N A Khrenov
Biographic Data
| ID | 9972664 |
|---|---|
| NAME | N A Khrenov |
| GIVEN NAMES | N A |
| FAMILY NAME | Khrenov |
| SIGNATURE | KHRENOV N A |
| AFFILIATIONS | Institute of Art Restoration |
| ORCID | 0000-0002-6890-7894 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2022 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
Philosophical Subtexts of the Science Fiction Genre
This article examines the acute problem in 20th-century art — how to create a work of art capable of engaging a mass audience without sacrificing the meaning conceived by the artist — through the lens of two films by Russian director Andrei Tarkovsky, Solaris (1972) and Stalker (1979). This issue became particularly significant for the type of society that emerged in the 19th century, known as ‘mass society’, and reached its peak in the latter ha…
Between Aesthetics and Culture Studies
This article discusses the methodology of interdisciplinarity in scientific cognition by the example of the relationship between art studies, cultural studies, and aesthetics. The author focuses on art studies currently functioning in its mature form, usually referred to as “normal science” in the philosophy of science. It is in need of development and improvement through the assimilation of methods of other humanities and philosophical areas, su…
No prominent works on this page.
Between Aesthetics and Culture Studies
This article discusses the methodology of interdisciplinarity in scientific cognition by the example of the relationship between art studies, cultural studies, and aesthetics. The author focuses on art studies currently functioning in its mature form, usually referred to as “normal science” in the philosophy of science. It is in need of development and improvement through the assimilation of methods of other humanities and philosophical areas, su…
Philosophical Subtexts of the Science Fiction Genre
This article examines the acute problem in 20th-century art — how to create a work of art capable of engaging a mass audience without sacrificing the meaning conceived by the artist — through the lens of two films by Russian director Andrei Tarkovsky, Solaris (1972) and Stalker (1979). This issue became particularly significant for the type of society that emerged in the 19th century, known as ‘mass society’, and reached its peak in the latter ha…
Aesthetics (1 work) · Art methodology (1 work) · Contemporary art (1 work) · Epistemology (1 work) · Ethics, Aesthetics, and Art (1 work) · Film director (1 work) · History (1 work) · Human science (1 work) · Interdisciplinary Research and Collaboration (1 work) · Linguistics (1 work)