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Jefferson R Cowie

Dados Biográficos

ID10319487
NOMEJefferson R Cowie
PRENOMESJefferson R
SOBRENOMECowie
ASSINATURACOWIE J R
VERIFICADONão
TOTAL DE OBRAS2
TOTAL DE CITAÇÕES6
TOTAL COMO AUTOR2
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO2006
ANO MAIS RECENTE DE PUBLICAÇÃO2019
ÍNDICE H1
  • Capital Moves

    Jefferson Cowie, Jefferson R Cowie•BOOK•Capital Moves•2019

    Find a pool of cheap, pliable workers and give them jobs—and soon they cease to be as cheap or as pliable. What is an employer to do then? Why, find another poor community desperate for work. This route—one taken time and again by major American manufacturers—is vividly chronicled in this fascinating account of RCA's half century-long search for desirable sources of labor. Capital Moves introduces us to the people most affected by the migration o…

  • Dead Man's Town

    Open Access•Jefferson Cowie, Jefferson R Cowie et al.•ARTICLE•American Quarterly•2006•Citada por: 6•Referências: 4

    This essay analyzes Bruce Springsteen's 1984 hit song "Born in the U.S.A." as a history and commentary on working-class identity. The article discusses the song's narrative elements and its oppositional chorus as they each relate to the social, economic, political, and cultural history of post-Vietnam America. Beginning with an overview of white, male working-class political identity since the 1930s, the essay then turns to the era covered by the…

  • Dead Man's Town

    Open Access•Jefferson Cowie, Jefferson R Cowie et al.•ARTICLE•American Quarterly•2006•Citada por: 6•Referências: 4

    This essay analyzes Bruce Springsteen's 1984 hit song "Born in the U.S.A." as a history and commentary on working-class identity. The article discusses the song's narrative elements and its oppositional chorus as they each relate to the social, economic, political, and cultural history of post-Vietnam America. Beginning with an overview of white, male working-class political identity since the 1930s, the essay then turns to the era covered by the…

  • Dead Man's Town

    Open Access•Jefferson Cowie, Jefferson R Cowie et al.•ARTICLE•American Quarterly•2006•Citada por: 6•Referências: 4

    This essay analyzes Bruce Springsteen's 1984 hit song "Born in the U.S.A." as a history and commentary on working-class identity. The article discusses the song's narrative elements and its oppositional chorus as they each relate to the social, economic, political, and cultural history of post-Vietnam America. Beginning with an overview of white, male working-class political identity since the 1930s, the essay then turns to the era covered by the…

  • Capital Moves

    Jefferson Cowie, Jefferson R Cowie•BOOK•Capital Moves•2019

    Find a pool of cheap, pliable workers and give them jobs—and soon they cease to be as cheap or as pliable. What is an employer to do then? Why, find another poor community desperate for work. This route—one taken time and again by major American manufacturers—is vividly chronicled in this fascinating account of RCA's half century-long search for desirable sources of labor. Capital Moves introduces us to the people most affected by the migration o…

Race, History, and American Society (2 obras) · Aesthetics (1 obras) · American Political and Social Dynamics (1 obras) · Arbeitnehmer (1 obras) · Art (1 obras) · Binnenwanderung (1 obras) · Business (1 obras) · Business relocation (1 obras) · Chorus (1 obras) · Corporations (1 obras)

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