Anton Alekseenko
Biographic Data
| ID | 9972925 |
|---|---|
| NAME | Anton Alekseenko |
| GIVEN NAMES | Anton |
| FAMILY NAME | Alekseenko |
| SIGNATURE | ALEKSEENKO A |
| AFFILIATIONS | V. N. Karazin Kharkiv National University, Kharkiv, Ukraine |
| ORCID | 0009-0007-3295-182X |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2024 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Romanticism as the Theoretical Basis of Metamodernism
The article explores the relationship between Romanticism and metamodernism. The author examines how oscillation as a methodological approach allows for the integration of opposing ideas, forming a new type of aesthetic and philosophical sensibility. In this context, Romanticism appears not only as a historical artistic and philosophical movement but also as a system of thought with the potential for further development within the metamodernist p…
The Ambivalence of Play
This article examines the philosophical and cultural understanding of play with an emphasis on her ambivalent nature and dual modes of expression. Central is the distinction between paidia and ludus – spontaneous, creative playfulness versus structured, institutionalized play. In history of philosophy context drawing on classical works by Roger Caillois and Johan Huizinga key characteristics of games, such as freedom, limitation, uncertainty of o…
Guy Debord’s Derive as an Emancipatory Game
This article examines the concept of Guy Debord's "dérive" as both a playful practice and a concept. The tendency toward post-postmodernism is defined as a direct turn to the individual, reinterpreting sincerity, irony, and emotionality. This is a reaction to the postmodern anti-humanism, most fully embodied in the philosophy of poststructuralism. The new era obliges us to revisit old authors to understand itself. The article systematically argue…
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Guy Debord’s Derive as an Emancipatory Game
This article examines the concept of Guy Debord's "dérive" as both a playful practice and a concept. The tendency toward post-postmodernism is defined as a direct turn to the individual, reinterpreting sincerity, irony, and emotionality. This is a reaction to the postmodern anti-humanism, most fully embodied in the philosophy of poststructuralism. The new era obliges us to revisit old authors to understand itself. The article systematically argue…
Romanticism as the Theoretical Basis of Metamodernism
The article explores the relationship between Romanticism and metamodernism. The author examines how oscillation as a methodological approach allows for the integration of opposing ideas, forming a new type of aesthetic and philosophical sensibility. In this context, Romanticism appears not only as a historical artistic and philosophical movement but also as a system of thought with the potential for further development within the metamodernist p…
The Ambivalence of Play
This article examines the philosophical and cultural understanding of play with an emphasis on her ambivalent nature and dual modes of expression. Central is the distinction between paidia and ludus – spontaneous, creative playfulness versus structured, institutionalized play. In history of philosophy context drawing on classical works by Roger Caillois and Johan Huizinga key characteristics of games, such as freedom, limitation, uncertainty of o…
Aesthetics (1 work) · Ambivalence (1 work) · Art (1 work) · Digital Games and Media (1 work) · Discourse Analysis and Cultural Communication (1 work) · Doping in Sports (1 work) · Epistemology (1 work) · French Literature and Criticism (1 work) · Irony (1 work) · Perception (1 work)