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Banu Senay

Dados Biográficos

ID100791
NOMEBanu Senay
PRENOMESBanu
SOBRENOMESenay
ASSINATURASENAY B
AFILIAÇÕESMacquarie University
ORCID0000-0002-1064-5369
VERIFICADOSim
TOTAL DE OBRAS19
TOTAL DE CITAÇÕES34
TOTAL COMO AUTOR19
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2008
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H3
  • Islamic bureaucracies in Indonesia and Turkey

    Open Access•Banu Senay, J Millie et al.•ARTICLE•Religion State & Society•2025•Referências: 10

  • Islamic bureaucracies

    J Millie, Banu Senay•ARTICLE•Religion State & Society•2025•Referências: 8

  • The art of bureaucracy

    Open Access•Banu Senay•ARTICLE•Religion State & Society•2025•Citada por: 1•Referências: 5

  • Hiding in plain site

    Open Access•C Houston, Banu Senay•ARTICLE•American Ethnologist•2025•Citada por: 1•Referências: 43

    Ottoman objects, art traditions, and social practices have long stood at the center of Turkish politics, given that the republic instituted itself through selectively destroying Ottoman institutions. By contrast, the ruling Justice and Development Party (AKP) promotes a counterpolitics of service to Islam, positioning itself as the sole political force committed to upholding the legacy of Ottoman civilization. Yet not all Muslims are convinced by…

  • Rationalising pedagogy

    Open Access•Banu Senay, Faik Gur•ARTICLE•Third World Quarterly•2024•Citada por: 1•Referências: 39

    Over the last two decades, the skilled practice of learning the ney (Sufi reed flute) has gone through a massive revival in Turkey, as part of a broader interest in the revitalised ‘Sufi music’ genre and in Islamic arts learning. One key step in this process has been the ruling Justice and Development Party (AKP) government’s incorporation of ney teaching into mass public education through its council-run adult education programme (İSMEK). While …

  • The Impresario State

    Banu Senay•ARTICLE•Middle East Critique•2022•Referências: 10

    Since the early 2000s, under successive Justice and Development Party (AKP) governments, Turkey has developed more systematic ‘engagement’ policies with its extra-territorial communities, including citizens abroad, kin and ‘relatives’, and non-Turkish international students sponsored to study in Turkey. This article examines the governmental techniques taken up by the ruling AKP elites to mobilize these constituencies as a source of what Félix Kr…

  • Musical Intimacy, Model Citizenship, and Sufism in the Life of Niyazi Sayın

    Open Access•Banu Senay, C Houston•ARTICLE•International Journal Middle East…•2022•Citada por: 1•Referências: 7

    Niyazi Sayın is an Istanbul-born ney (reed flute) virtuoso, and the most acclaimed musician of a musical tradition controversially called “Ottoman-Turkish classical music.” Now 94 years old, Sayın has been called insan-i kamil (a perfect human), kutb-ı nayi, (the musical spiritual axis of his age), and hezarfen (master of a thousand arts). What do such titles mean? Building upon the work of Martin Stokes on popular music and its fashioning of int…

  • Martin Stokes, The Republic of Love

    Open Access•Banu Senay•ARTICLE•European journal of Turkish studies•2022•Referências: 1

    The Republic of Love is a work of great subtlety on a subject that lies at the heart of Turkish cultural and political history: popular music in Turkey. Martin Stokes offers a complex account of popular culture and public life in post-1950s' Turkey

  • The pleasures of ambiguity

    Open Access•Banu Senay•ARTICLE•Journal of the Royal Anthropologica…•2022•Citada por: 1•Referências: 43

    Dealing with ambiguity' has become a pressing concern in many spheres of contemporary life, often presented as a 'survival skill' in an uncertain world. Working with ambiguity also plays a crucial role in the musical pedagogy of the Ottoman-Turkish ney (Sufi reed flute), the playing of which I discuss in this article. Rather than a constraint or deficiency to be resolved, in the context of ney apprenticeship, ambiguity emerges as a desired pedago…

