D O Martynova
Biographic Data
| ID | 9972697 |
|---|---|
| NAME | D O Martynova |
| GIVEN NAMES | D |
| FAMILY NAME | O Martynova |
| SIGNATURE | MARTYNOVA D O |
| AFFILIATIONS | St Petersburg University |
| ORCID | 0000-0003-0426-6458 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Life in a Café-concert
The article is part of ascientific project dedicated to the study of the reception of musical practices in visual culture. The article analyzes the book by the French composer and performer of café-concerts Eloi Ouvrard (1855–1938) Life in a Café-concert: A Study of Manners written in 1894 to reveal the hypothesis of the connection between the musical accompaniment of caféconcert numbers and the role of artists. The analysis of this book made it …
Interpretation of Persian Motifs in the Artworks of William de Morgan
This article discusses the role of William de Morgan (1839–1917) in the development of the 19th-century English ceramic art, with a particular focus on his use of Persian motifs. To further explore this topic, the author characterizes the significance of Persian art in in the museum collections of Victorian England, as well as the concept of ‘Persian style’ and how it was interpreted by the contemporaries of the English ceramist. Additionally, th…
Development of the Iconography of the Mesmeric Seance in French Art of the Late 19th Century
В конце XIX в. во Франции появляется большое количество критических и теоретических текстов по искусству, в основу которых была положена паранаучная теория месмеризм: так, в журнале «Новая иконография Сальпетриер», посвящённом репрезентациям патологий в искусстве, медики написали цикл искусствоведческих статей, посвященных гравюрам с месмерическим сеансом. В теоретической работе об истерии Поль Рише и Анри Меж сформулировали идею проформ, которая…
Representation of Madness in Comedy Films and Television Series
This article is devoted to analysing humorous strategies and concepts of mental illness representation in contemporary comedy films and television series. It is worth noting that such a study is relevant in Russian discourse, since in the Western scientific literature of the last decade there have been separate interdisciplinary discussions about visualizations of mental pathologies in comedy films. For instance, the comedy film Me, Myself and Ir…
Reception of the Ragtime and the Grizzly Bear Dance in the Art of the Early 20th Century
In this article, the author analyses the reception of the grizzly bear dance in the visual culture of the early 20th century. Such a study is relevant in the Russian discourse, since in recent years, there have been separate works on the reception of dance and music cultures in visual culture. In the grizzly bear dance, several characteristic trends of the early 20th century of the USA and Europe merged: fascination with the primitive, a desire t…
Audiovisual Analysis of Insanity and Liminality in Video Art of the Second Half of the XXTH Century
This article is devoted to the analysis of ways of audiovisual representation of insanity and liminality in video art of the second half of the twentieth century. The problems of the embodiment of the constructs of insanity and normality, the representation of psychological trauma, the effect of detachment in the art of video on the example of the work of Sam-Taylor Wood, Tina Keane, Bruce Nauman and Bill Viola are touched upon. The authors analy…
“Hysterical” Mechanisms and Bodies in Max Ernst’s Collages of the 1920s and 1930s
The purpose of this article is to analyze the influence of the hysterical discourse on Max Ernst’s artworks of the 1920s and 1930s. The main source material for his collages was medical illustrations, which he analyzed and subsequently “appropriated” for his own artworks. Given this, various aberrations occur: borrowed sources and their meanings are not always clear, which poses a problem in the study of the presented corpus of artworks. The rele…
Visual Representations of Psychopathologies
The article is devoted to a retrospective analysis of the causes of the appearance of representations of mental diseases in the visual field and the problems of visualization of pathologies on the example of cases and artworks of the XVIIIth and XIXth centuries. The problems and points of interaction between art and psychiatry are touched upon, the reasons for the appearance of psychiatric illustration, the commonwealth of psychiatry and photogra…
“Hysterical” Bodies in Contemporary Art of Estonia
After 1991, the proclaimed Second Republic of Estonia restores individual freedoms, which leads to the problems of individualism, personal borders, transgressive behavior, identity, equality and corporeality in Estonian art after the 1990s. In this article, the author will examine the works of key Estonian contemporary artists who address the problems of identity crisis and “split personality”, which are so characteristic of modern Estonia, where…
The Feminization of Mental Disorders
This article analyzes the formation of visualization of hysterical insanity in art on the example of the canvas by Pierre-Andre Brouillet A Clinical Lesson at the Salpêtrière. Considering the long practice of feminization of insanity, we can conclude that Brouillet captured the phenomenon of the “Charcot regime”, exposing its discussion fields. By fixing the female pathological body in a certain place, he demonstrated two discursive tricks: how p…
Mapping “The Great Neurosis” of the Second Half of the Xixth Century in Felicien Rops's Artworks
(1833-1898) . , . : "Homo sum et nihil mulierum a me alienum est" ( ) ( : [, 2005, . 81]). , , : -mnage trois ( ). . , sexus sequior ( ) , XIX
