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Clayton Koelb

Biographic Data

ID997622
NAMEClayton Koelb
GIVEN NAMESClayton
FAMILY NAMEKoelb
SIGNATUREKOELB C
AFFILIATIONSUniversity of Chicago
VERIFIEDNo
TOTAL WORKS20
TOTAL CITATIONS0
AUTHOR COUNT20
EDITOR COUNT0
FIRST PUBLICATION YEAR1977
LATEST PUBLICATION YEAR2000
H-INDEX0
  • Legendary Figures: Ancient History in Modern Novels

    Theodore Ziolkowski, Clayton Koelb•ARTICLE•The German Quarterly•2000

    Koelb, Clayton. Legendary Figures: Ancient History Modern Novels. Lincoln: U of Nebraska P 1998. viii + 186 pp. $40.00. Clayton Koelb's new book consists of series of stimulating, albeit loosely related on Gustave Flaubert's Salammbo, Walter Pater's Marius the Epicurean, Thomas Mann's Joseph tetralogy, Hermann Broch's The Death of Virgil, Thornton Wilder's The Ides of March, Marguerite Yourcenar's Memoirs of Hadrian, and Christa Wolf's Cassandra.…

  • Legendary Figures: Ancient History in Modern Novels

    William Cloonan, Clayton Koelb•ARTICLE•South Atlantic Review•2000

    Legendary Figures examines revolutionary views of the past that have played a crucial role in European and American literature of the last 150 years. Clayton Koelb traces these new approaches to history through an impressive range of novels, from Flaubert's Salammbo to Christa Wolf's Cassandra. Koelb argues that this new sense, which arose in the mid-nineteenth century, gained eloquent expression in Flaubert's writings. What is crucial about the …

  • Politics, Death, and the Devil: Self and Power in Max Weber and Thomas Mann. Harvey Goldman

    Clayton Koelb•ARTICLE•The Journal of Religion•1994

  • The Humming Tree: A Study in the History of Mentalities. Norman Simms

    Clayton Koelb•ARTICLE•The Journal of Religion•1994

  • Kafka's Rhetoric: The Passion of Reading

    Steve Dowden, Clayton Koelb•ARTICLE•The German Quarterly•1991

  • Uncommon Cultures: Popular Culture and Post-Modernism

    Gregory L Ulmer, Jim Collins et al.•ARTICLE•SubStance•1991

  • Kafka's Rhetoric: The Passion of Reading

    GORDON PATTERSON, Clayton Koelb•ARTICLE•German Studies Review•1990

  • The Language of a Master: Theories of Style and the Late Writing of Henry James

    David W Smit, David Smit et al.•ARTICLE•Poetics Today•1990

  • The Comparative Perspective on Literature: Approaches to Theory and Practice

    Clayton Koelb, Susan Noake et al.•ARTICLE•Poetics Today•1990

  • Inventions of Reading: Rhetoric and the Literary Imagination

    Steven R Huff, Clayton Koelb•ARTICLE•German Studies Review•1989

  • Inventions of Reading: Rhetoric and the Literary Imagination

    Shaun Irlam, Clayton Koelb•ARTICLE•Modern Language Notes•1989

  • Critique of Cynical Reason. Peter Sloterdijk , Michael Eldred

    Clayton Koelb•ARTICLE•The Journal of Religion•1989

  • Kafka: Judaism, Politics, and Literature. Ritchie Robertson

    Clayton Koelb•ARTICLE•The Journal of Religion•1989

  • Thomas Mann's "Goethe and Tolstoy": Notes and Sources

    Karin A Wurst, Clayton Koelb et al.•ARTICLE•German Studies Review•1985

  • Adorno, Proust, Beckett: Zur Aktualisierung einer alternden Theorie

    Clayton Koelb, Hans-Martin Moller•ARTICLE•The German Quarterly•1984

  • The Language of Presence in Varley’s “The Persistence of Vision”

