E A Lazareva
Biographic Data
| ID | 9972826 |
|---|---|
| NAME | E A Lazareva |
| GIVEN NAMES | E A |
| FAMILY NAME | Lazareva |
| SIGNATURE | LAZAREVA E A |
| AFFILIATIONS | Russian State University for the Humanities |
| ORCID | 0009-0000-7871-7464 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Reception of the Avant-garde in Russian Contemporary Art of the 1980s and 1990s
The article examines the reception of the Russian avant-garde art of the 1910s and 1920s in Soviet non-official art and early post-Soviet art of the 1980s and 1990s, the period when the Russian avant-garde art was widely discovered, followed and/or challenged, primarily focusing on the Moscow art scene. The author attempts to trace the changing in time transformation of the attitude towards the avant-garde represented by several generations of ar…
Moscow Conceptualism in a Monologue with the Avant-garde
This article is the first to explore the relationship of Moscow conceptual artists with the creative and moral legacy of the Russian avant-garde of the 1910s-1920s. In the 1960s, the previous generation of Soviet non-official artists resonated with the avant-garde legacy upon getting acquainted with it and attempted to continue the tradition seen precisely as a formal experiment. Meanwhile, the Moscow conceptualist circle recognized Russian avant…
No prominent works on this page.
Moscow Conceptualism in a Monologue with the Avant-garde
This article is the first to explore the relationship of Moscow conceptual artists with the creative and moral legacy of the Russian avant-garde of the 1910s-1920s. In the 1960s, the previous generation of Soviet non-official artists resonated with the avant-garde legacy upon getting acquainted with it and attempted to continue the tradition seen precisely as a formal experiment. Meanwhile, the Moscow conceptualist circle recognized Russian avant…
Reception of the Avant-garde in Russian Contemporary Art of the 1980s and 1990s
The article examines the reception of the Russian avant-garde art of the 1910s and 1920s in Soviet non-official art and early post-Soviet art of the 1980s and 1990s, the period when the Russian avant-garde art was widely discovered, followed and/or challenged, primarily focusing on the Moscow art scene. The author attempts to trace the changing in time transformation of the attitude towards the avant-garde represented by several generations of ar…
Aesthetics (1 work) · Art (1 work) · Art criticism (1 work) · Art history (1 work) · Art, Politics, and Modernism (1 work) · Avant garde (1 work) · Communism (1 work) · Conceptualism (1 work) · Contemporary art (1 work) · Criticism (1 work)