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Mapping “The Great Neurosis” of the Second Half of the Xixth Century in Felicien Rops's Artworks
(1833-1898) . , . : "Homo sum et nihil mulierum a me alienum est" ( ) ( : [, 2005, . 81]). , , : -mnage trois ( ). . , sexus sequior ( ) , XIX
Visual Representations of Psychopathologies
The article is devoted to a retrospective analysis of the causes of the appearance of representations of mental diseases in the visual field and the problems of visualization of pathologies on the example of cases and artworks of the XVIIIth and XIXth centuries. The problems and points of interaction between art and psychiatry are touched upon, the reasons for the appearance of psychiatric illustration, the commonwealth of psychiatry and photogra…
“Hysterical” Bodies in Contemporary Art of Estonia
After 1991, the proclaimed Second Republic of Estonia restores individual freedoms, which leads to the problems of individualism, personal borders, transgressive behavior, identity, equality and corporeality in Estonian art after the 1990s. In this article, the author will examine the works of key Estonian contemporary artists who address the problems of identity crisis and “split personality”, which are so characteristic of modern Estonia, where…
The Feminization of Mental Disorders
This article analyzes the formation of visualization of hysterical insanity in art on the example of the canvas by Pierre-Andre Brouillet A Clinical Lesson at the Salpêtrière. Considering the long practice of feminization of insanity, we can conclude that Brouillet captured the phenomenon of the “Charcot regime”, exposing its discussion fields. By fixing the female pathological body in a certain place, he demonstrated two discursive tricks: how p…
Audiovisual Analysis of Insanity and Liminality in Video Art of the Second Half of the XXTH Century
This article is devoted to the analysis of ways of audiovisual representation of insanity and liminality in video art of the second half of the twentieth century. The problems of the embodiment of the constructs of insanity and normality, the representation of psychological trauma, the effect of detachment in the art of video on the example of the work of Sam-Taylor Wood, Tina Keane, Bruce Nauman and Bill Viola are touched upon. The authors analy…
“Hysterical” Mechanisms and Bodies in Max Ernst’s Collages of the 1920s and 1930s
The purpose of this article is to analyze the influence of the hysterical discourse on Max Ernst’s artworks of the 1920s and 1930s. The main source material for his collages was medical illustrations, which he analyzed and subsequently “appropriated” for his own artworks. Given this, various aberrations occur: borrowed sources and their meanings are not always clear, which poses a problem in the study of the presented corpus of artworks. The rele…
Development of the Iconography of the Mesmeric Seance in French Art of the Late 19th Century
В конце XIX в. во Франции появляется большое количество критических и теоретических текстов по искусству, в основу которых была положена паранаучная теория месмеризм: так, в журнале «Новая иконография Сальпетриер», посвящённом репрезентациям патологий в искусстве, медики написали цикл искусствоведческих статей, посвященных гравюрам с месмерическим сеансом. В теоретической работе об истерии Поль Рише и Анри Меж сформулировали идею проформ, которая…
Representation of Madness in Comedy Films and Television Series
This article is devoted to analysing humorous strategies and concepts of mental illness representation in contemporary comedy films and television series. It is worth noting that such a study is relevant in Russian discourse, since in the Western scientific literature of the last decade there have been separate interdisciplinary discussions about visualizations of mental pathologies in comedy films. For instance, the comedy film Me, Myself and Ir…
Reception of the Ragtime and the Grizzly Bear Dance in the Art of the Early 20th Century
In this article, the author analyses the reception of the grizzly bear dance in the visual culture of the early 20th century. Such a study is relevant in the Russian discourse, since in recent years, there have been separate works on the reception of dance and music cultures in visual culture. In the grizzly bear dance, several characteristic trends of the early 20th century of the USA and Europe merged: fascination with the primitive, a desire t…
Life in a Café-concert
The article is part of ascientific project dedicated to the study of the reception of musical practices in visual culture. The article analyzes the book by the French composer and performer of café-concerts Eloi Ouvrard (1855–1938) Life in a Café-concert: A Study of Manners written in 1894 to reveal the hypothesis of the connection between the musical accompaniment of caféconcert numbers and the role of artists. The analysis of this book made it …
Interpretation of Persian Motifs in the Artworks of William de Morgan
This article discusses the role of William de Morgan (1839–1917) in the development of the 19th-century English ceramic art, with a particular focus on his use of Persian motifs. To further explore this topic, the author characterizes the significance of Persian art in in the museum collections of Victorian England, as well as the concept of ‘Persian style’ and how it was interpreted by the contemporaries of the English ceramist. Additionally, th…
Art (10 works) · Aesthetics (7 works) · Psychology (6 works) · Visual arts (5 works) · Psychoanalysis (4 works) · Art history (3 works) · History (3 works) · Law (3 works) · Literature (3 works) · Philosophy (3 works)