T Hugh Crawford
Dados Biográficos
| ID | 1001376 |
|---|---|
| NOME | T Hugh Crawford |
| PRENOMES | T Hugh |
| SOBRENOME | Crawford |
| ASSINATURA | CRAWFORD T H |
| AFILIAÇÕES | Georgia Institute of Technology |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 18 |
| TOTAL DE CITAÇÕES | 47 |
| TOTAL COMO AUTOR | 18 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1989 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2017 |
| ÍNDICE H | 2 |
In the vagueness of the low hum of insects in an August woodland
In the vagueness of the low hum of insects in an August woodland:Walking with Whitehead T. Hugh Crawford (bio) “Here then may be lived a life of the senses so pure, so untouched by any mode of apprehension but their own, that the body may be said to think.” —Nan Shepherd (105) Crossing a steep scree-field path demands concentration. The surface slips a little with each step and often, just a short way below, are large rocks or perhaps a cliff. Su…
Minor houses/minor architecture
Melville's Anatomies . Samuel Otter Herman Melville
Glowing Dishes
In an episode from the Andy Griffith Show, that embodiment of middle American agrarian utopic yearning, Aunt Bee is asked about other careers she might have followed. Looking out toward the horizon, she allows she would have studied chemistry, like that Madame Curie. Andy is startled. After all, Bee is the archetypal American homemaker, and chemistry and physics are fields that seem quite a distance from Meyers Lake, Floyd's Barber Shop, and the …
Conducting technologiesvirilio's and latour's philosophies of the present state
Captain Deleuze and the white whale
“Captain Deleuze and the White Whale: Melville, Moby‐Dick, and the Cartographic Inclination”; Herman Melville is usually viewed as one of the United States's darker, more brooding authors, but Deleuze, in his many scattered comments on him, finds a strikingly different figure. Clearly Deleuze feels a strong kinship with this 19th‐century writer, and he seems to find in Melville a perspective that is at some distance from the Melville currently co…
Networking the (Non) Human
Networking the (Non) Human: Moby-Dick, Matthew Fontaine Maury, and Bruno Latour T. Hugh Crawford (bio) There are as many theories of action as there are actors. Bruno Latour 1 Matthew Fontaine Maury—“the Pathfinder of the Seas”—begins the 1854 edition of Sailing Directions with a commonplace metaphor: The wind and rain; the vapor and the cloud; the tide, the current, the saltness and depth, and temperature and color of the sea; the shade of the s…
"The Errant Art of "Moby-Dick
Modernism, Medicine, and William Carlos Williams
The Spanish American Roots of William Carlos Williams
William Carlos Williams and Alterity
Many critics have noticed the paradoxes and contradictions in the work of William Carlos Williams, but few have analysed them in detail. Professor Ahearn argues that Williams criticism has not gone far enough in recognizing the uses Williams saw for contradiction. He contends that Williams began to acquire his own voice as a poet when he recognized that he could be a vehicle for contending voices. His reading departs from previous examinations of…
We Have Never Been Modern
Reviewed by: We Have Never Been Modern T. Hugh Crawford (bio) Bruno Latour, We Have Never Been Modern. Translated by Catherine Porter. Cambridge, Mass: Harvard University Press, 1993. 157 pp. $29.95. In “Postmodernism, or the Cultural Logic of Late Capitalism”—an essay that has become the touchstone for discussions of contemporary cultural periodization—Fredric Jameson argues that the “last few years have been marked by an inverted millenarianism…
Images of Authority, Strategies of Control
compares his first novel, Precaution, to The Spy_, concluding that the latter, unlike the former, is not a highly moral book. If morality is construed as that which is depicted in highly-mannered texts such as Precaution, Cooper's assessment of his own work is accurate. Yet a closer look at The Spy reveals his careful construction of a moral epistemology--one that participates in the post-revolution production of cultural consensus. In his Americ…
An Interview with Bruno Latour
An Interview with Bruno Latour T. Hugh Crawford (bio) Perhaps because he does not easily fit into traditional disciplinary categories, Bruno Latour's work has an uneven reputation in the United States. His early collaboration with Steve Woolgar, Laboratory Life, was the first significant laboratory field study-one that initiated a series of such studies and in many ways transformed the sociology of science-yet his work remains controversial withi…
