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I Ye Alekxeyev

Dados Biográficos

ID10290959
NOMEI Ye Alekxeyev
PRENOMESI Ye
SOBRENOMEAlekxeyev
ASSINATURAALEKXEYEV I Y
AFILIAÇÕESNorth-Eastern Federal University
ORCID0000-0002-0853-0116
VERIFICADOSim
TOTAL DE OBRAS2
TOTAL DE CITAÇÕES0
TOTAL COMO AUTOR2
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2020
ANO MAIS RECENTE DE PUBLICAÇÃO2021
ÍNDICE H0
  • How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming. Part 3

    Open Access•Aleksey Nikolsky, E Ye Alekseyev et al.•ARTICLE•Languages and Folklore of…•2021

    This article completes the series dedicated to the methodology of research of the vocal system of Jaw Harp’s articulation within the surviving indigenous traditions of Siberia and the Far East. This last part introduces and examines the relation between the tonal organization of Jaw Harp music and the material of Jaw Harp’s making. The acoustic properties of five most common materials (grass, bamboo, wood, bone, and metal) are discussed in relati…

  • How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming

    Open Access•Aleksey Nikolsky, E Ye Alekseyev et al.•ARTICLE•Languages and Folklore of…•2020

    This article reviews the milestones in the formation of acoustic, musicological, and cultural attributes of tonal organization in indigenous traditions of jaw harp music across Northeastern Eurasia – as related to the timeline of its geographic distribution. Phonology of jaw harp playing is compared to singing and speaking in establishing traits specific to jaw harp prosody. Based on the theories of harmonic residue and harmonic templates, a new …

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  • How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming

    Open Access•Aleksey Nikolsky, E Ye Alekseyev et al.•ARTICLE•Languages and Folklore of…•2020

    This article reviews the milestones in the formation of acoustic, musicological, and cultural attributes of tonal organization in indigenous traditions of jaw harp music across Northeastern Eurasia – as related to the timeline of its geographic distribution. Phonology of jaw harp playing is compared to singing and speaking in establishing traits specific to jaw harp prosody. Based on the theories of harmonic residue and harmonic templates, a new …

  • How, where and when authentic traditions of Jaw Harp music of Siberia and the Far East have been forming. Part 3

    Open Access•Aleksey Nikolsky, E Ye Alekseyev et al.•ARTICLE•Languages and Folklore of…•2021

    This article completes the series dedicated to the methodology of research of the vocal system of Jaw Harp’s articulation within the surviving indigenous traditions of Siberia and the Far East. This last part introduces and examines the relation between the tonal organization of Jaw Harp music and the material of Jaw Harp’s making. The acoustic properties of five most common materials (grass, bamboo, wood, bone, and metal) are discussed in relati…

Archaeology (2 obras) · Art (2 obras) · Biology (2 obras) · HARP (2 obras) · History (2 obras) · Indigenous (2 obras) · Timeline (2 obras) · Visual arts (2 obras) · Archaeology and Rock Art Studies (1 obras) · Artificial Intelligence (1 obras)

Ethnos_APP • Projeto Open Source • Licença MIT • Frontend v2.0.0 • Privacidade e Cookies • Documentação da API: api.ethnos.app/docs • Código da API: GitHub • DOI: 10.5281/zenodo.17049435 • Código do Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae