Olivia Michiko Gagnon
Dados Biográficos
| ID | 1012967 |
|---|---|
| NOME | Olivia Michiko Gagnon |
| PRENOMES | Olivia Michiko |
| SOBRENOME | Gagnon |
| ASSINATURA | GAGNON O M |
| AFILIAÇÕES | University of British Columbia |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2018 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2023 |
| ÍNDICE H | 0 |
Moving through crisis in Mariana Valencia’s Solo B
In this essay, I spend time with Mariana Valencia’s 2020 video-performance Solo B, which was (re)imagined for an online environment when her live commission for The Shed in New York City was delayed due to the COVID-19 pandemic. Asking what Solo B can teach us about doing history otherwise, moving through crisis, and the queer and racial politics of aesthetic form, I argue that this work enacts a vital minoritarian ethics, even as its ability to …
Tender archives and the closeness of Cheryl Sim'sThe Thomas Wang Project
In this article, I spend time with Cheryl Sim’s multimedia artwork The Thomas Wang Project (2015), which incorporates performance, installation, original sound recordings, and a variety of familial, documentary, and cinematic archival materials in order to explore her great-uncle’s life and death in the context of the founding of the People’s Republic of China. Performing an intimate archival encounter as a form of tender touching across time and…
The Between
Thinking with this special issue's group of feminist thinkers - some artists and others scholars - this introduction makes a strong case for co-authorship and a more collaborative humanities, while also insisting that the couple form - that stalwart object of queer and feminist theory - is neither a known quantity nor an exhausted entity, but rather, a field ripe for analysis. Situated squarely within performance studies, this introduction pivots…
Choreographies of collapse | Histories of use
Sem obras proeminentes nesta página.
Choreographies of collapse | Histories of use
The Between
Thinking with this special issue's group of feminist thinkers - some artists and others scholars - this introduction makes a strong case for co-authorship and a more collaborative humanities, while also insisting that the couple form - that stalwart object of queer and feminist theory - is neither a known quantity nor an exhausted entity, but rather, a field ripe for analysis. Situated squarely within performance studies, this introduction pivots…
Tender archives and the closeness of Cheryl Sim'sThe Thomas Wang Project
In this article, I spend time with Cheryl Sim’s multimedia artwork The Thomas Wang Project (2015), which incorporates performance, installation, original sound recordings, and a variety of familial, documentary, and cinematic archival materials in order to explore her great-uncle’s life and death in the context of the founding of the People’s Republic of China. Performing an intimate archival encounter as a form of tender touching across time and…
Moving through crisis in Mariana Valencia’s Solo B
In this essay, I spend time with Mariana Valencia’s 2020 video-performance Solo B, which was (re)imagined for an online environment when her live commission for The Shed in New York City was delayed due to the COVID-19 pandemic. Asking what Solo B can teach us about doing history otherwise, moving through crisis, and the queer and racial politics of aesthetic form, I argue that this work enacts a vital minoritarian ethics, even as its ability to …
Philosophy (4 obras) · Aesthetics (3 obras) · Art (3 obras) · Linguistics (3 obras) · Sociology (3 obras) · Art, Politics, and Modernism (2 obras) · Computer Science (2 obras) · Diversity and Impact of Dance (2 obras) · Epistemology (2 obras) · Gender Studies (2 obras)