  • We Aren’t that type of Muslim”

    Open Access•Banu Senay•ARTICLE•Contemporary Islam•2020•Referências: 20

  • Humor, Amnesia, and Making Place

    Open Access•C Houston, Banu Senay•ARTICLE•Social Analysis•2017

    Drawing on Caroline Humphrey’s analysis of the personal consequences of ‘decision-events’, in this article we interpret the 2013 protests around Gezi Park in Istanbul as an eventful situation that instigated a break with participants’ previous political sentiments, recomposing them as transformed subjects in the process. We argue that an effective political humor prompted the emergence of a new subject, causing certain features of pre-Gezi politi…

  • Textual ecologies in Islam

    Banu Senay•ARTICLE•Journal of Religious and…•2017•Citada por: 2•Referências: 8

    The focus of this paper is a significant Islamic skilled practice, hat (calligraphy), the art of beautiful writing with the reed pen. In Islam shaping God’s very words through calligraphic writing is both an act of worship as well as an art form. In this paper I briefly explore how the act of writing the Qur’an is a means through which the performative power of the text is reproduced. To clarify what is meant here by the performative power of the…

  • Rethinking Spirituality through Music Education in Istanbul

    Open Access•Banu Senay•ARTICLE•European journal of Turkish studies•2017•Referências: 28

    Recently there has been a massive new interest in Turkey in the artistic practice of ney [reed flute]-playing. For some, much of the inspiration driving this interest connects to a search for the “spiritual.” According to a popular discourse, there is no instrument more “natural” and “simple” than the ney. For others, inspired by the poetry of Rumi, the instrument’s sound draws oneself closer to the Divine. While a close connection exists between…

  • Masterful words

    Open Access•Banu Senay•ARTICLE•Journal of the Royal Anthropologica…•2015•Citada por: 5•Referências: 30

    Unlike in some recent anthropological writings that show the insignificance of verbal or overt instruction in the process of skill acquisition, talk is, in vital ways, constitutiveofthe practice ofney(reed flute) learning that I discuss here. What is it about masterful speech that makes it such a compelling vehicle for musical education? To address this question, the article presents a number of key processes thatsohbet(or conversation) is design…

  • Artists, antagonisms and the ney in the popularization of ‘Sufi Music’ in Turkey

    Open Access•Banu Senay•ARTICLE•European Journal of Cultural…•2014•Citada por: 2•Referências: 6

    Following its successful marketing as a sub-genre of ‘world music’ in the mid-1990s, Sufi music has become a cover term to describe and publicize a disparate variety of musical styles in the Turkish popular music industry. In this article, I explore this phenomenon through the recent history of the ney (reed-flute), an instrument that has been re-contextualized as the acoustic and visual signifier of Sufism, and utilized to evoke feelings of spir…

  • Seeing for the state

    Open Access•Banu Senay•ARTICLE•Nations and Nationalism•2013•Citada por: 3•Referências: 19

    The recent literature on M uslim organisations in the T urkish diaspora context is voluminous as is analysis of K urdish and A levi grassroots politics against the T urkish state. Yet nothing has been written on those whose political orientation is in line with the secularist-nationalist ideology of the T urkish R epublic, that is, of K emalists. As a contribution to this endeavour, this paper explores K emalist actors' mobilisation in A ustralia…

  • Trans-Kemalism

    Banu Senay•ARTICLE•Ethnic and Racial Studies•2012•Citada por: 13•Referências: 22

    In contrast to the huge amount of research on Turkish migration and migrants, the diasporic politics of the Turkish Kemalist state constitutes a neglected research subject in the scholarship on Turkish diaspora. How does the Turkish state reach out to its nationals and expatriates abroad? In what ways does the Turkish Republic seek to make Islam (as it does in Turkey) into an instrument legitimizing its politicizing and mobilizing enterprises? To…

