N N Bragina
Biographic Data
| ID | 9972739 |
|---|---|
| NAME | N N Bragina |
| GIVEN NAMES | N N |
| FAMILY NAME | Bragina |
| SIGNATURE | BRAGINA N N |
| AFFILIATIONS | Nizhny Novgorod State Conservatory named after M.I. Glinka |
| ORCID | 0000-0002-5042-4587 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 0 |
The Dialogue of Art and Philosophy in Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei
The article is based on the analysis of two Renaissance works of art: Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei, which illustrate how works of art reflect the philosophy of the epoch. The author of the article draws a parallel between the nature of secular and religious Renaissance art and reveals their traditional and innovative features. The relevance of the research is due to the increased interest in the interdisciplinary scientif…
The Marriage of Balzaminov by A. Ostrovsky
In the article the dramatic composition of A. Ostrovsky’s comedy Holiday Dream Before Dinner is investigated with the method used in the analysis of musical texts. The general structure of the work is defined as an analog of the monothematic sonata form. The basis of monothema- tism is the theme of dream. The dream is the thematic core of the play. It absorbs all the motives and images that are consistently revealed in the play. So, the first the…
No prominent works on this page.
The Marriage of Balzaminov by A. Ostrovsky
In the article the dramatic composition of A. Ostrovsky’s comedy Holiday Dream Before Dinner is investigated with the method used in the analysis of musical texts. The general structure of the work is defined as an analog of the monothematic sonata form. The basis of monothema- tism is the theme of dream. The dream is the thematic core of the play. It absorbs all the motives and images that are consistently revealed in the play. So, the first the…
The Dialogue of Art and Philosophy in Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei
The article is based on the analysis of two Renaissance works of art: Masaccio’s Holy Trinity and G. Palestrina’s Agnus Dei, which illustrate how works of art reflect the philosophy of the epoch. The author of the article draws a parallel between the nature of secular and religious Renaissance art and reveals their traditional and innovative features. The relevance of the research is due to the increased interest in the interdisciplinary scientif…
Art (2 works) · Linguistics (2 works) · Literature (2 works) · Philosophy (2 works) · Aesthetics (1 work) · Art history (1 work) · Auditory imagery (1 work) · Computer Science (1 work) · Contemplation (1 work) · Dramaturgy (1 work)