    Clayton Koelb•ARTICLE•Science Fiction Studies•1984

    John Varley’s “The Persistence of Vision” proposes a linguistic utopia in which ordinary speech, which is composed of signs inevitably possessing an element of distance and “absence,” is replaced by a language (or set of languages) in which the process of signification is set aside in favor of the direct “reading” of the world. Since Varley is fully aware that such a language of presence is incompatible with the structure of the world we live in,…

  • Fictions of the Self: 1550-1800

    Clayton Koelb, Arnold Weinstein•ARTICLE•The German Quarterly•1983

  • Nietzsche, Malerba, and the Aesthetics of Superficiality

    Clayton Koelb•ARTICLE•boundary 2•1983

    Luigi Malerba's book Diario di un sognatore (Diary of a Dreamer)' purports to provide in the main body of the text transcriptions of one year's worth of the author's dreams2 and in its prologue an attempt to reformulate the theory of dreams in nonFreudian or indeed anti-Freudian terms. This attempt is of considerable interest, not only or most importantly for its attack on Freud, but for the theory of reading and indeed the theory of art which un…

  • "In der Strafkolonie": Kafka and the Scene of Reading

    Clayton Koelb•ARTICLE•The German Quarterly•1982

    The fabulous execution machine that is the center of attention Kafka's der Strafkolonie stands in [einem] tiefen, sandigen, von kahlen Abhangen ringsum abgeschlossenen Tal.' At the time represented by the narration, this natural theater is almost empty: no one is there except the principal performers themselves, the officer, the traveller, the condemned prisoner, and the soldier charge of the prisoner. But such performances as the one about to ta…

  • Mann, Hoffmann, and “Callot's Manner”

    Clayton Koelb•ARTICLE•The Germanic Review Literature…•1977

    Le recit court de T. Mann, Der Kleiderschrank (sous-titre eine Geschichte voller Ratsel = une histoire enigmatique) est redevable de beaucoup au recit de E.T.A. Hoffmann: Don Juan et a la technique narrative que H. lui-meme designe par la maniere Callot. Parallele des deux recits

No prominent works on this page.

  • Mann, Hoffmann, and “Callot's Manner”

    Clayton Koelb•ARTICLE•The Germanic Review Literature…•1977

    Le recit court de T. Mann, Der Kleiderschrank (sous-titre eine Geschichte voller Ratsel = une histoire enigmatique) est redevable de beaucoup au recit de E.T.A. Hoffmann: Don Juan et a la technique narrative que H. lui-meme designe par la maniere Callot. Parallele des deux recits

  • "In der Strafkolonie": Kafka and the Scene of Reading

    Clayton Koelb•ARTICLE•The German Quarterly•1982

    The fabulous execution machine that is the center of attention Kafka's der Strafkolonie stands in [einem] tiefen, sandigen, von kahlen Abhangen ringsum abgeschlossenen Tal.' At the time represented by the narration, this natural theater is almost empty: no one is there except the principal performers themselves, the officer, the traveller, the condemned prisoner, and the soldier charge of the prisoner. But such performances as the one about to ta…

  • Fictions of the Self: 1550-1800

    Clayton Koelb, Arnold Weinstein•ARTICLE•The German Quarterly•1983

  • Nietzsche, Malerba, and the Aesthetics of Superficiality

    Clayton Koelb•ARTICLE•boundary 2•1983

    Luigi Malerba's book Diario di un sognatore (Diary of a Dreamer)' purports to provide in the main body of the text transcriptions of one year's worth of the author's dreams2 and in its prologue an attempt to reformulate the theory of dreams in nonFreudian or indeed anti-Freudian terms. This attempt is of considerable interest, not only or most importantly for its attack on Freud, but for the theory of reading and indeed the theory of art which un…

  • Adorno, Proust, Beckett: Zur Aktualisierung einer alternden Theorie

    Clayton Koelb, Hans-Martin Moller•ARTICLE•The German Quarterly•1984

  • The Language of Presence in Varley’s “The Persistence of Vision”