  • Remembering the 'Timeless City

    Banu Senay•ARTICLE•Journal of Intercultural Studies•2009•Citada por: 1•Referências: 8

    Music can be a brilliant vehicle for creating ‘memories’ about the place it evokes, even if its performers or listeners have never lived there. This paper describes a musical performance with Istanbul as its theme by the Australian Turkish Music Ensemble in Sydney, a group made up of first- and second-generation Turkish migrants. I argue that the sounds, modes, images and narratives moulded together in this musical event not only generate perform…

  • How do the Youth Perceive and Experience Turkish Citizenship

    Banu Senay•ARTICLE•Middle Eastern Studies•2008•Citada por: 3

    Citizenship is generally perceived as a political practice that falls within the historical domain of the nation-state. At least, this is the claim of many nation-states themselves, which disavow the possibility of citizenship outside of their own structures. Rather than concentrate on the organization of citizenship, this article, instead, concentrates on the experience of individual citizens. It explores a wide-ranging sample of Turkish youth's…

  • Trans-Kemalism

    Banu Senay•ARTICLE•Ethnic and Racial Studies•2012•Citada por: 13•Referências: 22

    In contrast to the huge amount of research on Turkish migration and migrants, the diasporic politics of the Turkish Kemalist state constitutes a neglected research subject in the scholarship on Turkish diaspora. How does the Turkish state reach out to its nationals and expatriates abroad? In what ways does the Turkish Republic seek to make Islam (as it does in Turkey) into an instrument legitimizing its politicizing and mobilizing enterprises? To…

  • Masterful words

    Open Access•Banu Senay•ARTICLE•Journal of the Royal Anthropologica…•2015•Citada por: 5•Referências: 30

    Unlike in some recent anthropological writings that show the insignificance of verbal or overt instruction in the process of skill acquisition, talk is, in vital ways, constitutiveofthe practice ofney(reed flute) learning that I discuss here. What is it about masterful speech that makes it such a compelling vehicle for musical education? To address this question, the article presents a number of key processes thatsohbet(or conversation) is design…

  • Seeing for the state

    Open Access•Banu Senay•ARTICLE•Nations and Nationalism•2013•Citada por: 3•Referências: 19

    The recent literature on M uslim organisations in the T urkish diaspora context is voluminous as is analysis of K urdish and A levi grassroots politics against the T urkish state. Yet nothing has been written on those whose political orientation is in line with the secularist-nationalist ideology of the T urkish R epublic, that is, of K emalists. As a contribution to this endeavour, this paper explores K emalist actors' mobilisation in A ustralia…

  • How do the Youth Perceive and Experience Turkish Citizenship

    Banu Senay•ARTICLE•Middle Eastern Studies•2008•Citada por: 3

    Citizenship is generally perceived as a political practice that falls within the historical domain of the nation-state. At least, this is the claim of many nation-states themselves, which disavow the possibility of citizenship outside of their own structures. Rather than concentrate on the organization of citizenship, this article, instead, concentrates on the experience of individual citizens. It explores a wide-ranging sample of Turkish youth's…

  • Textual ecologies in Islam

    Banu Senay•ARTICLE•Journal of Religious and…•2017•Citada por: 2•Referências: 8

    The focus of this paper is a significant Islamic skilled practice, hat (calligraphy), the art of beautiful writing with the reed pen. In Islam shaping God’s very words through calligraphic writing is both an act of worship as well as an art form. In this paper I briefly explore how the act of writing the Qur’an is a means through which the performative power of the text is reproduced. To clarify what is meant here by the performative power of the…

  • Artists, antagonisms and the ney in the popularization of ‘Sufi Music’ in Turkey

    Open Access•Banu Senay•ARTICLE•European Journal of Cultural…•2014•Citada por: 2•Referências: 6

    Following its successful marketing as a sub-genre of ‘world music’ in the mid-1990s, Sufi music has become a cover term to describe and publicize a disparate variety of musical styles in the Turkish popular music industry. In this article, I explore this phenomenon through the recent history of the ney (reed-flute), an instrument that has been re-contextualized as the acoustic and visual signifier of Sufism, and utilized to evoke feelings of spir…