William Carlos Williams and the Ethics of Painting
The Politics of Narrative Form
Φ-The Politics of Narrative Form T. Hugh Crawford "That whosoever professeth himself a physician, is straightwaies beleeved , say what he will: and yet to speake a truth, there are no lies dearer sold or more daungerous than those which proceed out of a Physician's mouth" -Pliny1 In a sense, the literature-and-medicine movement is the continuation of the nineteenth-century medical reformer's debate about whether medicine is a science or an art. E…
Cooper's Spy and the Theater of Honor
N a remarkable scene from James Fenimore Cooper's early novel The Spy, Peyton Dunwoodie-a major in the American revolutionary army-captures Wharton-a captain in the British army and brother of the woman Dunwoodie loves. The battle takes place in the Neutral Ground above New York City, and, because of the circumstances surrounding this action, Dunwoodie finds it necessary to keep his prisoner at the home of the British officer's father, a man with…
William Carlos Williams, The Arts, and Literary Tradition
An Interview with Bruno Latour
An Interview with Bruno Latour T. Hugh Crawford (bio) Perhaps because he does not easily fit into traditional disciplinary categories, Bruno Latour's work has an uneven reputation in the United States. His early collaboration with Steve Woolgar, Laboratory Life, was the first significant laboratory field study-one that initiated a series of such studies and in many ways transformed the sociology of science-yet his work remains controversial withi…
We Have Never Been Modern
Reviewed by: We Have Never Been Modern T. Hugh Crawford (bio) Bruno Latour, We Have Never Been Modern. Translated by Catherine Porter. Cambridge, Mass: Harvard University Press, 1993. 157 pp. $29.95. In “Postmodernism, or the Cultural Logic of Late Capitalism”—an essay that has become the touchstone for discussions of contemporary cultural periodization—Fredric Jameson argues that the “last few years have been marked by an inverted millenarianism…
Images of Authority, Strategies of Control
compares his first novel, Precaution, to The Spy_, concluding that the latter, unlike the former, is not a highly moral book. If morality is construed as that which is depicted in highly-mannered texts such as Precaution, Cooper's assessment of his own work is accurate. Yet a closer look at The Spy reveals his careful construction of a moral epistemology--one that participates in the post-revolution production of cultural consensus. In his Americ…
Glowing Dishes
In an episode from the Andy Griffith Show, that embodiment of middle American agrarian utopic yearning, Aunt Bee is asked about other careers she might have followed. Looking out toward the horizon, she allows she would have studied chemistry, like that Madame Curie. Andy is startled. After all, Bee is the archetypal American homemaker, and chemistry and physics are fields that seem quite a distance from Meyers Lake, Floyd's Barber Shop, and the …
Networking the (Non) Human
Networking the (Non) Human: Moby-Dick, Matthew Fontaine Maury, and Bruno Latour T. Hugh Crawford (bio) There are as many theories of action as there are actors. Bruno Latour 1 Matthew Fontaine Maury—“the Pathfinder of the Seas”—begins the 1854 edition of Sailing Directions with a commonplace metaphor: The wind and rain; the vapor and the cloud; the tide, the current, the saltness and depth, and temperature and color of the sea; the shade of the s…
William Carlos Williams, The Arts, and Literary Tradition
Cooper's Spy and the Theater of Honor
N a remarkable scene from James Fenimore Cooper's early novel The Spy, Peyton Dunwoodie-a major in the American revolutionary army-captures Wharton-a captain in the British army and brother of the woman Dunwoodie loves. The battle takes place in the Neutral Ground above New York City, and, because of the circumstances surrounding this action, Dunwoodie finds it necessary to keep his prisoner at the home of the British officer's father, a man with…
William Carlos Williams and the Ethics of Painting
The Politics of Narrative Form
Φ-The Politics of Narrative Form T. Hugh Crawford "That whosoever professeth himself a physician, is straightwaies beleeved , say what he will: and yet to speake a truth, there are no lies dearer sold or more daungerous than those which proceed out of a Physician's mouth" -Pliny1 In a sense, the literature-and-medicine movement is the continuation of the nineteenth-century medical reformer's debate about whether medicine is a science or an art. E…