    Clayton Koelb•ARTICLE•Science Fiction Studies•1984

    John Varley’s “The Persistence of Vision” proposes a linguistic utopia in which ordinary speech, which is composed of signs inevitably possessing an element of distance and “absence,” is replaced by a language (or set of languages) in which the process of signification is set aside in favor of the direct “reading” of the world. Since Varley is fully aware that such a language of presence is incompatible with the structure of the world we live in,…

  • Thomas Mann's "Goethe and Tolstoy": Notes and Sources

    Karin A Wurst, Clayton Koelb et al.•ARTICLE•German Studies Review•1985

  • Inventions of Reading: Rhetoric and the Literary Imagination

    Steven R Huff, Clayton Koelb•ARTICLE•German Studies Review•1989

  • Inventions of Reading: Rhetoric and the Literary Imagination

    Shaun Irlam, Clayton Koelb•ARTICLE•Modern Language Notes•1989

  • Critique of Cynical Reason. Peter Sloterdijk , Michael Eldred

    Clayton Koelb•ARTICLE•The Journal of Religion•1989

  • Kafka: Judaism, Politics, and Literature. Ritchie Robertson

    Clayton Koelb•ARTICLE•The Journal of Religion•1989

  • Kafka's Rhetoric: The Passion of Reading

    GORDON PATTERSON, Clayton Koelb•ARTICLE•German Studies Review•1990

  • The Language of a Master: Theories of Style and the Late Writing of Henry James

    David W Smit, David Smit et al.•ARTICLE•Poetics Today•1990

  • The Comparative Perspective on Literature: Approaches to Theory and Practice

    Clayton Koelb, Susan Noake et al.•ARTICLE•Poetics Today•1990

  • Kafka's Rhetoric: The Passion of Reading

    Steve Dowden, Clayton Koelb•ARTICLE•The German Quarterly•1991

  • Uncommon Cultures: Popular Culture and Post-Modernism

    Gregory L Ulmer, Jim Collins et al.•ARTICLE•SubStance•1991

  • Politics, Death, and the Devil: Self and Power in Max Weber and Thomas Mann. Harvey Goldman

    Clayton Koelb•ARTICLE•The Journal of Religion•1994

  • The Humming Tree: A Study in the History of Mentalities. Norman Simms

    Clayton Koelb•ARTICLE•The Journal of Religion•1994

  • Legendary Figures: Ancient History in Modern Novels

    Theodore Ziolkowski, Clayton Koelb•ARTICLE•The German Quarterly•2000

    Koelb, Clayton. Legendary Figures: Ancient History Modern Novels. Lincoln: U of Nebraska P 1998. viii + 186 pp. $40.00. Clayton Koelb's new book consists of series of stimulating, albeit loosely related on Gustave Flaubert's Salammbo, Walter Pater's Marius the Epicurean, Thomas Mann's Joseph tetralogy, Hermann Broch's The Death of Virgil, Thornton Wilder's The Ides of March, Marguerite Yourcenar's Memoirs of Hadrian, and Christa Wolf's Cassandra.…

  • Legendary Figures: Ancient History in Modern Novels

    William Cloonan, Clayton Koelb•ARTICLE•South Atlantic Review•2000

    Legendary Figures examines revolutionary views of the past that have played a crucial role in European and American literature of the last 150 years. Clayton Koelb traces these new approaches to history through an impressive range of novels, from Flaubert's Salammbo to Christa Wolf's Cassandra. Koelb argues that this new sense, which arose in the mid-nineteenth century, gained eloquent expression in Flaubert's writings. What is crucial about the …

Philosophy (14 works) · Art (13 works) · Literature (9 works) · History (7 works) · Linguistics (6 works) · Aesthetics (5 works) · Philosophy (5 works) · Psychology (5 works) · German Literature and Culture Studies (4 works) · Rhetoric (4 works)

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