  • The art of bureaucracy

    Open Access•Banu Senay•ARTICLE•Religion State & Society•2025•Citada por: 1•Referências: 5

  • Hiding in plain site

    Open Access•C Houston, Banu Senay•ARTICLE•American Ethnologist•2025•Citada por: 1•Referências: 43

    Ottoman objects, art traditions, and social practices have long stood at the center of Turkish politics, given that the republic instituted itself through selectively destroying Ottoman institutions. By contrast, the ruling Justice and Development Party (AKP) promotes a counterpolitics of service to Islam, positioning itself as the sole political force committed to upholding the legacy of Ottoman civilization. Yet not all Muslims are convinced by…

  • Rationalising pedagogy

    Open Access•Banu Senay, Faik Gur•ARTICLE•Third World Quarterly•2024•Citada por: 1•Referências: 39

    Over the last two decades, the skilled practice of learning the ney (Sufi reed flute) has gone through a massive revival in Turkey, as part of a broader interest in the revitalised ‘Sufi music’ genre and in Islamic arts learning. One key step in this process has been the ruling Justice and Development Party (AKP) government’s incorporation of ney teaching into mass public education through its council-run adult education programme (İSMEK). While …

  • Musical Intimacy, Model Citizenship, and Sufism in the Life of Niyazi Sayın

    Open Access•Banu Senay, C Houston•ARTICLE•International Journal Middle East…•2022•Citada por: 1•Referências: 7

    Niyazi Sayın is an Istanbul-born ney (reed flute) virtuoso, and the most acclaimed musician of a musical tradition controversially called “Ottoman-Turkish classical music.” Now 94 years old, Sayın has been called insan-i kamil (a perfect human), kutb-ı nayi, (the musical spiritual axis of his age), and hezarfen (master of a thousand arts). What do such titles mean? Building upon the work of Martin Stokes on popular music and its fashioning of int…

  • The pleasures of ambiguity

    Open Access•Banu Senay•ARTICLE•Journal of the Royal Anthropologica…•2022•Citada por: 1•Referências: 43

    Dealing with ambiguity' has become a pressing concern in many spheres of contemporary life, often presented as a 'survival skill' in an uncertain world. Working with ambiguity also plays a crucial role in the musical pedagogy of the Ottoman-Turkish ney (Sufi reed flute), the playing of which I discuss in this article. Rather than a constraint or deficiency to be resolved, in the context of ney apprenticeship, ambiguity emerges as a desired pedago…

  • Remembering the 'Timeless City

    Banu Senay•ARTICLE•Journal of Intercultural Studies•2009•Citada por: 1•Referências: 8

    Music can be a brilliant vehicle for creating ‘memories’ about the place it evokes, even if its performers or listeners have never lived there. This paper describes a musical performance with Istanbul as its theme by the Australian Turkish Music Ensemble in Sydney, a group made up of first- and second-generation Turkish migrants. I argue that the sounds, modes, images and narratives moulded together in this musical event not only generate perform…

  • How do the Youth Perceive and Experience Turkish Citizenship

    Banu Senay•ARTICLE•Middle Eastern Studies•2008•Citada por: 3

    Citizenship is generally perceived as a political practice that falls within the historical domain of the nation-state. At least, this is the claim of many nation-states themselves, which disavow the possibility of citizenship outside of their own structures. Rather than concentrate on the organization of citizenship, this article, instead, concentrates on the experience of individual citizens. It explores a wide-ranging sample of Turkish youth's…

  • Remembering the 'Timeless City

    Banu Senay•ARTICLE•Journal of Intercultural Studies•2009•Citada por: 1•Referências: 8

