Joan Anim-Addo
Dados Biográficos
| ID | 1019727 |
|---|---|
| NOME | Joan Anim-Addo |
| PRENOMES | Joan |
| SOBRENOME | Anim-Addo |
| ASSINATURA | ANIM-ADDO J |
| AFILIAÇÕES | Goldsmiths University of London |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 11 |
| TOTAL DE CITAÇÕES | 16 |
| TOTAL COMO AUTOR | 11 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 2004 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2018 |
| ÍNDICE H | 2 |
Daughter and His Housekeeper
The Power of the Neo-Slave Narrative Genre
The Power of the Neo-Slave Narrative Genre
The Power of the Neo-Slave Narrative Genre Joan Anim-Addo (bio) and Maria Helena Lima (bio) One of the many reasons and necessities for the mass movements of peoples, war leads them all. It is estimated that when the final numbers of the displaced come out—those running from persecution, conflict, and generalized violence in today's world (including refugees, asylum seekers, and internally displaced persons)—the number will far surpass sixty mill…
The Stuart Hall Project
The Stuart Hall ProjectSignifying Diaspora Joan Anim-Addo (bio) At the panel discussion “The Black Intellectual in the African Diaspora: The Example of Stuart Hall,” Joan Anim-Addo presented these remarks. John Akomfrah’s pioneering The Stuart Hall Project (2013) skillfully opens up for another generation the very important contribution that the black intellectual Stuart Hall (1932-2014) has made to contemporary critical discourse. It is certain …
A screech in the dark
On a Caribbean island where both tradition and the very modern shape everyday lives, Carole and Monica’s best friend Ruthie has been murdered. The gossips emerge to heap blame. Did the screech owls in any way signify Ruthie’s murder? The friends, trying to come to terms with their own feelings, avoid each other. Unknown to each other, instead of going to the wake, they head for the same concert. When Carole discovers Monica at the concert, feelin…
Travelling with Imoinda
Travelling with Imoinda:Art, Authorship, and Critique Joan Anim-Addo (bio) Click for larger view View full resolution Joan Anim-Addo Photograph by A. H. Jerriod Avant © 2014 [End Page 570] This article raises questions concerning art, authorship, and to a lesser extent, critique, specifically in relation to my opera libretto Imoinda, or She Who Will Lose Her Name, written in 1997, given a first rehearsed reading in London in 1998 and first publis…
Activist-Mothers Maybe, Sisters Surely? Black British Feminism, Absence and Transformation
This article, drawing on selected feminist magazines of the 1980s, particularly Feminist Arts News (FAN) and GEN, offers a textual 'braiding' of narratives to re-present a history of Black British feminism. I attempt to chart a history of Black British feminist inheritance while proposing the politics of (other)mothering as a politics of potential, pluralistic and democratic community building, where Black thought and everyday living carry a prim…
Gendering Creolisation
Going beyond the creolisation theories of Brathwaite and Glissant, I attempt to develop ideas concerning the gendering of creolisation, and a historicising of affects within it. Addressing affects as 'physiological things' contextualised in the history of the Caribbean slave plantation, I seek, importantly, to delineate a trajectory and development of a specific Creole history in relation to affects. Brathwaite's proposition that 'the most signif…
Affect and Gendered Creolisation
This special issue draws on papers developed from the conference 'Caribbean Women's Writing: Comparative Critical Conversations', held at Goldsmiths, University of London, in June 2011 to address questions concerning the legacy of plantation culture in its shaping of a gendered creolisation.Notably, several of the papers struck a chord in their interrogation of the representation of affects in the literature of the region and its diaspora.From th…
Acrid Text
Sister Goose’s sisters
Anim-Addo’s article, extracted from a chapter of her thesis concerned with the ‘silence’ or pre-twentieth century absence of literary publication by African-Caribbean women, focuses on critical, fragmented testimonies of slave women’s lives documented in the 1820s. In treating this material as crucial ‘speech acts’ giving textual voice to nineteenth-century African-Caribbean women, she attempts to ground within specific realities of African-Carib…
Activist-Mothers Maybe, Sisters Surely? Black British Feminism, Absence and Transformation
This article, drawing on selected feminist magazines of the 1980s, particularly Feminist Arts News (FAN) and GEN, offers a textual 'braiding' of narratives to re-present a history of Black British feminism. I attempt to chart a history of Black British feminist inheritance while proposing the politics of (other)mothering as a politics of potential, pluralistic and democratic community building, where Black thought and everyday living carry a prim…
The Power of the Neo-Slave Narrative Genre
The Power of the Neo-Slave Narrative Genre Joan Anim-Addo (bio) and Maria Helena Lima (bio) One of the many reasons and necessities for the mass movements of peoples, war leads them all. It is estimated that when the final numbers of the displaced come out—those running from persecution, conflict, and generalized violence in today's world (including refugees, asylum seekers, and internally displaced persons)—the number will far surpass sixty mill…
