Paula Carabell
Dados Biográficos
| ID | 1027331 |
|---|---|
| NOME | Paula Carabell |
| PRENOMES | Paula |
| SOBRENOME | Carabell |
| ASSINATURA | CARABELL P |
| AFILIAÇÕES | Arkansas State University |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 10 |
| TOTAL DE CITAÇÕES | 0 |
| TOTAL COMO AUTOR | 10 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1995 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2011 |
| ÍNDICE H | 0 |
Photography and redemption: Allegory, theology, and artistic practice in Thomas Struth's early cityscapes
The J Street Project 2002–2005 by Susan Hiller
Framing and Fiction in the Work of Paolo Veronese: A Study in the Structure and Meaning of the Image di sotto in su
The Art of Giovanni Antonio da Pordenone: Between Dialectic and Language
The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop
Andrew Ladis, Carolyn Wood, and William U. Eiland, eds. The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop. Athens and London: University of Georgia Press, 1995. viii + 243 pp. $40. - Volume 50 Issue 1
Michelangelo: Selected Scholarship in English
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Image and Identity in the Unfinished Works of Michelangelo
The Myth of Apollo and Marsyas in the Art of the Italian Renaissance: An Inquiry into the Meaning of Images
The cruel myth of Apollo and Marsyas enjoyed surprising popularity in the Renaissance. Based on over one hundred representations, this investigation explores the intentions with which the artists and their patrons evoke the myth, including Perugino, Raphael and his circle, Giulio Romano, Parmagianino, Bonzino, Tintoretto, and Titian. Illustrated
The Horses of San Marco and the Quadriga of the Lord
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Finito and Non-Finito in Titian's Last Paintings
Sem obras proeminentes nesta página.
Finito and Non-Finito in Titian's Last Paintings
The Myth of Apollo and Marsyas in the Art of the Italian Renaissance: An Inquiry into the Meaning of Images
The cruel myth of Apollo and Marsyas enjoyed surprising popularity in the Renaissance. Based on over one hundred representations, this investigation explores the intentions with which the artists and their patrons evoke the myth, including Perugino, Raphael and his circle, Giulio Romano, Parmagianino, Bonzino, Tintoretto, and Titian. Illustrated
The Horses of San Marco and the Quadriga of the Lord
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop
Andrew Ladis, Carolyn Wood, and William U. Eiland, eds. The Craft of Art: Originality and Industry in the Italian Renaissance and Baroque Workshop. Athens and London: University of Georgia Press, 1995. viii + 243 pp. $40. - Volume 50 Issue 1
Michelangelo: Selected Scholarship in English
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Image and Identity in the Unfinished Works of Michelangelo
The Art of Giovanni Antonio da Pordenone: Between Dialectic and Language
Framing and Fiction in the Work of Paolo Veronese: A Study in the Structure and Meaning of the Image di sotto in su
The J Street Project 2002–2005 by Susan Hiller
Photography and redemption: Allegory, theology, and artistic practice in Thomas Struth's early cityscapes
Art (8 obras) · Art history (8 obras) · History (6 obras) · Computer Science (5 obras) · Download (4 obras) · Sociology (4 obras) · Epistemology (3 obras) · History (3 obras) · Library science (3 obras) · Philosophy (3 obras)