    Music can be a brilliant vehicle for creating ‘memories’ about the place it evokes, even if its performers or listeners have never lived there. This paper describes a musical performance with Istanbul as its theme by the Australian Turkish Music Ensemble in Sydney, a group made up of first- and second-generation Turkish migrants. I argue that the sounds, modes, images and narratives moulded together in this musical event not only generate perform…

  • Trans-Kemalism

    Banu Senay•ARTICLE•Ethnic and Racial Studies•2012•Citada por: 13•Referências: 22

    In contrast to the huge amount of research on Turkish migration and migrants, the diasporic politics of the Turkish Kemalist state constitutes a neglected research subject in the scholarship on Turkish diaspora. How does the Turkish state reach out to its nationals and expatriates abroad? In what ways does the Turkish Republic seek to make Islam (as it does in Turkey) into an instrument legitimizing its politicizing and mobilizing enterprises? To…

  • Seeing for the state

    Open Access•Banu Senay•ARTICLE•Nations and Nationalism•2013•Citada por: 3•Referências: 19

    The recent literature on M uslim organisations in the T urkish diaspora context is voluminous as is analysis of K urdish and A levi grassroots politics against the T urkish state. Yet nothing has been written on those whose political orientation is in line with the secularist-nationalist ideology of the T urkish R epublic, that is, of K emalists. As a contribution to this endeavour, this paper explores K emalist actors' mobilisation in A ustralia…

  • Artists, antagonisms and the ney in the popularization of ‘Sufi Music’ in Turkey

    Open Access•Banu Senay•ARTICLE•European Journal of Cultural…•2014•Citada por: 2•Referências: 6

    Following its successful marketing as a sub-genre of ‘world music’ in the mid-1990s, Sufi music has become a cover term to describe and publicize a disparate variety of musical styles in the Turkish popular music industry. In this article, I explore this phenomenon through the recent history of the ney (reed-flute), an instrument that has been re-contextualized as the acoustic and visual signifier of Sufism, and utilized to evoke feelings of spir…

  • Masterful words

    Open Access•Banu Senay•ARTICLE•Journal of the Royal Anthropologica…•2015•Citada por: 5•Referências: 30

    Unlike in some recent anthropological writings that show the insignificance of verbal or overt instruction in the process of skill acquisition, talk is, in vital ways, constitutiveofthe practice ofney(reed flute) learning that I discuss here. What is it about masterful speech that makes it such a compelling vehicle for musical education? To address this question, the article presents a number of key processes thatsohbet(or conversation) is design…

  • Humor, Amnesia, and Making Place

    Open Access•C Houston, Banu Senay•ARTICLE•Social Analysis•2017

    Drawing on Caroline Humphrey’s analysis of the personal consequences of ‘decision-events’, in this article we interpret the 2013 protests around Gezi Park in Istanbul as an eventful situation that instigated a break with participants’ previous political sentiments, recomposing them as transformed subjects in the process. We argue that an effective political humor prompted the emergence of a new subject, causing certain features of pre-Gezi politi…

  • Textual ecologies in Islam

    Banu Senay•ARTICLE•Journal of Religious and…•2017•Citada por: 2•Referências: 8

    The focus of this paper is a significant Islamic skilled practice, hat (calligraphy), the art of beautiful writing with the reed pen. In Islam shaping God’s very words through calligraphic writing is both an act of worship as well as an art form. In this paper I briefly explore how the act of writing the Qur’an is a means through which the performative power of the text is reproduced. To clarify what is meant here by the performative power of the…

  • Rethinking Spirituality through Music Education in Istanbul

    Open Access•Banu Senay•ARTICLE•European journal of Turkish studies•2017•Referências: 28

    Recently there has been a massive new interest in Turkey in the artistic practice of ney [reed flute]-playing. For some, much of the inspiration driving this interest connects to a search for the “spiritual.” According to a popular discourse, there is no instrument more “natural” and “simple” than the ney. For others, inspired by the poetry of Rumi, the instrument’s sound draws oneself closer to the Divine. While a close connection exists between…

  • We Aren’t that type of Muslim”

