Artem Perchyk
Biographic Data
| ID | 9972900 |
|---|---|
| NAME | Artem Perchyk |
| GIVEN NAMES | Artem |
| FAMILY NAME | Perchyk |
| SIGNATURE | PERCHYK A |
| AFFILIATIONS | V. N. Karazin Kharkiv National University |
| ORCID | 0009-0002-4917-7846 |
| VERIFIED | Yes |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
"I Am Here. Who Are You?"
This article proposes, for the first time, a philosophical reading of the film «In Bruges» through the lens of the «digital refusal» concept. In contrast to traditional interpretations focusing on the crime plot or existential motives, this research unveils a unique metaphysical dimension of the film, where the medieval city of Bruges emerges as a fully-fledged philosophical subject resisting the algorithmic logic of modernity. The innovative app…
Digital Modern
The article offers a philosophical reflection on the digital reality, digital urbanism, and digital humanities, posing fundamental questions about the nature of these phenomena and their potential risks. Shedding light on aspects of digital urbanism, researchers explore how technological transformations impact the structure, organization, and transformation of living spaces. In the context of digital humanities, the influence of new technologies …
No prominent works on this page.
Digital Modern
The article offers a philosophical reflection on the digital reality, digital urbanism, and digital humanities, posing fundamental questions about the nature of these phenomena and their potential risks. Shedding light on aspects of digital urbanism, researchers explore how technological transformations impact the structure, organization, and transformation of living spaces. In the context of digital humanities, the influence of new technologies …
"I Am Here. Who Are You?"
This article proposes, for the first time, a philosophical reading of the film «In Bruges» through the lens of the «digital refusal» concept. In contrast to traditional interpretations focusing on the crime plot or existential motives, this research unveils a unique metaphysical dimension of the film, where the medieval city of Bruges emerges as a fully-fledged philosophical subject resisting the algorithmic logic of modernity. The innovative app…
3D Surveying and Cultural Heritage (1 work) · Architecture (1 work) · Architecture and Computational Design (1 work) · Art (1 work) · Cinema and Media Studies (1 work) · Contradiction (1 work) · Cybernetics and Technology in Society (1 work) · Digital Games and Media (1 work) · Digital humanities (1 work) · Epistemology (1 work)