Donald Preziosi
Biographic Data
| ID | 99809 |
|---|---|
| NAME | Donald Preziosi |
| GIVEN NAMES | Donald |
| FAMILY NAME | Preziosi |
| SIGNATURE | PREZIOSI D |
| AFFILIATIONS | University of Oxford |
| VERIFIED | No |
| TOTAL WORKS | 12 |
| TOTAL CITATIONS | 39 |
| AUTHOR COUNT | 11 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1983 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 2 |
Thinking Utopia: Steps into Other Worlds
After the breakdown of socialist and communist systems in the East, it had become fashionable to declare the so-called "end of utopia" ("end of history," "end of narratives"). The authors of this volume do not share this view but think that it is time to rehabilitate utopian thought. The political concept of Utopia that has given its name to these transcendental projections onto the world has been too narrow to describe and analyze the moving for…
Grasping the World: The Idea of the Museum
Poetry Makes Nothing Happen and Architecture Is When Theory Is the Residue of a Journey
What is fabricated or made to exist calls attention to what is not made and is non-existent, thereby bringing to consciousness the relativity of both what is perceived and the means of perceiving and making as well as the fiction or artifice of facticity
Preface — Culture/cohesion/compulsion: Museological artifice and its dilemmas
The building of the nation is of necessity accompanied by the discovery and encouragement of universalizing valuesIt is at the heart of national consciousness that international consciousness lives and grows
Art, land, and the gendering of Parnassus
Is a landscape (whether “sacred” or not) gendered? Do artifacts — or for that matter built environments as such — mark, gender or even “queer” a landscape? Are there “male,” “female,” or gender-ambivalent forms or spaces? This article reflects on the evidence for the gradual transformation, over several centuries and culminating in the classical period of art and architecture, of the ancient sanctuary of Delphi from being a site devoted primarily…
Visual Culture, Transvestiture and Political Catastrophe(Or, So Is Art Queer, Then?)
This article addresses the problem of the denial of the impossibility of representation that is the foundational support of ‘art history’ and ‘visual culture’ studies through the trope of ‘queering’, appropriated (albeit in some cases precipitously essentialized) in recent gay andlesbian studies, and emblematic there of a broader irresolvable ambivalence in cultural studies toward the entailment of people with their object-worlds, their stuff. It…
The Museum of What You Shall Have Been
Art, Art History, and Museology
Rethinking Art History: Meditations on a Coy Science
The Question of Art History
Putting Up (With) Meaning
Journal Article Putting Up (With) Meaning Get access DONALD PREZIOSI DONALD PREZIOSI Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 13, Issue 2, 1990, Pages 121–125, https://doi.org/10.1093/oxartj/13.2.121 Published: 01 December 1990
Minoan Architectural Design: Formation and Signification
Minoan Architectural Design: Formation and Signification
Putting Up (With) Meaning
Journal Article Putting Up (With) Meaning Get access DONALD PREZIOSI DONALD PREZIOSI Search for other works by this author on: Oxford Academic Google Scholar Oxford Art Journal, Volume 13, Issue 2, 1990, Pages 121–125, https://doi.org/10.1093/oxartj/13.2.121 Published: 01 December 1990
Rethinking Art History: Meditations on a Coy Science
The Question of Art History
Art, Art History, and Museology
The Museum of What You Shall Have Been
Visual Culture, Transvestiture and Political Catastrophe(Or, So Is Art Queer, Then?)
This article addresses the problem of the denial of the impossibility of representation that is the foundational support of ‘art history’ and ‘visual culture’ studies through the trope of ‘queering’, appropriated (albeit in some cases precipitously essentialized) in recent gay andlesbian studies, and emblematic there of a broader irresolvable ambivalence in cultural studies toward the entailment of people with their object-worlds, their stuff. It…
Preface — Culture/cohesion/compulsion: Museological artifice and its dilemmas
The building of the nation is of necessity accompanied by the discovery and encouragement of universalizing valuesIt is at the heart of national consciousness that international consciousness lives and grows
Art, land, and the gendering of Parnassus
Is a landscape (whether “sacred” or not) gendered? Do artifacts — or for that matter built environments as such — mark, gender or even “queer” a landscape? Are there “male,” “female,” or gender-ambivalent forms or spaces? This article reflects on the evidence for the gradual transformation, over several centuries and culminating in the classical period of art and architecture, of the ancient sanctuary of Delphi from being a site devoted primarily…
Poetry Makes Nothing Happen and Architecture Is When Theory Is the Residue of a Journey
What is fabricated or made to exist calls attention to what is not made and is non-existent, thereby bringing to consciousness the relativity of both what is perceived and the means of perceiving and making as well as the fiction or artifice of facticity
Grasping the World: The Idea of the Museum
Thinking Utopia: Steps into Other Worlds
After the breakdown of socialist and communist systems in the East, it had become fashionable to declare the so-called "end of utopia" ("end of history," "end of narratives"). The authors of this volume do not share this view but think that it is time to rehabilitate utopian thought. The political concept of Utopia that has given its name to these transcendental projections onto the world has been too narrow to describe and analyze the moving for…
Art (10 works) · Aesthetics (7 works) · History (7 works) · Philosophy (7 works) · Literature (5 works) · Sociology (5 works) · Art history (4 works) · Epistemology (4 works) · Classical Antiquity Studies (3 works) · History (3 works)