An Interview with Bruno Latour
An Interview with Bruno Latour T. Hugh Crawford (bio) Perhaps because he does not easily fit into traditional disciplinary categories, Bruno Latour's work has an uneven reputation in the United States. His early collaboration with Steve Woolgar, Laboratory Life, was the first significant laboratory field study-one that initiated a series of such studies and in many ways transformed the sociology of science-yet his work remains controversial withi…
We Have Never Been Modern
Reviewed by: We Have Never Been Modern T. Hugh Crawford (bio) Bruno Latour, We Have Never Been Modern. Translated by Catherine Porter. Cambridge, Mass: Harvard University Press, 1993. 157 pp. $29.95. In “Postmodernism, or the Cultural Logic of Late Capitalism”—an essay that has become the touchstone for discussions of contemporary cultural periodization—Fredric Jameson argues that the “last few years have been marked by an inverted millenarianism…
Images of Authority, Strategies of Control
compares his first novel, Precaution, to The Spy_, concluding that the latter, unlike the former, is not a highly moral book. If morality is construed as that which is depicted in highly-mannered texts such as Precaution, Cooper's assessment of his own work is accurate. Yet a closer look at The Spy reveals his careful construction of a moral epistemology--one that participates in the post-revolution production of cultural consensus. In his Americ…
The Spanish American Roots of William Carlos Williams
William Carlos Williams and Alterity
Many critics have noticed the paradoxes and contradictions in the work of William Carlos Williams, but few have analysed them in detail. Professor Ahearn argues that Williams criticism has not gone far enough in recognizing the uses Williams saw for contradiction. He contends that Williams began to acquire his own voice as a poet when he recognized that he could be a vehicle for contending voices. His reading departs from previous examinations of…
"The Errant Art of "Moby-Dick
Modernism, Medicine, and William Carlos Williams
Captain Deleuze and the white whale
“Captain Deleuze and the White Whale: Melville, Moby‐Dick, and the Cartographic Inclination”; Herman Melville is usually viewed as one of the United States's darker, more brooding authors, but Deleuze, in his many scattered comments on him, finds a strikingly different figure. Clearly Deleuze feels a strong kinship with this 19th‐century writer, and he seems to find in Melville a perspective that is at some distance from the Melville currently co…
Networking the (Non) Human
Networking the (Non) Human: Moby-Dick, Matthew Fontaine Maury, and Bruno Latour T. Hugh Crawford (bio) There are as many theories of action as there are actors. Bruno Latour 1 Matthew Fontaine Maury—“the Pathfinder of the Seas”—begins the 1854 edition of Sailing Directions with a commonplace metaphor: The wind and rain; the vapor and the cloud; the tide, the current, the saltness and depth, and temperature and color of the sea; the shade of the s…
Conducting technologiesvirilio's and latour's philosophies of the present state
Melville's Anatomies . Samuel Otter Herman Melville
Glowing Dishes
In an episode from the Andy Griffith Show, that embodiment of middle American agrarian utopic yearning, Aunt Bee is asked about other careers she might have followed. Looking out toward the horizon, she allows she would have studied chemistry, like that Madame Curie. Andy is startled. After all, Bee is the archetypal American homemaker, and chemistry and physics are fields that seem quite a distance from Meyers Lake, Floyd's Barber Shop, and the …
Minor houses/minor architecture
In the vagueness of the low hum of insects in an August woodland
In the vagueness of the low hum of insects in an August woodland:Walking with Whitehead T. Hugh Crawford (bio) “Here then may be lived a life of the senses so pure, so untouched by any mode of apprehension but their own, that the body may be said to think.” —Nan Shepherd (105) Crossing a steep scree-field path demands concentration. The surface slips a little with each step and often, just a short way below, are large rocks or perhaps a cliff. Su…
Art (12 obras) · Art history (11 obras) · History (11 obras) · Philosophy (9 obras) · Sociology (6 obras) · Aesthetics (5 obras) · Poetry Analysis and Criticism (5 obras) · Epistemology (4 obras) · Literature (4 obras) · Musicology and Musical Analysis (4 obras)