O A Platonova
Biographic Data
| ID | 9972842 |
|---|---|
| NAME | O A Platonova |
| GIVEN NAMES | O A |
| FAMILY NAME | Platonova |
| SIGNATURE | PLATONOVA O A |
| ORCID | 0000-0002-0826-7709 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2023 |
| H-INDEX | 0 |
What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem
The article is devoted to analysing the stylistic dialogue in the music of Michel Legrand to three films by Jacques Demy: The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), and Donkeyskin (1971) created in the genre of “comédie musicale” (musical comedy, musical). In the first part of the article the author examines the French sources of the American musical (from the comedy-ballet Le Bourgeois Gentilhomme by Moliere and Lull…
Electroacoustic Experiments of the Art Zoyd and Their Implementation in Soundtracks for Silent Films
The article is devoted to the work of Art Zoyd, a French group whose experimental style is often defined by modern researchers as “la musique nouvelle” (from the French — “new music”) and is viewed through the prism of the genre-style dialogue between rock and contemporary academic music. The idea of “metamusic”, expressed in the co-creation of several composers, as well as in the unity of visual, plastic, and musical components, is also importan…
No prominent works on this page.
Electroacoustic Experiments of the Art Zoyd and Their Implementation in Soundtracks for Silent Films
The article is devoted to the work of Art Zoyd, a French group whose experimental style is often defined by modern researchers as “la musique nouvelle” (from the French — “new music”) and is viewed through the prism of the genre-style dialogue between rock and contemporary academic music. The idea of “metamusic”, expressed in the co-creation of several composers, as well as in the unity of visual, plastic, and musical components, is also importan…
What Language Does the French “Musical Comedy” Speak? On Some Stylistic Experiments of the Legrand — Demy Tandem
The article is devoted to analysing the stylistic dialogue in the music of Michel Legrand to three films by Jacques Demy: The Umbrellas of Cherbourg (1964), The Young Girls of Rochefort (1967), and Donkeyskin (1971) created in the genre of “comédie musicale” (musical comedy, musical). In the first part of the article the author examines the French sources of the American musical (from the comedy-ballet Le Bourgeois Gentilhomme by Moliere and Lull…
Art (2 works) · Art history (2 works) · Literature (2 works) · Musical (2 works) · Visual arts (2 works) · Aesthetics (1 work) · Baroque (1 work) · Comedy (1 work) · Electroacoustic music (1 work) · Historical Studies and Socio-cultural Analysis (1 work)