    Open Access•Banu Senay•ARTICLE•Contemporary Islam•2020•Referências: 20

  • The Impresario State

    Banu Senay•ARTICLE•Middle East Critique•2022•Referências: 10

    Since the early 2000s, under successive Justice and Development Party (AKP) governments, Turkey has developed more systematic ‘engagement’ policies with its extra-territorial communities, including citizens abroad, kin and ‘relatives’, and non-Turkish international students sponsored to study in Turkey. This article examines the governmental techniques taken up by the ruling AKP elites to mobilize these constituencies as a source of what Félix Kr…

  • Musical Intimacy, Model Citizenship, and Sufism in the Life of Niyazi Sayın

    Open Access•Banu Senay, C Houston•ARTICLE•International Journal Middle East…•2022•Citada por: 1•Referências: 7

    Niyazi Sayın is an Istanbul-born ney (reed flute) virtuoso, and the most acclaimed musician of a musical tradition controversially called “Ottoman-Turkish classical music.” Now 94 years old, Sayın has been called insan-i kamil (a perfect human), kutb-ı nayi, (the musical spiritual axis of his age), and hezarfen (master of a thousand arts). What do such titles mean? Building upon the work of Martin Stokes on popular music and its fashioning of int…

  • Martin Stokes, The Republic of Love

    Open Access•Banu Senay•ARTICLE•European journal of Turkish studies•2022•Referências: 1

    The Republic of Love is a work of great subtlety on a subject that lies at the heart of Turkish cultural and political history: popular music in Turkey. Martin Stokes offers a complex account of popular culture and public life in post-1950s' Turkey

  • The pleasures of ambiguity

    Open Access•Banu Senay•ARTICLE•Journal of the Royal Anthropologica…•2022•Citada por: 1•Referências: 43

    Dealing with ambiguity' has become a pressing concern in many spheres of contemporary life, often presented as a 'survival skill' in an uncertain world. Working with ambiguity also plays a crucial role in the musical pedagogy of the Ottoman-Turkish ney (Sufi reed flute), the playing of which I discuss in this article. Rather than a constraint or deficiency to be resolved, in the context of ney apprenticeship, ambiguity emerges as a desired pedago…

  • Rationalising pedagogy

    Open Access•Banu Senay, Faik Gur•ARTICLE•Third World Quarterly•2024•Citada por: 1•Referências: 39

    Over the last two decades, the skilled practice of learning the ney (Sufi reed flute) has gone through a massive revival in Turkey, as part of a broader interest in the revitalised ‘Sufi music’ genre and in Islamic arts learning. One key step in this process has been the ruling Justice and Development Party (AKP) government’s incorporation of ney teaching into mass public education through its council-run adult education programme (İSMEK). While …

  • Islamic bureaucracies in Indonesia and Turkey

    Open Access•Banu Senay, J Millie et al.•ARTICLE•Religion State & Society•2025•Referências: 10

  • Islamic bureaucracies

    J Millie, Banu Senay•ARTICLE•Religion State & Society•2025•Referências: 8

  • The art of bureaucracy

    Open Access•Banu Senay•ARTICLE•Religion State & Society•2025•Citada por: 1•Referências: 5

  • Hiding in plain site

    Open Access•C Houston, Banu Senay•ARTICLE•American Ethnologist•2025•Citada por: 1•Referências: 43

    Ottoman objects, art traditions, and social practices have long stood at the center of Turkish politics, given that the republic instituted itself through selectively destroying Ottoman institutions. By contrast, the ruling Justice and Development Party (AKP) promotes a counterpolitics of service to Islam, positioning itself as the sole political force committed to upholding the legacy of Ottoman civilization. Yet not all Muslims are convinced by…

Sociology (14 obras) · Philosophy (11 obras) · Art (10 obras) · Aesthetics (9 obras) · Political science (9 obras) · History (8 obras) · Law (8 obras) · Linguistics (8 obras) · Literature (8 obras) · Music History and Culture (8 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae