E Yu Andreeva
Biographic Data
| ID | 9972688 |
|---|---|
| NAME | E Yu Andreeva |
| GIVEN NAMES | E Yu |
| FAMILY NAME | Andreeva |
| SIGNATURE | ANDREEVA E Y |
| ORCID | 0000-0001-5765-242X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Organics of the St. Petersburg Avant-Garde
Modernization of the 20th century is usually associated with Constructivism and technical progress. However, the St. Petersburg Avant-Garde of 1912–1915 offered an alternative concept of art, revealing the world as a unique organic whole, but not a sum of standard replaceable parts. The organic Avant-Garde as an artistic tradition was first presented by Vladimir Sterligov in the symbolic drawing A Bowl (1962), emphasizing the analytical art of Pa…
Soviet Art at Art Exhibitions and Expositions of Russian Museums and Galleries in the 1990s-2020s
The article systematizes the approaches to the study and presentation of Soviet art material in the post-Soviet period and gives a periodization of changes in these approaches. The author refers to the types of exhibition recycling of Soviet art, mainly in the practice of the State Russian Museum, the State Tretyakov Gallery, and the Central Exhibition Halls of Moscow and St. Petersburg. In general, two types of temporary exhibitions of Soviet ma…
The New Theatre of the New Artists Group and the Russian Avant-Garde
The multimedia practice of the Russian Avant-Garde, in which theatrical art is inseparable from literary, visual and musical art, found its continuation half a century later in the work of the New Artists group, founded by Timur Novikov in 1982 in Leningrad. This article is the first study of the so-called New Theatre of the New Artists, which is associated with the following happenings or performances: The Ballet of the Three Inseparables, Anna …
Screening the Revelation
The article is devoted to the problem of generating symbolic content in contemporary art. The problem is directly related to the vitality of art itself, which depends on the ability to create a universal picture of the world. In the art of the 20th century, the process of replacing symbolism with symptomatology begins, which gradually leads to a narrowing of the sphere of the symbolic content of culture, since ambiguous symbols are replaced by co…
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Screening the Revelation
The article is devoted to the problem of generating symbolic content in contemporary art. The problem is directly related to the vitality of art itself, which depends on the ability to create a universal picture of the world. In the art of the 20th century, the process of replacing symbolism with symptomatology begins, which gradually leads to a narrowing of the sphere of the symbolic content of culture, since ambiguous symbols are replaced by co…
The New Theatre of the New Artists Group and the Russian Avant-Garde
The multimedia practice of the Russian Avant-Garde, in which theatrical art is inseparable from literary, visual and musical art, found its continuation half a century later in the work of the New Artists group, founded by Timur Novikov in 1982 in Leningrad. This article is the first study of the so-called New Theatre of the New Artists, which is associated with the following happenings or performances: The Ballet of the Three Inseparables, Anna …
Soviet Art at Art Exhibitions and Expositions of Russian Museums and Galleries in the 1990s-2020s
The article systematizes the approaches to the study and presentation of Soviet art material in the post-Soviet period and gives a periodization of changes in these approaches. The author refers to the types of exhibition recycling of Soviet art, mainly in the practice of the State Russian Museum, the State Tretyakov Gallery, and the Central Exhibition Halls of Moscow and St. Petersburg. In general, two types of temporary exhibitions of Soviet ma…
The Organics of the St. Petersburg Avant-Garde
Modernization of the 20th century is usually associated with Constructivism and technical progress. However, the St. Petersburg Avant-Garde of 1912–1915 offered an alternative concept of art, revealing the world as a unique organic whole, but not a sum of standard replaceable parts. The organic Avant-Garde as an artistic tradition was first presented by Vladimir Sterligov in the symbolic drawing A Bowl (1962), emphasizing the analytical art of Pa…
Aesthetics (3 works) · Art (3 works) · Visual arts (3 works) · Art history (2 works) · Literature (2 works) · Scientific Research and Philosophical Inquiry (2 works) · Absurdism (1 work) · Absurdity (1 work) · Art, Politics, and Modernism (1 work) · Art, Technology, and Culture (1 work)