Gendering Creolisation
Going beyond the creolisation theories of Brathwaite and Glissant, I attempt to develop ideas concerning the gendering of creolisation, and a historicising of affects within it. Addressing affects as 'physiological things' contextualised in the history of the Caribbean slave plantation, I seek, importantly, to delineate a trajectory and development of a specific Creole history in relation to affects. Brathwaite's proposition that 'the most signif…
Sister Goose’s sisters
Anim-Addo’s article, extracted from a chapter of her thesis concerned with the ‘silence’ or pre-twentieth century absence of literary publication by African-Caribbean women, focuses on critical, fragmented testimonies of slave women’s lives documented in the 1820s. In treating this material as crucial ‘speech acts’ giving textual voice to nineteenth-century African-Caribbean women, she attempts to ground within specific realities of African-Carib…
Daughter and His Housekeeper
The Power of the Neo-Slave Narrative Genre
Sister Goose’s sisters
Anim-Addo’s article, extracted from a chapter of her thesis concerned with the ‘silence’ or pre-twentieth century absence of literary publication by African-Caribbean women, focuses on critical, fragmented testimonies of slave women’s lives documented in the 1820s. In treating this material as crucial ‘speech acts’ giving textual voice to nineteenth-century African-Caribbean women, she attempts to ground within specific realities of African-Carib…
Acrid Text
Gendering Creolisation
Going beyond the creolisation theories of Brathwaite and Glissant, I attempt to develop ideas concerning the gendering of creolisation, and a historicising of affects within it. Addressing affects as 'physiological things' contextualised in the history of the Caribbean slave plantation, I seek, importantly, to delineate a trajectory and development of a specific Creole history in relation to affects. Brathwaite's proposition that 'the most signif…
Affect and Gendered Creolisation
This special issue draws on papers developed from the conference 'Caribbean Women's Writing: Comparative Critical Conversations', held at Goldsmiths, University of London, in June 2011 to address questions concerning the legacy of plantation culture in its shaping of a gendered creolisation.Notably, several of the papers struck a chord in their interrogation of the representation of affects in the literature of the region and its diaspora.From th…
Activist-Mothers Maybe, Sisters Surely? Black British Feminism, Absence and Transformation
This article, drawing on selected feminist magazines of the 1980s, particularly Feminist Arts News (FAN) and GEN, offers a textual 'braiding' of narratives to re-present a history of Black British feminism. I attempt to chart a history of Black British feminist inheritance while proposing the politics of (other)mothering as a politics of potential, pluralistic and democratic community building, where Black thought and everyday living carry a prim…
Travelling with Imoinda
Travelling with Imoinda:Art, Authorship, and Critique Joan Anim-Addo (bio) Click for larger view View full resolution Joan Anim-Addo Photograph by A. H. Jerriod Avant © 2014 [End Page 570] This article raises questions concerning art, authorship, and to a lesser extent, critique, specifically in relation to my opera libretto Imoinda, or She Who Will Lose Her Name, written in 1997, given a first rehearsed reading in London in 1998 and first publis…
A screech in the dark
On a Caribbean island where both tradition and the very modern shape everyday lives, Carole and Monica’s best friend Ruthie has been murdered. The gossips emerge to heap blame. Did the screech owls in any way signify Ruthie’s murder? The friends, trying to come to terms with their own feelings, avoid each other. Unknown to each other, instead of going to the wake, they head for the same concert. When Carole discovers Monica at the concert, feelin…
The Power of the Neo-Slave Narrative Genre
The Power of the Neo-Slave Narrative Genre Joan Anim-Addo (bio) and Maria Helena Lima (bio) One of the many reasons and necessities for the mass movements of peoples, war leads them all. It is estimated that when the final numbers of the displaced come out—those running from persecution, conflict, and generalized violence in today's world (including refugees, asylum seekers, and internally displaced persons)—the number will far surpass sixty mill…
The Stuart Hall Project
The Stuart Hall ProjectSignifying Diaspora Joan Anim-Addo (bio) At the panel discussion “The Black Intellectual in the African Diaspora: The Example of Stuart Hall,” Joan Anim-Addo presented these remarks. John Akomfrah’s pioneering The Stuart Hall Project (2013) skillfully opens up for another generation the very important contribution that the black intellectual Stuart Hall (1932-2014) has made to contemporary critical discourse. It is certain …
Daughter and His Housekeeper
The Power of the Neo-Slave Narrative Genre
History (8 obras) · Gender Studies (7 obras) · Sociology (7 obras) · Art (6 obras) · History (5 obras) · Aesthetics (4 obras) · Narrative (4 obras) · Political science (4 obras) · Postcolonial and Cultural Literary Studies (4 obras) · Caribbean history, culture, and politics (3 obras)