the ‘ocean of air’ in the Soviet newsreels of the 1930s. Based on the content analysis of a significant array of film documents (newsreel stories, special newsreel issues, documentary films), the author examines the phenomenon of the transformation of famous polar explorers and aviators of the Stalin era into a cohort of cult national heroes. Particular a…
The Role of Song in Leonid Gaidai’s Films
The article is devoted to Leonid Gaidai’s work with soundtrack. The emphasis is made on the analysis of both original and borrowed songs in the entire filmography of the director. In the first part of the article, the author analyses the principles of Gaidai’s work with various musical genres and outlines the range of musical genres and styles used by the director. The article investigates how their meaning (reputation) changes, refracted through…
Round Table “Aesthetics of Soviet Film Comedy”. Eccentric, Author’s Principle, Official Context
In the modern period the aesthetics of comedy in cinema was on the periphery of the attention of the science of art. Not least, this was due to the fact that the analysis of the comic was relegated to the background by the study of the playful relativity characteristic of postmodern trends in the screen arts of the late 20th and early 21st centuries. Meanwhile, Soviet film comedy remains one of the pinnacles in the development of this genre in th…
Retro-Series About the Artists of Soviet Popular Music
The article deals with the dramaturgical and aesthetic patterns of the Russian TV series of the 2000s–2010s, which provide insight into the lives of famous Soviet pop music artists. The main characters in the biopics studied were inspired by Leonid Utyosov, Pyotr Leshchenko, Lyubov Orlova, Anna German, Lyudmila Zykina, Valentina Tolkunova, Alla Pugacheva, Lyudmila Gurchenko, Edita Piekha, Valery Obodzinsky and Muslim Magomaev. The article gives a…
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Retro-Series About the Artists of Soviet Popular Music
The article deals with the dramaturgical and aesthetic patterns of the Russian TV series of the 2000s–2010s, which provide insight into the lives of famous Soviet pop music artists. The main characters in the biopics studied were inspired by Leonid Utyosov, Pyotr Leshchenko, Lyubov Orlova, Anna German, Lyudmila Zykina, Valentina Tolkunova, Alla Pugacheva, Lyudmila Gurchenko, Edita Piekha, Valery Obodzinsky and Muslim Magomaev. The article gives a…
Round Table “Aesthetics of Soviet Film Comedy”. Eccentric, Author’s Principle, Official Context
In the modern period the aesthetics of comedy in cinema was on the periphery of the attention of the science of art. Not least, this was due to the fact that the analysis of the comic was relegated to the background by the study of the playful relativity characteristic of postmodern trends in the screen arts of the late 20th and early 21st centuries. Meanwhile, Soviet film comedy remains one of the pinnacles in the development of this genre in th…
The Role of Song in Leonid Gaidai’s Films
The article is devoted to Leonid Gaidai’s work with soundtrack. The emphasis is made on the analysis of both original and borrowed songs in the entire filmography of the director. In the first part of the article, the author analyses the principles of Gaidai’s work with various musical genres and outlines the range of musical genres and styles used by the director. The article investigates how their meaning (reputation) changes, refracted through…
Religious Symbolism, Rock Dramaturgy and the Buzz of the Era in the Soundtrack of the Film The Lovers’ Romance
The article is devoted to the soundtrack of the film The Lovers’ Romance (1974) by Andrei Konchalovsky. It studies the genre and stylistic genesis of the songs and compositions written by Alexander Gradsky, reveals the role of music in the plot of the film, and traces the signs of a rock opera in its musical and dramaturgical solution. Based on the extensive discussion of the film in the mid-1970s, the author examines the reasons for the difficul…
“We Are Not Afraid of Either Ice or Clouds!” The Theme of Conquering the Arctic and the ‘Ocean of Air’ in Soviet Newsreel of the 1930s
The article is devoted to the depiction of the theme of the conquest of the Arctic North and the ‘ocean of air’ in the Soviet newsreels of the 1930s. Based on the content analysis of a significant array of film documents (newsreel stories, special newsreel issues, documentary films), the author examines the phenomenon of the transformation of famous polar explorers and aviators of the Stalin era into a cohort of cult national heroes. Particular a…
Art (4 works) · Literature (4 works) · Movie theater (4 works) · Aesthetics (3 works) · Comedy (3 works) · History (3 works) · Dramaturgy (2 works) · Musical (2 works) · Narrative (2 works) · Popular music (2 works)