Mbali Khoza
Biographic Data
| ID | 9986705 |
|---|---|
| NAME | Mbali Khoza |
| GIVEN NAMES | Mbali |
| FAMILY NAME | Khoza |
| SIGNATURE | KHOZA M |
| AFFILIATIONS | Rhodes University |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Being Differently Black
Difference has always been an interest of mine – the different gestures, methods and materials utilised by various post-colonial artists to question authorial identity and to “speak”. In my art practice these ideas are interrogated in relation to the question “What difference does it make who is speaking?”. This question is intended to expose the invisible mechanism of power that exists within authorship, raising questions such as who determines …
Seeing Blackness through Black Expressive Culture
This article examines visual and textual representation of blackness in contemporary black expressive culture. Its primary objective is to discern what blackness means and looks like when seen from the point of view of contemporary black expressive culture. To assess this, I first, briefly, analyze and interpret blackness. Second, I interrogate how contemporary black practitioners critique European ideas of blackness and mirror the complex multid…
No prominent works on this page.
Seeing Blackness through Black Expressive Culture
This article examines visual and textual representation of blackness in contemporary black expressive culture. Its primary objective is to discern what blackness means and looks like when seen from the point of view of contemporary black expressive culture. To assess this, I first, briefly, analyze and interpret blackness. Second, I interrogate how contemporary black practitioners critique European ideas of blackness and mirror the complex multid…
Being Differently Black
Difference has always been an interest of mine – the different gestures, methods and materials utilised by various post-colonial artists to question authorial identity and to “speak”. In my art practice these ideas are interrogated in relation to the question “What difference does it make who is speaking?”. This question is intended to expose the invisible mechanism of power that exists within authorship, raising questions such as who determines …
Aesthetics (1 work) · Art (1 work) · Cultural Identity and Representation (1 work) · Education Systems and Policy (1 work) · EXPOSE (1 work) · Gender Studies (1 work) · Linguistics (1 work) · Perception (1 work) · Philosophy (1 work) · Politics (1 work)