E M Petrushanskaya
Biographic Data
| ID | 9972717 |
|---|---|
| NAME | E M Petrushanskaya |
| GIVEN NAMES | E M |
| FAMILY NAME | Petrushanskaya |
| SIGNATURE | PETRUSHANSKAYA E M |
| AFFILIATIONS | Institute of Art History |
| ORCID | 0000-0001-7404-2201 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The Concept of Document in Art. Documentality, Authenticity, Truth
We continue the tradition of the journal to publish collective articles on complex concepts that are relevant to art and can be considered at the intersection of art criticism, culture studies, and aesthetics. The article analyses the problem of understanding document and documentality in screen arts, photography, theatre, and music. Individual chapters develop the theses that were the subject of a large roundtable discussion held at the State In…
Clusters of Mythological Traces in Contemporary Women’s Art
The subject of the study is a number of works of the first quarter of the 21st century created by Russian women — composers and writers. The structure and content of the works under study reveal the important trends for modern culture related to “feminine optics”, which justifies the relevance of research. The novelty of the research lies in revising the previous approaches to women’s creativity and introducing a new term for a previously unexplo…
The Epoch’ Tendencies in Marius Petipa’ Last Ballet The Magic Mirror
Based on well-known and research materials about the creation, preparation, premiere and perception of The Magic Mirror ballet (choreography by M. Petipa, music by A. Koreshchenko, 1903), a culturalogical perspective of this phenomenon is proposed. This perspective is also applied to many components of the synthetic whole — music, scenography. As well as for the analysis of significant trends in changes in ballet toposes and their interpretations…
No prominent works on this page.
The Epoch’ Tendencies in Marius Petipa’ Last Ballet The Magic Mirror
Based on well-known and research materials about the creation, preparation, premiere and perception of The Magic Mirror ballet (choreography by M. Petipa, music by A. Koreshchenko, 1903), a culturalogical perspective of this phenomenon is proposed. This perspective is also applied to many components of the synthetic whole — music, scenography. As well as for the analysis of significant trends in changes in ballet toposes and their interpretations…
Clusters of Mythological Traces in Contemporary Women’s Art
The subject of the study is a number of works of the first quarter of the 21st century created by Russian women — composers and writers. The structure and content of the works under study reveal the important trends for modern culture related to “feminine optics”, which justifies the relevance of research. The novelty of the research lies in revising the previous approaches to women’s creativity and introducing a new term for a previously unexplo…
The Concept of Document in Art. Documentality, Authenticity, Truth
We continue the tradition of the journal to publish collective articles on complex concepts that are relevant to art and can be considered at the intersection of art criticism, culture studies, and aesthetics. The article analyses the problem of understanding document and documentality in screen arts, photography, theatre, and music. Individual chapters develop the theses that were the subject of a large roundtable discussion held at the State In…
Art (2 works) · Literature (2 works) · Opera (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Art history (1 work) · Astronomy (1 work) · Ballet (1 work) · Choreography (1 work) · Cinema and Media Studies (1 work)